Shark Interior Paintings

This stunning oil painting on stretched canvas captures the majesty and power of a whale diving into the ocean, its tail splashing waves as it disappears beneath the water. Created u...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Signed lower left Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. ...

Parrot and Chrysanthemum, by New Jersey artist James Crawford Thom, is an interior still life. The oil on canvas is 42 x 23.5 inches, it is signed "Thom" lower right, and it is framed. Provenance: Private collection, Lambertville, New Jersey. Contact us for additional shipping options. Hudson River School style landscapist and genre painter James Crawford Thom was born in New York City in 1835, though he grew up on a farm just north of the City in Ramapo, New York. He studied at the National Academy of Design in New York City as an eighteen-year-old before going to Paris, where he studied with Camille Corot, Thomas Couture and Henri Picou...

Modernist dog portrait. Finely painted. Measuring 24 by 30 inches.

Antique American impressionist barn landscape oil painting. Oil on canvas. Framed. Measuring: 23 by 25 inches overall, and 20 by 22 painting alone. Excellent condition, ready to ha...

Expressive Castilian Landscape Oil Painting with Olive Trees and Impasto Artist: Ulpiano Carrasco Title: Verano en Castillejo Year: 1998 Technique: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 78 × 89 cm / 30.71 × 35.04 in Signature: Signed and dated on the reverse Inscription: Titled “Verano en Castillejo” on the reverse Framing: Framed Condition: Good overall condition, with rich original impasto and visible pictorial texture Description A vibrant expressive landscape by Spanish artist Ulpiano Carrasco, titled Verano en Castillejo and dated 1998 on the reverse. This oil on canvas represents a powerful Castilian landscape, built through dense impasto, energetic brushwork and a luminous palette of greens, yellows, blues, whites and earthy reds. The composition captures an open rural panorama with olive trees, rolling cultivated fields and distant hills, transforming the Spanish countryside into an intense chromatic experience. Carrasco does not approach landscape as simple topography. His painting turns nature into matter, rhythm and emotion. The fields appear almost sculpted with paint, while the olive trees emerge as dark, expressive forms against the vibrating surface of the land. The result is a landscape full of movement, heat and Mediterranean-Castilian atmosphere. The work is especially attractive for collectors of Spanish contemporary landscape painting, expressive impasto painting, Mediterranean landscapes, olive tree paintings...

As the moon climbed higher, the stories grew darker, more fantastical. Whispers of mermaids, shipwrecks, and buried treasure filled the air. The harbor town, once a bustling hub of a...

The harbor town hummed with a low, rhythmic energy as the sun dipped below the horizon. Shadows stretched long and ominous, swallowing the vibrant colors of the day. But as the last ...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

“Serenity’s Haven”, my thought unfurls into vastness, like a mirror reflecting the soul’s uncharted territories. Born from whispers of a community entwined with faith and moonlit pe...

Creating this piece has taught me a lot about human resilience and how silent historians are destroyed. For me, buildings are silent historians. When they’re demolished, we lose a lo...