1980s Landscape Paintings

Pierre Duc (born in 1945) is a French painter, printmaker and sculptor A former student of the sculptor Georges Oudot (who created among others the academician swords of Edgar Faure...

Abstract oil on canvas signed and titled 'Mesa Verde' by Wilma Fiori (1929-2019) painted November 17, 1988. Painted in bright yellows, gold, pink, red, and black. Presented in a vint...

"Untitled" is a painting by Rodolfo Morales. The painting is signed lower right, "Rodolfo Morales". The framed piece measures 37 3/4 x 39 7/8 x 2 1/4 in. Rodolfo Morales was a Mexic...

Get painting from listed Ukranian artist. Rural landscape with figures and sunflowers.

This extra-large contemporary painting is a beautiful French abstract composition. The painting becomes alive and harmonious in the interplay of the pale color palette and the large brushstrokes. The acrylic painting is made by French artist Raphaëlle Pia (1942-). The painting is countersigned. ‘R. Pia’ is signed in the bottom right corner of the canvas, and 'Raphaëlle PIA' is signed on the reverse side of the canvas. It is dated 1987, is titled ‘ ("Guanorgile") "Guanos II" ’, and its' medium is noted to be 'acrylique s/ toile (et technique mixte)' which translates to 'acrylic paint on canvas and mixed technique'. There is also a reference to a Parisian street that is partially crossed out...

Robert Gniewek (American, b. 1951) Mott's Grill, 1988 Oil on linen 34 x 46 inches Provenance: Artspace, Birmingham, Michigan Private Collection, Bloomf...

This dramatic British Post Impressionist coastal oil painting is by noted artist Laurence Henry Irving. It depicts the Great Storm of October 1987 which was referred to as the worst ...

Zoran Music, Punta della Dogana Oil on canvas, 33x40 cm, 1982. Hand signed and Dated. Authentication certificate by the Artist on Photograph. Good condition.

Interesting Night Scene, signed and dated verso with various gallery exhibition labels. I have seen other of his works variously titled Gulag and Bastille not sure what the series re...

Signed lower right, 'Dooley' for Helen Bertha Dooley (American, 1907-1994); additionally signed, verso, titled 'Turquoise Sea' and dated 1983. Exhibited: Carmel Art Association, Cal...

Bird Nest canvas size 24x20 Roy Austin (Canadian, 1910-1997) oil on canvas depicting boy on the tree looking at the bird nest. Signed lower left. Roy Austin was born in Faversham, ...

Entitled A Church, this 1981 acrylic on masonite abstracted landscape is by Derby, CT native Edith Park Truesdell (1888-1986). Truesdell lived for nearly a century as a noted painter...

Paesaggio,Betulle Luminoso paesaggio ,lungo fiume con betulle Provenienza Russi anni 1980

Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburba...

"Mountains" is a watercolor artwork created in 1989 on paper. The dimensions of the artwork are 11x21 cm. The painting focuses on depicting a scene of majestic mountains. Watercolo...

Vintage signed French impressionist signed Paris street scene oil painting. Oil on board. Signed. Framed. Image size, 16L x 12H.

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21...

Mountains 1989. Paper, watercolor, 10x14 cm Landscape with orange mountains. "Mountains" is a captivating watercolor painting that showcases the artist's skill in capturing the c...

Sea 1989. Paper, watercolor, 15x20 cm Landscape with sea and clouds The watercolor painting depicts a serene seascape, showcasing the artist's interpretation of the sea and cloud...

Batumi. 1987, paper, watercolor, 18x30.5 cm The watercolor painting portrays a landscape scene of Batumi, a city in Georgia. The artist skillfully uses watercolor techniques to depi...

"Batumi. View of the Harbor" is a watercolor artwork created in 1987 on paper. The dimensions of the artwork are 18.5x30.5 cm. The painting portrays a scenic view of the harbor in B...

Mountains 1989. Paper, watercolor, 11x21 cm The snowy mountains in watercolor evoke a sense of awe, peace, and the serene grandeur of nature. The delicate and transparent qualities ...

