Abraham Zwahlen

"The Ferry Crossing, " Abraham Zwahlen, Swiss Alpine Landscape, European River

Winthrop Duthie Turney Pigeon Hill, Rockport Signed lower left Oil on canvas 20 x 24 inches Exhibited New York, National Academy of Design, Artists of America, Sixth Annual Exhibition, 1949. Winthrop Duthie Turney was born in New York City and received his education at the Art Students League. He was affiliated with the Fifteen Gallery...

Charles Vezin Factories on The River Signed lower right Oil on canvas board 12 x 13 15/16 inches After spending half his years as a partner in a highly profitable wholesale dry-goo...

William Lester Stevens Rockport Signed lower right Oil on canvas 20 x 24 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism, Title: Winter, Size: 24" x 30" x 3/4'' i...

Represented by George Billis Gallery, NYC & LA -- I paint the reality of the Southern California environment: how structures once revered for their groundbreaking ideas in design an...

Cedars, Greenport (Contemporary Winter Landscape Painting, Framed) painted by Tony Thompson in 2002 16 x 24 inches, 20.75 x 28.5 inches framed oil on canvas Wired on Reverse for easy installation Artist signature on lower left corner Tony Thompson's combination of masterful technique with sustained contemplation results in paintings that are a delight to behold and make his compositions are a timeless contribution to the genre. The light is the main event in bucolic settings, and the artist makes this challenge look simply effortless. In this painted, a shadowed tree line of cedar trees dominate the foreground of a meadow richly painted in tones of orange and umber. Wispy tree branches are highlighted by a pale pink sky that reflects the setting sun. Thompson's work is at the same traditional yet freshly relevant to today's environment - a classic landscape that has mass appeal! Anthony Thompson attended Dartmouth College...