Landscape Paintings

Flodlandskap i Månsken (“River Landscape in Moonlight”) is an evocative landscape depicting the ruins of a medieval castle on a forested island, rendered with remarkable sensitivity to light and atmosphere. The composition centres on the dramatic silhouette of a crumbling fortress, possibly inspired by Kronoberg Castle or Stegeborg Castle, rising above a quiet stretch of water at dusk. In the foreground, a man holding a burning torch has just stepped aboard a small wooden boat. The warm, flickering firelight illuminates the rocky shoreline and creates a vivid contrast with the cool, ethereal glow of the moonlit sky and river. Roselli orchestrates a sophisticated interplay between two distinct light sources: the warm blaze of the torch and the soft radiance of the full moon. The torchlight casts amber reflections across the stones, boat, and figure, pulling the viewer into the immediate drama of the scene. In contrast, the moonlight suffuses the landscape with a calm, silvery luminosity, outlining the ruined walls and drifting clouds. This dual lighting creates a striking depth and atmosphere, demonstrating Roselli’s exceptional command of nocturnal effects. The Artist Frans Johan Roselli was a Swedish landscape painter active during the height of Romanticism in the mid-19th century. Born in Småland in 1833, he began his artistic training early and later studied under Marcus Larson...

Mid Century Monterey Foothill Pond in Summer Original Oil Landscape Painting by Louise Cunningham Bright summer scene of pond in Monterey foothills by Santa Cruz, California artist ...

Title: Olive Trees, Sóller, Mallorca Artist: José Ventosa Domènech (1897-1982) Technique: Oil on panel Unframed dimensions: 15 x 18 in Framed dimensions: 23.6 x 26.7 in Signature: Si...

This beautiful acrylic on canvas painting from Contempop Gallery by Magdalena is part of her pool series paintings. It is 80X80 cm, signed by the artist and comes with a certificate ...

Signed divisionist style oil on panel landscape circa 1906-1907 by French Neo-Impressionist painter Henri Edmond Cross. This brightly painted piece depicts a view Saint Tropez. This...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 5.5 height) x 6.5 (width) Stamped Verso Condition: Good Provenance: All th...

Oil on board realized by Luciano Schifano (1943) in 1987. Hand signed and titled. Good condition.

This vibrant impressionist-style cityscape captures a bustling Parisian street scene, likely from the late 19th or early 20th century. Tall, historic buildings with warmly glowing sh...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Sailing headfirst into the heart of a storm, this powerful vintage oil painting captures a lone clipper ship slicing through towering waves beneath turbulent skies. The sails billow ...

«Amber Light» is a fleeting and rare moment when the sea glows from within, filled with warm golden light. A wave sparkles like a drop of amber, inviting us into the slow, quiet rhy...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

A Cheerful, 1930s American Scene Landscape Painting of Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying Chapin's stea...

Stamped, verso, with certification of authenticity for Marlene Anderson (American, 1931-2023); accompanied with old backing signed by the artist, dated July 1978 and title, 'Road on ...

Title: Snows Mountain Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Early 20th Century oil on canvas view of Collioure in the south of France, home to the Fauvists. The painting is initial signed E.L.Y bottom right (as yet undeciphered). The location...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

Charming Winter Village Scene titled verso by Henri Stenn (French 1903-1993) signed oil on canvas, unframed canvas : 15 x 18 inches Provenance: private collection, France Condition: ...

August Biehle (American, 1885-1979) Farm Scene with Hollyhocks, 1920 Gouache on paper Signed lower left, dated lower right 15 x 19 inches 19.5 x 24 inches, framed A versatile painte...

Antique oil painting on stretched canvas of lacemakers by the sea, most likely to be Brittany in France. This very unusual and totally charming painting of three lacemakers in a coa...

A bright and cheerful depiction of the hills near Monterey, CA by American artist John O'Shea. Born in Ireland in 1913, O'Shea moved to Pasadena, California and began his career as ...

'Luncheon of the Boat Party' After Pierre - Auguste Renoir's earlier painting signed oil on canvas, framed framed: 32 x 43.5 inches canvas: 24 x 36 i...

ARTIST: John Roy Eldershaw (1892-1973) Australian TITLE: "Cattle At A Watering Hole NSW" SIGNED: lower right MEDIUM: watercolour on paper SIZE: 68cm x 58cm incl frame CONDITION: ...

