John Emms

The Whipper-in

Bull II- expressive line drawing on 140lb paper. Part of the triptych. The work size is 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-b...

Moths. Diptych. Each work is 19.7 by 19.7 inches in size. About the Artist: Art Decorator, working in contemporary colors for interiors. "I love to draw from an early age, so my p...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

One Day in Paradise. Day-dogs fighting (flowers), made in grey, red, orange, black and white color Photographically accurate realism and conceptualism, peacefully coexisting on the c...

This fox in the chicken coop, oil on canvas, 105 x 156 without frame and 135 x 185 cm with frame, was clearly painted by Angelo Maria Crivelli (Milan 1660 - 1730) called Crivellone; painter from the Milanese stable but also very active in Piedmont thanks to the Savoy family. The theme in question was very successful in his time and he also developed it vertically, as we can see in some of his works at Castello Sforzesco; here the defense of the hen house...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

San Rafael Reef #2, acrylic on panel, 11 x 37 1/2 inches, $2,200 “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...