Landscape Paintings

A vibrant oil painting captures a serene moment in a desert landscape. The scene unfolds under a soft pink sky. Figures of cowboys stand in quiet camaraderie. Their attire blends ear...

Artist: Alexander Shandor Title: The Evening is Burning Away Medium: Oil on Hardboard Year: 2022 Style: Impressionism Dimensions: 20'' x 27.5" x 0.2" inch (50 x 70 x 1 cm) Presentat...

Impressionist winter pastoral scene of a quaint snow covered town with Figure on Sleigh and Horse by Bucks County, PA. Willett has portrayed this charming piece in a most intimate, y...

Artist: Alexander Shandor Title: Amazing Verkhovyna Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 20" x 23.5" x 1" inch (50 x 60 x 2cm) Presentation: Unframed, G...

Artist: Alexander Shandor Title: Warm Summer Medium: Oil on Cardboard Year: 2016 Style: Impressionism Dimensions: 9" x 12.5" x 0.2" inch ( 23 x 32 x 1cm) Presentation: Unframed, Ty...

MAGGY CLARYSSE Pointillist Landscape Circa 2000 Oil on board Signed lower right Label on reverse Presented in an ornate frame with scrolling foliate decoration and a gilt inner slip...

Title: Enchanted - Joy-bringers in Pink - Floral Meadow Flowers Soft Abstract Invest Nature Joy Stillness In this vibrant acrylic painting, I've poured my passion for the abstrac...

Artist: Alexander Shandor Title: The colorful Mizhhirshchyna Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 34" x 38.5" x 1" inch (86 x 90 x 2cm) Presentation: Un...

«Where We Began» from the series «Where We Belong» Medium: Acrylic on canvas; Size: 96 × 90 × 2 cm; Presentation: Stretched on a wooden stretcher, ready to hang. This painting expl...

A picturesque post-impressionist landscape that conveys the intimate and sunny atmosphere of the southern landscape. The main element of the work is a group of majestic dark cypresse...

Figure in the Jardin du Luxembourg Paris Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil on canvas, unframed. Provenance: From the a...

Floating NO2. An impressionistic abstract view of a bright wind-swept cloudy sky. Soft, white fluffy clouds painted in white and light blue, with thick, detailed brush strokes making...

Size: 95 × 95 × 2 cm (overall size with stretching 105×105 cm) Year: 2026 Materials: acrylic on canvas Presentation: The canvas is stretched on a wooden frame and ready to hang. Ship...

Two Ladies Dining in a Paris Park French Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil on canvas, unframed. Provenance: From the ...

A colorful countryside winter painting depicting a serene landscape, capturing a snow filled scene with trees, foliage, and a lighten up home nestled in the distance. The piece is do...

Dimensions: 83 × 97 cm Medium: Acrylic on canvas Support: Stretched canvas Ready to hang In this work, the artist seeks to convey a feeling of quiet happiness, closeness, and sereni...

Sandra Pratt (American, b. 1978) "Blue Light," 2026 Oil on wood panel 6 x 8 in (15.24 x 20.32 cm) Signed lower right Framed, 7.5 x 9.5 in (19.05 x 24.13 cm). A white barn with a pal...

Robert Padilla (b.1947) Eze, France Landscape, 1985. Oil on linen canvas, 8.75 x 10 inches. Signed and dated lower left. Unframed. Robert Padilla was born in 1947 in Paris, France, and was shuttled in and out of foster homes and orphanages, which played a factor in him turning his paintbrush on those who had been discarded – out-of-sight-out-of-mind. Searching for a place to call home, Padilla enlisted in the French military in his early 20’s before coming to the United States in 1976. With a job already lined up when he arrived, Padilla worked at a ritzy hair salon located on Madison Avenue and 72nd Street in New York City and was doing well for himself. While roaming and exploring the streets of New York City and becoming entrenched in his surroundings, Padilla discovered another creative outlet. “I started painting, drawing and developing my technique,” he said. “It took me about a year to create a painting that meant something, and it was a turning point. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. As an artist, he was validating their existence. They posed for him as models and he expressed seeing a tenderness in their eyes that he connected with. Their faces have been positioned just so on the walls of Detour Gallery in great anticipation of the opening of their show, for all to see and for them to be admired, acknowledged and invited in as part of the human family. “His work is about real people,” said artist, Julia Rivera...