Batumi is a city located on the eastern coast of the Black Sea in Georgia. It is known for its picturesque landscapes, vibrant atmosphere, and unique blend of modern and historic arc...

Vintage American school abstract oil painting. Oil on canvas. Signed. Framed. Image size, 26L x 45H.

Lowell Nesbitt's paintings are in most major museum collections. In the 1950s he dabbled in Abstract Expressionism for a short time. However, It wasn’t until 1962, that he created hi...

Eilean Donan Castle, Scotland March 98' signed by Kenneth J. Lewis oil on canvas, framed framed: 18 x 22.5 inches canvas: 12 x 16 inches provenance: private collection, UK condition:...

Original, beautifully painted seascape oil on canvas painting by the well known french artist, Jacques Bouyssou. Signed lower right. Titled verso. Circa 1980. Condition is excelle...

Antique American modernist abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 24H.

Winter mood. 1984, cardboard, oil, 60x47 cm "Winter Mood" is an oil painting on cardboard that portrays the beauty and tranquility of a winter landscape. Through the use of contrast...

Clark Hulings (1922-2011) Santa Fe Artist Image Size: 24 x 36 Frame Size: 30 x 42 Medium: Oil Dated 1982 "Hot Springs" Central Mexico This painting was acquired from the estate of Bi...

Signed lower right, 'S. Darrah' for Sherry Darrah (American, 20th century), additionally signed, verso. Sherry Darrah attended Platt Technical College and received a diploma in Graphic Arts. after which she continued to study painting independently. She has exhibited in Balboa Park's Spanish Village and at various San Diego art...

Armand Tatossian, Canadian, 1948-2012 Oil on canvas 12 x 16 in Signed lower right ; signed and titled verso framed

William Arthur Winter, Canadian, 1909-1996 Redhead Oil on board 10 x 8 in Signed , titled verso framed

This 1980 oil on board is by California Regionalist painter Freeman Sargent (1912-1990). Sargent painted primarily in the California Regionalist style ...

Acrylic on canvas signed lower right. About artist: Born in Connecticut in 1921, Marootian grew up in New Haven, CT, and later became a resident of Pasadena in the 1940s. She earne...

Bruno Côté, Canadian, 1940-2010 Carleton Oil on masonite 20 x 24 in Signed and dated lower left; signed and titled verso provenance: Art & Style Gallery, Montreal framed

Nautical Maritime Seascape Painting of a Naval Battle between French & British wooden warships, by Artist Edward Hersey. Art measures 24 x 20 inches F...

This is an amazing original oil painting on canvas of the famous Brazilian-American painter, Humberto da Silva Fernandes (1937-2005) depicting a Ship at the pier, a Harbor dock scene, seascape. Humberto da Silva Fernandes (1937-2005) was a Brazilian artist known for his maritime-themed paintings. He was born on March 20, 1937, in the city of Niterói, in the state of Rio de Janeiro, Brazil. Fernandes started his artistic career in the 1950s, working as a sign painter...

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Milton Derr, also known as Milton Johnson, was a painter, illustrator and educator. ...

'Sunset Bliss on the Mediterranean', oil on board, by Peter Robert Keil (1983). What can be better than tanning and bathing on a Mediterranean beach in mid-summer? That joy comes thr...

Title: Grotto Dated: 1981 Size: 72 X 96 inches Technique: Oil paint on canvas Provenance: Robert Miller Gallery New York This is a large magnificent, Neo figurative, expressionist p...

Gaston SEBIRE (1920-2001) Le soir au Havre Circa : 1980 Oil on canvas Size : 81 x 100 cm Signed lower right. Provenance : Family of the artist Very good condition. Without frame.

Gaston SEBIRE (1920-2001) Marée basse en Normandie Circa : 1985 Oil on canvas Size : 73 x 92 cm Signed lower right. Provenance : Family of the artist Very good condition. Without ...

Pacific Coastal Seascape in Oil on Canvas Dynamic seascape by Evelyn Webb Meck (American, 1915-2011). Waves are crashing in around large rocks that a...

'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...

