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Bear Interior Paintings

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Art Subject: Bear
Huge Victorian Dog Oil Painting Terriers in Barn Chasing Mouse in Cage Signed
Located in Cirencester, Gloucestershire
The Rat Catchers! by Edward Armfield (British 1817-1896)) oil on canvas, framed framed: 35.5 x 30.5 inches canvas: 30 x 25 inches Provenance: private collection, England Condition: o...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

Confrontation, Charles Van Den Eycken, Brussels 1859 – 1923, Belgian Painter
By Charles Van Den Eycken
Located in Knokke, BE
Confrontation Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 28 x 21,50 cm, frame size 36 x 30 cm Biography: Van Den Eycken Charles (alias Charles Duchene) was born in Brussels in 1859. He was an animal painter, mainly dogs and cats and interiors. He was the son of Charles Van Den Eycken...
Category

19th Century Romantic Animal Paintings

Materials

Canvas, Oil

Ushanka
Located in Sag Harbor, NY
A still life of an ushanka, a type of hat with ear covers. Personett's textured fur and wood table invites the viewers to feel as if they are in the painting. The frayed edges of the strings of the hat suggests this is a well-worn garment, loved for many years. Signed "Personett" lower right corner. Framed in a traditional black frame w gold trim. Framed dimensions: 17 x 15 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters like Edward Munch...
Category

2010s American Realist Still-life Paintings

Materials

Oil, Panel

Zion Riverfront Chateau
Located in Bozeman, MT
Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...
Category

2010s Contemporary Landscape Paintings

Materials

Acrylic, Panel

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Antique French Oil Painting Kittens Playing beside Basket Signed Original
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Breathe Slowly/17
Located in Zofingen, AG
“Breathe Slowly/17” - This work is part of a series that encourages the observer to reflect and slow down in the fast pace of modern life. The lightness and spaciousness of the lands...
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English 19th century portrait of two seated King Charles Cavalier Spaniels dogs
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James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...
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Overcast Sky Over the Poppy Farm, Original Painting
Located in San Francisco, CA

Artist Comments
Artist Sharon France depicts a pastoral landscape with farmsteads lining the distance. Red poppies beautifully permeate the expansive field. "It's one of thos...

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Antique Dog Painting Collies in Horse Stable w/ Saddle and Blanket, 19th century
Located in SANTA FE, NM
Antique Dog Painting "Collies in Horse Stable with Saddle and Blanket" Auguste Vimar (French 1851-1916) Circa 1900 21 x 17 1/2 (29 x 25 1/2 frame) inches An excellent depiction of collies in the barn awaiting their master. The color and textures are very evocative of an actual stable right down to the hay scattered about. With its original frame, this is quite the statement piece. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...
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Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age
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Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...
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Autumn Talks/7
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'Attilla' A Chestnut Horse in a Stable. Oil on canvas
Located in St. Albans, GB
Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...
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