1980s Landscape Paintings

San Francisco Salt Ponds II, Large Scale Modern Geometric Abstract Landscape A bright and colorful abstract interpretation in monumental scale of the Bay ...

The House in Torremolinos, Spain British artist J.B. Holmes, 20th Century Oil painting on board, unframed Signed by the artist and dated Feb, 1982 on the back of the board Board siz...

Seychelles Granite II is a colorful painting made by Evelyne Ballestra, a French contemporary artist, while she was in Seychelles for art residency. The artist uses bright colors in ...

About this piece This is an oil painting of a coastal landscape from Herb Kornfeld's visit to Nova Scotia. He loved the light and colors of the water, sky, boats, activity and trans...

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Salt Ponds 1, Large Scale Modern Geometric Abstract Landscape with Pink A bright and colorful monumental scale abstract interpretation of the Bay Area salt...

Robert Gadomski's paintings, which utilize various techniques, are of natural and urban settings, most inspired by South Side neighborhoods such as Marquette Park, where he grew up, ...

Soviet/Russian painter. “Landscape with haystacks” 1984. Oil on artist’s board. Signed and dated on lower right. 13” H x 19’ W, overall size is 20” H x 26” W. Condition is exc...

This painting measures 13.5"x 11.3". It is a poetic representation of a stone wall in the Greek island of Kythira. George Tzannes is an American painter of Greek origins. In his twen...

Gorgeous colors in this abstract of the sunrise on the bay by Erle Loran (American, 1905-1999), a modernist of urban and coastal views and geometric painting. Signed on verso. From a...

Artist: Ted Lownik, American Title: Blue Sailing Diptych Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 30 x 38 in. (76.2 x 96.52 cm) Frame Size: 32 x 40 inches

ATT Ad from the mid 1980's

Vivid and arresting abstracted landscape of four red mountains by Erle Loran (American, 1905-1999), c. 1985. Estate stamp on verso. Provenance; From the estate of Earl Loran; David Carlson...

This acrylic painting on a wooden door panel was created by American artist John Bowman. The ordered and chaotic patterns found in Bowman’s urban landscapes are reminiscent of Byzantine mosaics, Islamic tile...

Vibrant abstract of Berkeley Hills overlooking the city of Oakland, California by Erle Loran (American, 1905-1999). Presented in a wood slat white frame. Signed lower right "Loran." ...

Vibrant modernist abstract geometric landscape of trees by the water with reflections by Erle Loran (American, 1905-1999). Signed "Loran" lower right corner. Estate stamp on verso. Unframed. Measures 52"H x 72"W x 2D. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

"Cliffside", Large Scale Modern Abstract Geometric Landscape Colorful modern abstract landscape titled "Cliffside" by Erle Loran (American, 1905-1999), a modernist of urban and coas...

Vivid abstract geometric landscape of Oregon's John Day Fossil Beds and Painted Desert by Erle Loran (American, 1905-1999), 1989. Signed lower right "Loran '89." Estate sale on verso. Unframed. Image size: 60"H x 52"W. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Mountains and High Desert, Large-Scale Modern Abstract Landscape by Erle Loran Modernist abstracted landscape painting of the mountains and John Day Painted Desert in Oregon by Erle...

Bright and vibrant abstracted landscape depicting the Wyoming mountains on a summer day by Erle Loran (American, 1905-1999). From a collection of his works. Estate stamp on verso. Un...

"Rock Forms in Open Field" Ancient Rock Formations by Charles Brindley Large scale and substantial landscape titled, "Rock Forms in Open Field" by Charles Brindley (American, b. 195...

Abstract landscape painting of Wyoming Hills by Erle Loran (American, 1905-1999), a modernist of urban and coastal views and geometric painting. Signed lower right "Loran '83." Prese...

Fourth Guardian Gouache on paper signed and dated 23 November 1983 image size 10 x 5 inches paper size 22 x 15 inches Lucio Pozzi (b. 1935, Milan, Italy) is a multifaceted art...

Wyoming Gold Diggings, Large Scale Modern Abstract Geometric Landscape #3 Beautiful abstracted geometric landscape by Erle Loran (American, 1905-1999) of the Wyoming "Gold Diggins"....

Signed and dated lower left 1981

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 41x33 cm. Frame 45x37 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan ...

Rafael Duran Benet (1931-2015) - Barcelona - Oil on canvas on board Oil measurements 27x22 cm. Frame 29x24 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pai...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Le Tennis is a beautiful large painting by the artist and painted painted in 1981. The artist has one of the paintings in his own collection and was happy to hear when we acquired t...

This was a very peaceful time for the artist and he painted very few paintings in 1982. he loved the sea, Saint Tropez where he had a home and loved to go. A painting of the Port of ...

This is a very calm period for the artist (1982) as he painted very few paintings at this time and date. One can see the transition from portraits of 1979 and the difference of 1982...