Artist: Alexander Shandor Title: October Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 23.5" x 31.5" x 1" inch (60 x 80 x 2cm) Presentation: Unframed, Gallery Wr...

Because Love, I think, is not finding someone Who saves you from the darkness It is finding the one whose hand you would recognize inside it This oil painting celebrates the fleeti...

Artist: Alexander Shandor Title: Greatness of the Carpathians Medium: Oil on Canvas Year: 2018 Style: Impressionism Dimensions: 39.5" x 39.5" x 1" inch ( 100 x 100 x 2cm) Presentati...

Cattle Watering in a North Country Landscape by William Mellor British Oil Painting by William Mellor (British, 1851–1931) signed oil on panel, framed Framed size: 13 x 17 inches Pan...

The paintings of Bruce Rubenstein seamlessly marry sophistication with accessibility. Rubenstein’s original art merges the creative attitudes of New York and Los Angeles, combining s...

Figures Walking Through Cottages Nestled in the Rolling English Countryside By Sidney Watts (English, fl.1890-1910) Oil on canvas, framed Signed Framed size: 21 x 28.5 inches Canvas ...

Thomas Kegler (American, b. 1970) "Evening Pines, Psalm 62:1-2," 2026 Oil on panel 5 x 5 in (12.7 x 12.7 cm) Unsigned on the front Unframed, but ready to hang. A stand of slender tr...

Figures Seated in a Mediterranean Garden Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil and pencil on canvas, unframed. Provenance...

A vibrant oil painting captures a serene moment in a desert landscape. The scene unfolds under a soft pink sky. Figures of cowboys stand in quiet camaraderie. Their attire blends ear...

Tall ship at sunset, oil on canvas, signed and dated “Otto Lindberg 1925” A tranquil maritime scene rendered in a delicate palette of violet, rose, lavender and warm yellow. Against ...

Artist: Alexander Shandor Title: Breath of Autumn Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 16" x 23.5" x 1" inch (40x 60x 2cm) Presentation: Unframed, Galle...

This painting depicts an impressionistic scene of Monet's Lily Pond in Giverny, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions captured ...

Artist: Alexander Shandor Title: Stream Medium: Oil on Hardboard Year: 2015 Style: Impressionism Dimensions: 14 x 23.5" x 0.2" inch (35 x 60 x 1 cm) Presentation: Unframed, Type: O...

Details: Title: Tulips in Sequence Medium: Acrylic on canvas Size: 130x130 cm (51.2x51.2 inches) Year: 2026 * Certificate of authenticity provided. * Painting is shipped carefully...

Artist: Alexander Shandor Title: Castle in contre Medium: Oil on Cardboard Year: 2019 Style: Impressionism Dimensions: 10" x 15.5" x 0.2" inch ( 25 x 40 x 1cm) Presentation: Unframe...

Details: Title: Modernist Windows Medium: Acrylic on Watercolor Paper Size: 40x55.2 inches total (100x140 cm). Each panel measures 40x28 inches (100x70 cm) Year: 2026 Artist: Natal...

A whimsical oil painting depicting a Parisian cafe scene in Paris, France, by Luigi Cagliani. As an Italian Impressionist artist, Cagliani produced most of his works in the first hal...

"In the painting "Spring Joy 2" I depicted a bush that blooms every year in May in the place where my route runs when I walk with my dog." said Anna about this landscape painting. "T...

Autumn Mountain Landscape with Waterfall British Oil Painting by William Mellor (British, 1851–1931) Signed oil on panel, framed Framed: 15 x 12 inches Panel: 12 x 9 inches Private c...

A striking vintage oil painting on wood panel depicting a traditional English fox hunting scene with mounted riders and a pack of hounds moving through an expansive countryside lands...

Abstract Interior By Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote Gouache and pencil on artist paper, unframed Artist paper: 21.75 × 15 inches Provenance: from the ar...

