Coat Interior Paintings

This charming genre scene depicts a young newlywed couple who have presumably just arrived at an inn by coach. Still clad in their traveling clothes and looking slightly weary, they ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Promise of Eternal Friendship' from my 'Made...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...

"On the Rock” Landscape Oil Painting 12" x 12" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

This early 20th-century oil painting by British artist John Da Costa (1866-1931) depicts two figures dressed in riding gear within a country house interior. Looking towards a famili...

Figurative painting of a male figure viewing paintings by Thomas Eakins at The Metropolitan Museum of Art in New York City "Thinking Eakins" painted by Judith Wyer, in 2020 oil on linen 18 x 14 inches unframed, 19 x 15 inches with white stained wood frame Artist signature, verso This figurative painting was made by Connecticut based artist, Judith Wyer, in 2020. The painting features a mysterious male figure looking intently at "The Thinker", a portrait of Louis N. Kenton, by Thomas Kenton. The figure in the painting stares at the viewer, as if in dialogue. Curiously, they are dressed in the same outfit and captured in a similar stance. Another famous Eakins portrait entitled "Artist's Wife and His Setter Dog", seen in the background, lends further intrigue to this peculiar painting. Artist Statement: Making a painting is a journey with an unknown destination.. In this respect, I consider my process much like a writer where the narrative seems to develop itself. The relationship of the word and the image is crucial. My work often begins with a photograph of a captivating image, a fleeting moment of everyday existence. From this I begin the process of developing the narrative which most often requires numerous edits and lengthy periods of just looking at the work and not touching it. This can take years. The work and I grow together which hopefully yields a provocative and intimate elucidation of the human condition. Once I arrive on a title, which is almost never at the outset, everything comes into sharper focus and the work's form and meaning come into closer agreement. . In fact, I never consider a piece finished. The challenge of one piece informs the next which sometimes leads to resurrecting an incomplete piece from the past. My attic is full of such unfinished works. The words of Diego Velazquez continue to guide me, "Es Verdad, No Pintura." Artist Resume: Judith Wyer is an artist based in Connecticut. Education Master of Fine Arts, Brooklyn College, Brooklyn, New York, 1994 Arts Student League, New York, New York, 1990-92 Private studies with Robert Kulicke, New York, New York, 1991 Intermittent Studies, National Academy of Design, School of Visual Arts, Art Students League, New York, New York, 1975-1990 Bachelor of Arts, University of Washington, Seattle, Washington, 1975 Selected One Person Shows Recent Work, Hotchkiss Library, Sharon, Connecticut, 2019 “Presence,” Art Wall David Hunt Library, Falls Village, Connecticut, 2018 Winner’s Exhibition, Washington Art Association, Washington Connecticut, 2017 “The Art of the Bloom,” Minor Memorial Library Community Gallery, Roxbury, Connecticut, 2016 “Painting People,” Art Wall, David Hunt Library, Falls Village, Connecticut, 2015 “Getting There,” David Hunt Library Gallery, 2013 “Going Places,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2009 “Beyond Nature,” Bachelier Cardonsky, Kent, Connecticut, 2006 “Their Portraits and Their Works,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2003 “Humanity,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2002 “Life and Still Life,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2001 “Bravo,” Paris, New York, Kent Gallery, Kent, Connecticut, 1999 “Underground, On the Ground, Above Ground,” Paris, New York, Kent Gallery, Kent, Connecticut, 1998 “Visions,” Paris, New York, Kent Gallery, Kent, Connecticut, 1996 Master of Fine Arts Exhibition, Chuck Levitan Gallery, New York, New York, 1995 “Classical Extremes,” Paris, New York, Kent Gallery, Kent, Connecticut, 1995 Selected Group Shows “Seeing Red,” Meeting House Gallery, New Marboro, Massachusetts, 2019 “Girls”, Howland Cultural Center, Beacon, New York, 2018 “100!”, Howland Cultural Center, Beacon, New York, 2017 “Meeting Past,” Akin Library, Pawling, New York, 2016 “Meeting Past,” Akin Library, Pawling, New York, 2015 “Meeting Past,” Akin Library, Pawling, New York, 2014 “Just Drawing,” MidHudson Heritage Center, Poughkeepsie, New York, 2014 “On the Move,” Flinn Gallery, Greenwich, Connecticut, 2014 Invitational show, PUAB, Bethel, Connecticut, 2012 Invitational show, Front Street Gallery, Patterson, New York, 2012 “Still Life,” Carrie Haddad Gallery, Hudson, New York, 2010 “Painted Cities,” Carrie Haddad Gallery, Hudson, New York, 2010 “Closing Show,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2009 “Twentieth Year Anniversary,” Bachelier Cardonsky, Kent, Connecticut, 2008 “Memorial for Jacques,” Bachelier Cardonsky, Kent, Connecticut, 2008 “Small Works,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2007 “Diverging Similarities,” Chocolate Church Arts Center, Bath, Maine 2006 “Textural Rhythms,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2006 “Animals,” Paris, New York, Kent Gallery, Kent Connecticut, 2005 “Doors,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2005 “Small Works,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2004 “Bridge to the Country,” Kismet Gallery, New York, New York, 2003 “Chairs,” Paris, New York, Kent Gallery, Kent, Connecticut, 2003 “Still Life,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2002 “Urban Scenes,” Carrie Haddad Gallery, Hudson, New York, 2001 “Works on Paper,” Exhibition Space 156, Brooklyn, New York, 2001 “Summer Show,” Holland Fine Arts, Nantucket, Massachusetts, 2001 “Small Works,” Carrie Haddad Gallery, Hudson, New York, 2001 “Urban Imagery,” Bachelier Cardonsky, Kent, Connecticut, 2001 “The Painting in the Painting,” Bachelier Cardonsky Gallery, Kent, Connecticut, 2000 Selected Juried Shows Blue Mountain Gallery, New York, N.Y., Martica Sawin, juror, 2020 Blue Mountain Gallery, New York, N.Y., Eric Aho...

"Promenade” Landscape Oil Painting 12" x 12" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

Marcia Gaylor b.1947 American Financial Heroes Signed "M. Gaylor" (lower left) Oil on canvas One of America’s most important meetings is expertly rendered in this magnificent oil...

Dmitry Yuzefovich’s paintings are so rich in detail and so realistic they almost appear to be photographs. His subject matter is nostalgic; inspired by his memory of familiar places and objects from the past. This charming composition is of carefully curated objects in a foyer—a worn blue jacket, a broken umbrella, a leather satchel, a cap hanging on hooks. It is mounted above a small white chest...

Blue n.18 is an original contemporary artwork realized by Gastone Biggi in 1974. Mixed colored acrylic painting on canvas Hand signed, titled and dated...

A realist painting of the interior of a museum gallery. Soft light streams in through the skylights of the coffered arch ceiling, while spotlights...

Life’s Souvenirs by Tito Salomoni, Italian (1928–1989) Date: 1984 Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 25 x 2...