Antique American modernist abstract landscape oil painting. Signed verso. Unframed.

Artist bio: Born in the vibrant metropolis of New York City in 1931, Joyce Weinstein embarked on her artistic journey with an impressive start, holding her very first solo exhibitio...

Gorgeous oil on canvas by Louis Papp. Amazing color and texture. Please look at all the photos. The piece is incredible and a great size. Unframed the piece measures 54h x 32w and it...

20th Century Oil painting of an Impressionist scene of of an Impressionist landscape. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his f...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 36 x 24 Frame Size: 50 x 37.5 Medium: Oil Dated 1980 "The Lily Pads" G. Harvey,...

'Road to Eygalières', oil and pastel on carton, by Henri-André Martin (circa 1980s). Sitting only a few minutes' drive outside the vibrant town of Saint Rémy, Eygalières holds a spec...

Claude Le Sauteur, Canadian, 1926-2007 1975 Oil on canvas 14 x 18 in signed and dated on lower right Le Sauteur 75 framed

Armand Tatossian, Canadian, 1948-2012 BOUQUET DE L'AUTRE! Oil on canvas 60 x 18 in Signed lower right ; signed, titled and artist’s stamp verso; PROVENANCE Private collection, Montre...

Stanley Cosgrove, 1911-2002, Canadian UNTITLED (Landscape), 1977 Oil on canvas panel 16 x 20 in signed lower left; signed and dated “November 1977” on the reverse; titled on a galler...

German, b. 1927 Born in Stuttgart, Germany, in 1927, Wolf Kahn immigrated to the United States by way of England in 1940. In 1945, he graduated from the High School of Music & Art i...

Christopher Gerlach (American, b. 1952) Sunset Eucalyptus: La Jolla, 1985 Oil on canvas 14 x 18 in. Framed: 17 7/8 x 22 in. Signed lower right: GERLACH Provenance: Fischbach Gallery, New York, NY Christopher Gerlach has been a practicing landscape painter and artist for thirty years, in the United States and Europe. He received formal training in academic draughtsmanship, life painting, and medical anatomy at the Ruskin School of Drawing and Fine Art, at Oxford University. He received an award from the Royal Academy in London, and was appointed Murray Landscape Scholar to Oxford University in 1979. He also received a Masters of Fine Art from San Diego State University. Gerlach was committed to a revival of realism in the tradition of the Impressionist and Painterly Realist schools of France and turn-of-the-century America and Britain. He worked to study and master the techniques utilized by Monet, Sargent, Winslow Homer, Hassam, Robinson, and others. He revived working in situ, in the landscape in the plein-air method. He was the first plein-air artist to paint in the restored gardens of Claude Monet at Giverny, in 1981 through the generosity of the Versailles Foundation. He began his career exhibiting at the William Sawyer Gallery in San Francisco and lived there, and then in Santa Fe, in Santa Barbara, in Arizona, and finally in Southwestern Colorado, in Pagosa Springs. He exhibited widely in the United States, in New York, and a number of other galleries. His work is derived from the French Impressionists and the American Impressionists, and is called Painterly Realism. He was one of the first modern realists to work to revive the force and integrity of realism in painting, after it was long eclipsed by abstraction. He works both from life, in the form called "en plein air" and in the studio. His work varies in size from small intimate easel sized works, to very large installations. His palette, and choice of colors are bright, and focused on light, and a sense of time, place and atmosphere. His paintings are intended to evoke a cheerful, optimistic mood, a joy of life and of living and to bring to the viewer both the beauty of the natural world, and also the poignancy of some of the most compelling and colorful regions, France, the tropics, the high country of Colorado, and the sunny coasts of California. His paintings hang in museums and public collections, including the San Diego Museum of Art, the Oakland Museum of California and Buckingham Palace, and in many other public and private collections. Gerlach feels that artists have a social responsibility as well as an aesthetic one. He has been active in research for the improvement of social conditions, ecology, and support work for battered women and abused children. He works to support cultural preservation and revival for indigenous peoples in the USA and abroad. He has worked in government and community and urban planning. He does research and field work in Ecology, Forestry, Hydrology, and Integrative psychology, and is the author of a number of works on social and environmental issues, including ecology, indigenous culture and sovereignty, psychology, treatment of emotional stress and trauma, integrative and health. He works as a publisher, a researcher, a consultant on ethics and development in community planning, social issues, and is a publishing consultant, and advisor to a variety of private and community organizations. He also works in support of advocacy for the Fine Arts in the United States and in Europe, and has a continuing interest in preserving and maintaining the highest standards in teaching and education in both the practice of the creative arts and in art history and the preservation of artistic and architectural history. SOLO EXHIBITIONS 1976 "Paintings from England and California." California State University, San Diego 1977 "Landscapes from England, Venice, and California." California State University, San Diego. 1978 "Views of Oxford," Trinity College, Oxford University, Oxford, England 1979 "Paintings from England, France and Greece," Trinity College, Oxford University 1980 "Landscapes of California and Europe," William Sawyer Gallery, San Francisco 1981 "Paintings from Giverny," William Sawyer Gallery, San Francisco 1982 "Images of the Southwest," William Sawyer Gallery, San Francisco "Paintings from the Southwest," Jamison Gallery, Santa Fe, New Mexico 1984 "Recent Paintings," William Sawyer Gallery, San Francisco 1985 "Recent Paintings," Fischbach Gallery, New York "Recent California Paintings," Orr's Gallery, San Diego, California 1987 "Recent Paintings," Fischbach Gallery, New York 1988 "The Cote d'Azur," William Sawyer Gallery, San Francisco, California 1990 "Paintings of Portugal...