Gorgeous quiet landscape of a river with lush trees on the banks and a village in the distance. Signed and dated lower right "Е НОВИКОВ '80." (E. Novikov) In the style of or after (a copy of) a painting by the Lithuanian art...

Original Post-War Oil Painting of Clew Bay County Galway Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 36 x 18 inches Frame...

Original oil painting by celebrated, twentieth-century California landscape painter, Ronald Shap. A beautiful, abstracted view of a blue desert with mountains in the background. 20x2...

Anthony Procter was an English landscape painter during the middle to the end of the 20th century. His style and compositions made his work very sought after and this is a very good ...

Anthony Procter was an English landscape painter from the middle to the end of the 20th century. His style and compositions made his work very sought after and this is a very good ex...

Pierre Coquet - Characters at the edge of the wood Reference number F382 Framed with a natural oak floated frame. 53 x 50 cm frame included (48 x 45 cm without frame) This work is pa...

Christopher Gerlach (American, b. 1952) Sunset Eucalyptus: La Jolla, 1985 Oil on canvas 14 x 18 in. Framed: 17 7/8 x 22 in. Signed lower right: GERLACH Provenance: Fischbach Gallery, New York, NY Christopher Gerlach has been a practicing landscape painter and artist for thirty years, in the United States and Europe. He received formal training in academic draughtsmanship, life painting, and medical anatomy at the Ruskin School of Drawing and Fine Art, at Oxford University. He received an award from the Royal Academy in London, and was appointed Murray Landscape Scholar to Oxford University in 1979. He also received a Masters of Fine Art from San Diego State University. Gerlach was committed to a revival of realism in the tradition of the Impressionist and Painterly Realist schools of France and turn-of-the-century America and Britain. He worked to study and master the techniques utilized by Monet, Sargent, Winslow Homer, Hassam, Robinson, and others. He revived working in situ, in the landscape in the plein-air method. He was the first plein-air artist to paint in the restored gardens of Claude Monet at Giverny, in 1981 through the generosity of the Versailles Foundation. He began his career exhibiting at the William Sawyer Gallery in San Francisco and lived there, and then in Santa Fe, in Santa Barbara, in Arizona, and finally in Southwestern Colorado, in Pagosa Springs. He exhibited widely in the United States, in New York, and a number of other galleries. His work is derived from the French Impressionists and the American Impressionists, and is called Painterly Realism. He was one of the first modern realists to work to revive the force and integrity of realism in painting, after it was long eclipsed by abstraction. He works both from life, in the form called "en plein air" and in the studio. His work varies in size from small intimate easel sized works, to very large installations. His palette, and choice of colors are bright, and focused on light, and a sense of time, place and atmosphere. His paintings are intended to evoke a cheerful, optimistic mood, a joy of life and of living and to bring to the viewer both the beauty of the natural world, and also the poignancy of some of the most compelling and colorful regions, France, the tropics, the high country of Colorado, and the sunny coasts of California. His paintings hang in museums and public collections, including the San Diego Museum of Art, the Oakland Museum of California and Buckingham Palace, and in many other public and private collections. Gerlach feels that artists have a social responsibility as well as an aesthetic one. He has been active in research for the improvement of social conditions, ecology, and support work for battered women and abused children. He works to support cultural preservation and revival for indigenous peoples in the USA and abroad. He has worked in government and community and urban planning. He does research and field work in Ecology, Forestry, Hydrology, and Integrative psychology, and is the author of a number of works on social and environmental issues, including ecology, indigenous culture and sovereignty, psychology, treatment of emotional stress and trauma, integrative and health. He works as a publisher, a researcher, a consultant on ethics and development in community planning, social issues, and is a publishing consultant, and advisor to a variety of private and community organizations. He also works in support of advocacy for the Fine Arts in the United States and in Europe, and has a continuing interest in preserving and maintaining the highest standards in teaching and education in both the practice of the creative arts and in art history and the preservation of artistic and architectural history. SOLO EXHIBITIONS 1976 "Paintings from England and California." California State University, San Diego 1977 "Landscapes from England, Venice, and California." California State University, San Diego. 1978 "Views of Oxford," Trinity College, Oxford University, Oxford, England 1979 "Paintings from England, France and Greece," Trinity College, Oxford University 1980 "Landscapes of California and Europe," William Sawyer Gallery, San Francisco 1981 "Paintings from Giverny," William Sawyer Gallery, San Francisco 1982 "Images of the Southwest," William Sawyer Gallery, San Francisco "Paintings from the Southwest," Jamison Gallery, Santa Fe, New Mexico 1984 "Recent Paintings," William Sawyer Gallery, San Francisco 1985 "Recent Paintings," Fischbach Gallery, New York "Recent California Paintings," Orr's Gallery, San Diego, California 1987 "Recent Paintings," Fischbach Gallery, New York 1988 "The Cote d'Azur," William Sawyer Gallery, San Francisco, California 1990 "Paintings of Portugal...

