Baroque Interior Paintings

Antonio Bellucci (Venice 1654 - Soligo 1726) - Diana and Endymion. 122 x 152 cm unframed, 142 x 172 cm framed. Oil on canvas, in a carved and lacque...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

The Poor Poet German School, early 20th century after the original painting by Carl Spitzweg (c.1839) inscribed verso oil on board, framed framed: 15.5 x 17.5 inches board: 12 x 15 i...

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conserva...

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

Frans Francken the Younger 1581 - Antwerp - 1642 Flemish Painter 'The Departure of the Israelites from Egypt – The Exodus', c. 1610 - 1620 Medium: pen in sepia on paper Dimensions: mage size 26 x 34,5 cm, frame size 55 x 65,5 cm Biography: Frans Francken the Younger, born in Antwerp in 1581 and passing away on May 6, 1642, also in Antwerp, was a distinguished Flemish painter. He is recognized as the most prominent and productive member of the renowned Francken family of artists. Francken explored a wide range of subjects, creating large altarpieces for churches and producing smaller works depicting historical, mythological, and allegorical scenes. Notably, his depictions of collectors’ cabinets established a popular new genre of art during his era. He was known for collaborating with other artists, enriching their works with his skilled renderings of figures and narrative elements, complementing specialists in landscape, architectural scenes, and floral still-life painting. Francken was born to Frans Francken the Elder and Elisabeth Mertens. His father was a pupil of Antwerp’s leading history painter, Frans Floris, and a significant creator of altarpieces in Flanders during his time. Francken received his artistic training under the guidance of his father. Additionally, it is possible that Frans and his brother, Hieronymus Francken II, received further instruction in the workshop of their uncle, Hieronymus Francken I, in Paris. A versatile artist, Francken made significant contributions to various genres within Flemish art, introducing new themes and subjects. Many of his works comprised small-scale historical, allegorical, and biblical cabinet paintings, often emphasizing figures. He is credited with either inventing or popularizing several novel themes that gained popularity in Flemish painting, including genre scenes featuring monkeys (also known as singeries) and Kunstkammer or gallery paintings, presenting a plethora of natural and artistic treasures against a neutral wall. Francken introduced various other unconventional themes that later gained traction, such as the ‘Triumphal Procession of Amphitrite’ and ‘Croesus and Solon.’ He also produced a series of paintings depicting witches and witchcraft, including portrayals of witches’ sabbats. His remarkable paintings are held in the collections of numerous major museums throughout Europe. Francken specialized in rendering the human figure, as evidenced by etched and engraved portraits of the artist by Anthony van Dyck (after Peter Paul Rubens), identifying him with the Latin inscription: ‘ANTVERIÆ PICTOR HVMANARVM FIGVRARVM’ (Figure painter of Antwerp). He was frequently invited to contribute figures to compositions by other esteemed artists, including landscape artists such as Tobias Verhaecht, Abraham Govaerts, and Joos de Momper...

Late 19th century oil on canvas copy of The King Drinks by Jacques Jordeans, currently held in the Louvre, Paris. The painting is not signed but is probably an academic copy painted ...

Giulio Carpioni (Venice 1613 - Vicenza 1678) - Madonna and Child with Saints Joseph, Francis, Dominic and Anthony of Padua. 61 x 37.5 cm. Oil painting on canvas, unframed (not sign...

Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...

SPANISH SCHOOL 18th CENTURY STILL LIFE WITH WALNUTS, MELON, GRAPES AND ORANGE unsigned oil on canvas 15-3/4 x 21 inches (40 x 53 cm.) framed: 24-1/2 x 28-3/4 inches (62 x 72.5 cm.) ...

Girolamo Negri, known as Boccia (Bologna 1648 - Bologna after 1721) - Sibyl. 65 x 50.5 cm unframed, 90.5 x 75 cm with frame. Antique oil painting on canvas, in a carved and gilded ...

Giovanni Camillo Sagrestani (Florence 1660 - Florence 1731) circle of - San Girolamo. 96 x 72 cm unframed, 112 x 88 cm with frame. Antique oil painting on canvas, in a carved and g...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Oil on panel signed in the lower right corner and presented in a period frame measuring 21" x 18.5". Provenance: Private Collection Bradbury Art and Antiques, Wiscasset, ME Benj...

The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist. Oil painting on canvas. The artwork depicts a bargaining scene at the marke...

Pieta, 2019 Oil on Panel with Dutch Ripple Frame, 9 x 12 inches A whispering portrayal of spiritual sorrow, Justas Varpucanskis’s “Pieta” present...