Sunrise, 1981 By. Jim Palmer (American, b. 1941) Signed and Dated Lower Right Unframed: 24" x 36" Framed: 30" x 42" Born in 1941 in Columbia, South Carolina, Jim Palmer attended the University of South Carolina in 1960 before going on to study at the Atlanta School of Art in 1964. In 1966 he and his wife moved to Hilton Head Island, the second artist to do so during the Island's early years. Since living here, he designed the cover of the Chamber of Commerce' Islander Magazine, has been a contributing artist to the Island Events Magazine, and has painted many Low Country scenes that grace homes and businesses throughout the country. Palmer was the illustrator for two books written by local authors: A Corner of South Carolina and Moonshadows. His work has been included in exhibits at the Hunter Museum in Chattanooga, TN; Mint Museum, Charlotte, NC; Southeastern Artists Exhibition, Atlanta, GA; Greenville County Art Museum, Greenville, SC; Callaway Gardens, Pine Mountain, GA; and Bay Hills Club, Orlando, FL. His paintings are part of the private collections of C&S National Banks in Columbia and Hilton Head Island; Banker's Trust Tower, Columbia, SC; Palmetto State Bank, Bluffton, SC, among others. Several paintings are also included in the collections of former Presidents Jimmy Carter and Dwight Eisenhower, former South Carolina Governor Robert McNair and singer John Denver.

Seagulls (Birds in Flight), 1982 By. Jim Palmer (American, b. 1941) Signed and Dated Lower Right Unframed: 32" x 36" Framed: 37" x 42.5" Born in 1941 in Columbia, South Carolina, Jim Palmer attended the University of South Carolina in 1960 before going on to study at the Atlanta School of Art in 1964. In 1966 he and his wife moved to Hilton Head Island, the second artist to do so during the Island's early years. Since living here, he designed the cover of the Chamber of Commerce' Islander Magazine, has been a contributing artist to the Island Events Magazine, and has painted many Low Country scenes that grace homes and businesses throughout the country. Palmer was the illustrator for two books written by local authors: A Corner of South Carolina and Moonshadows. His work has been included in exhibits at the Hunter Museum in Chattanooga, TN; Mint Museum, Charlotte, NC; Southeastern Artists Exhibition, Atlanta, GA; Greenville County Art Museum, Greenville, SC; Callaway Gardens, Pine Mountain, GA; and Bay Hills Club, Orlando, FL. His paintings are part of the private collections of C&S National Banks in Columbia and Hilton Head Island; Banker's Trust Tower, Columbia, SC; Palmetto State Bank, Bluffton, SC, among others. Several paintings are also included in the collections of former Presidents Jimmy Carter and Dwight Eisenhower, former South Carolina Governor Robert McNair and singer John Denver.

David Hayes (1931 - 2013) Study for Landscape with Marsh, 1986 Gouache on paper 22 x 30 in

Oil Painting of Great Gable & the Buttermere Fells in English Lake District by 20th Century Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art measures 30 x 20 inc...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Andreas Nottebohm is a German painter known as a key innovator in metal painting. The painting measures 48 x 40 inches and is signed and dated verso. Provenance: Private Collection, NYC

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

William Tillyer Untitled (The Westwood Paintings) 1989 Acrylic on canvas 61 x 71.1 cms (24 x 28 ins) WT9778

Frame size 73x86 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, ​​where he had as teachers Felix Mestres and Vicente Borrás. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure, he was able to complete his artistic training. Throughout his life Ignacio Gil dedicated himself to travel both in the Peninsula and in different Islamic and Latin American countries. He exhibited his work in Spain, France, the Philippines, Switzerland, the United States, Canada and Colombia, among many other countries. Extraordinary draftsman, agile handling pencil and charcoal, Ignacio Gil immortalized landscapes of all Spain...

Artist: Duncan Hannah, American (1952 - ) Title: Telepathy Year: 1983 Medium: Oil on Canvas, signed and dated Size: 44 in. x 58 in. (111.76 cm x 147.32 cm)

Artist: Duncan Hannah, American (1952 - ) Title: Private World (Lisa) Year: 1986 Medium: Oil on Canvas, signed l.r. Size: 40 x 54 inches

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...