Josep Roca Sastre (1928-1997) - Landscape - Oil on canvas Oil measures 50x100 cm. Frameless. Josep Roca-Sastre i Muncunill (Tarrasa, 1928 - Barcelona, ​​1...

Wonderful English late 20th century Field Mouse in a landscape. Signed and dated 1981 Chris Howells was born in 1947 and passed away in 2013. He studied Graphic Design at Stourbrid...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 x 15 tall Medium: Bronze Sculpture / Studio Copy 1984 "Working as One" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter honored him with a Distinguished Alumni Award. One of Harvey's paintings was featured on the cover of Smithsonian Institution's 150th anniversary engagement book. He now has four books published and resides with his family in The Texas Hill Country. integrity, strength, courage, faith, heritage - these are compelling words that have often been used by collectors and art critics alike to describe that intrinsic value that courses through every original painting or sculpture by artist G. Harvey. Whether drawing inspiration from his own deeply rooted Texas heritage or his world travels with wife Patty, the human experience is fully revealed in his art. He is often credited with technical brilliance as his goal is to approach each subject with discipline, maturity and artistic integrity. Yet beyond this vast and well-schooled knowledge, is a deeper set of values, an inner luminosity that transcends time and place, evoking familiar sights, sounds, moods and emotions. Harvey grew up in San Antonio, Texas. He resides now in Fredericksburg, Texas where he lives in a 150-year-old stone home built by German settlers. Lyndon Johnson introduced his works to John Connally who presented a G Harvey original to the governors of four Northern Mexican states. He celebrated a one-man show at the Smithsonian Institution entitled The All-American Horse. Harvey has always believed that history lives through art including the epic struggle between the states, the western migration, the brief time when horses and automobiles clattered across cobblestones together. He is faithfully able to capture the drama and feeling of such a moment in time. Please view my 1stdibs store front for other Great Vintage Texas...

A stunning oil on canvas painting portraying a panoramic view of a town by the beach. The painting is finely framed in a decorative gilt frame and is signed by the artist Austin. D...

Olive Harvest in Southern Italy on Cold Coastal Morning Italian Riviera Olive Harvesters are bundled up against the cold and dust on a Harvest Morning, somewhere on the southern Italian coast by Francesco (Franco) Matera (Italy 20th C). In an Oak Frame. Franco a...

Juan Francisco Vidaller (1925) - Sheep shepherd landscape - Oil on canvas Oil measures 38x46 cm. Frameless. Painter born in 1925. Self-taught. In love with nature, the countryside, the sea and its people have been the main theme of his paintings. On this occasion, they reflect his primordial interpretation of what he has observed for decades in Girona, from its Empordà coast to the Garrotxa Volcanic. Two key points: his predilection for autumnal and marine themes, his sailing boats with the people who crewed them. These are some authoritative opinions: ... Vidaller is in love with the classics. his painting concretizes reality, seeking the imperishable quality of painting of all time. In his paintings we rediscover the old silence of the countryside, the transparent grass of the waters, the restful path, the boats, the seafarers... Molí, Art Critics Association. ... perhaps the greatness of this artist lies in being unique in the midst of progressive fever. Perhaps it could be, in the conviction that authentic artistic identity depends more on quality than on novelty... Rafael L. Pozo. ... pointing out the flirting...