CHAUNCEY FOSTER RYDER (American, 1868-1949), landscape with figures on a bridge, oil on canvas, signed lower left. Framed under glass. Minor craquelure, dirt and grime. Possible label remnant from William Macbeth Gallery attached. Ryder's NYC Gallery/Dealer. See bio below. Canvas 12-1/4''h, 16''w. unframed and 16 x 20 framed as pictured. Provenance: Estate of Joseph ''Jay'' St. Mark, PhD, of Newtown, Connecticut, historian, appraiser, and collector of fine Americana. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

This painting is in excellent condition and has only been shown in a gallery setting. Pietro Piccoli was born in 1954 in the small town of Montopoli di Sabina in central Italy. At...

Moonlight reflects on the white walls of the quiet village buildings and casts long shadows across the street in this evocative night scene. The dimly lit road stretches away into th...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

In this painting, the artist celebrates the idyll of an alpine summer in the small Swiss village of Grabs. The canvas is filled with light and transparency of the air: a field strewn...

Sunlit Mediterranean Village, Provence signed oil on board, framed Framed: 16 x 14 inches Board : 10.5 x 9 inches inscribed verso Provenance: private collection, Paris Condition: ver...

Title: Enchanted - Meadow of Abundance and Stillness - In Pink Floral Flowers Abstract Unique Exclusive One-of-a-kind Striking Abundant Meadow Landscape Nature We all need to feel...

Original oil on canvas board painting of a fall landscape by the American artist, Arthur Mitchell. Signed lower left by the artist. Circa 1890. Condition is very good. The paintin...

Pausing for Conversatin Irish School, signed & dated 1919 signed oil on canvas, framed framed: 19 x 27.5 inches canvas: 12 x 20 inches Provenance: private collection, UK Condition: t...

Richard Weers (American, 1932-2022) Signed: Richard Weers (Lower, Left) " A Friend in the Forest " Oil on Canvas 12" x 16" Housed in a 1 1/2" Gol...

Oskar Lycke was a Swedish painter from Sundsvall whose work captured the quiet poetry of northern landscapes around the turn of the 20th century. Although largely self-taught, he was...

Title: Wild Extasy Minimalism, Art Deco, Abstract, Bold, Invest, Colorful, Joy, Ecstasy This series connects to that around as well as that within. Wild Extasy takes the viewer to...

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

This oil landscape painting by Stephanie Johnson captures a moment of illumination in the natural world—a golden clearing emerging beneath a moody sky. With masterful balance between...

Series: Between light and silence An ancient aqueduct bridges past and present in this expansive landscape. Lines echo history, while light fractures across the surface with quiet dr...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Ocean Side Size: 16" x 21" x 0.8'' i...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

This work predates my current series, but shows the emotional seed of what later became.This piece is a meditation on resilience — on how we live, create, and love with full awarenes...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Known for his winter scenes, here is an exquisite example of Cochran's talent and artistic vision with this summer piece. The application of paint is just beautiful to view in perso...

Mystical Moonlight oil/panel 8 x 10 unframed 13.25 x 15.25 framed. An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful moonlit ...

Title: Resting Boats Artist: Enric Beltrán Messa (1940–2006) Technique: Oil on canvas Dimensions: 15 x 18.1 in Support: Canvas, unframed Signature: Signed in the lower right corner P...

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Title: Mid-20th Century Post-Impressionist Drawing of Antibes with Palm Tree and Cacti by Anne Marie Migette Perard (French 1902-1977) Medium...

A large Mid-20th Century oil painting landscape depicting sail boats by the Port de Plaisance in France with homes and a tree lined path to the left. This piece has a strong presence...

Title: British Impressionist Watercolor of a Village Lane with Cottages by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 inc...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Three whippet dogs in a landscape oil painting reminiscent of 19th century British style or English School, this artwork is 45” long and nearly three feet high. Painted in the 20th ...

Rocky Coast, oil on panel Milton James Burns 1853-1933, Founding Salmagundi Artist member in ready to hang condition. The image measures 10 x 14 signed lower left. Minor craquelure in white impasto areas of the surf. Frame abrasion in upper and lower edges of canvas. A few pinpoints of in-paint show up under UV. This scene looks to me to be Black Head on Monhegan perhaps as Burns visited the island to draw, etc. as listed below. The following is from "The Jean and Graham Devoe Williford Charitable Trust" Milton Burns...

3919a Antique German oil painting river crossing in a gilt wood frame Image size 12x12"

Alfred Fontville de Breanski (British, 1877–1957) Scottish Loch Scene, oil on canvas, circa early 20th century This luminous Highland landscape by Alfred Fontville de Breanski captu...

Paul Emile Pissarro (1884-1972) Normandy: Mountain Landscape with a River, 1955 Oil on canvas Signed lower left Countersigned on the back Title and dated on the back On canvas 20F o...