Lord Byron Standing on the Shore British School, circa 1919 Oil on panel, framed inscirbed/ signed? lower left and indistinctly dated Frame: 7 × 8 inches Panel: 6 × 7 inches Provenan...

Artist Comments
A vibrant farm landscape features a patchwork of rolling fields in shades of green, yellow, and orange. Cows graze across the sloping hills. In the mid-ground, ...

Prize Bay Horse By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Condition: overall good ...

Artist: Alexander Shandor Title: Normandy Etretat Etude 1 Medium: Oil on Canvas Hardboard Year: 2026 Style: Impressionism Dimensions: 7.5 x 10" x 0.2" inch (19 x 26 x 1cm) Presentat...

Beautiful Light, Colors of Winter oil/canvas panel signed LR 12 x 9 image unframed, 18.5 x 15.5 framed I enjoy playing with light in my paintings and creating a mood while trying to...

"Dimensions: 65 × 93 *2 cm Medium: Acrylic on canvas Support: Stretched canvas Orientation: Horizontal Ready to hang In this work, the artist seeks to convey a special state of tra...

Figures Resting in an Expansive Mountain Valley Landscape 19th Century British School, indistinctly signed Medium: oil on canvas, framed. Framed: 29 × 41 inches. Canvas: 24 × 36 inch...

Hackney Horse in a Country Landscape By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Con...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Catalan Post-Impressionist Mountain Landscape, El Montmell Spain Artist: Mossèn Ramon Gimbert Canals Title: Font de Volta, Montmell Medium: Oil on canvas Dimensions: 60 x 73 cm / 23.62 x 28.74 in Signature: Signed lower right, “R. Gimbert” Date: 1965 Frame: Unframed Condition: Good vintage condition, consistent with age. Please see photographs for full details. Inscription: Inscribed, titled and dated on the reverse: “Font de Volta – Montmell – 1965” Origin: Catalonia, Spain Description Atmospheric 1965 Catalan Post-Impressionist landscape by Mossèn Ramon Gimbert Canals, depicting the mountainous surroundings of El Montmell in the Baix Penedès region of Tarragona, Catalonia. The painting is specifically identified on the reverse as “Font de Volta – Montmell – 1965”. The Font del Montmell is located in the recreational area of La Joncosa del Montmell, a mountainous landscape in southern Catalonia traditionally associated with the walking route known as the Volta al Montmell. Gimbert presents the landscape through an intensely Mediterranean palette of emerald greens, turquoise blues, ochres and luminous whites. The composition opens from a secluded foreground garden bordered by stone walls and dense vegetation toward the monumental mountain range beyond. A large tree rising at the right edge acts almost as a natural architectural element, framing the view and creating a powerful sense of depth. The handling of the paint is especially attractive. Areas of broad, vigorous brushwork alternate with thicker passages of impasto, particularly across the mountains, vegetation and cloudy sky. Rather than describing every detail literally, Gimbert builds the landscape through colour, texture and light, giving the scene a distinctly modern and expressive character. Painted in 1965, only four years before the artist’s death, the work belongs to Gimbert’s late period and shows the confidence of a painter deeply familiar with the Catalan countryside. El Montmell was not an isolated subject in his production. Other documented works by the artist depict the same area, confirming its importance within his landscape painting. The combination of identifiable location, original reverse inscription, strong Mediterranean character and substantial 60 x 73 cm format makes this a particularly representative example of mid-20th-century Catalan landscape painting. Biography Mossèn Ramon Gimbert Canals was born in Sant Quirze del Vallès on 25 May 1882 and died in Barcelona on 31 July 1969. He was ordained as a Catholic priest in 1908 while simultaneously developing a sustained career as a painter. These biographical dates are recorded by the Arxiu Diocesà de Barcelona. His artistic production concentrated principally on landscape, especially views of Catalonia, rural architecture, gardens, mountain scenery and coastal subjects. El Montmell appears repeatedly among his known works, alongside subjects including Horta, Camprodon and maritime scenes. Gimbert participated actively in the Barcelona art world. His most significant documented exhibition was a solo presentation at the prestigious Galeries Laietanes in Barcelona from 28 December 1935 to 10 January 1936. The exhibition is recorded in the Institut d’Estudis Catalans repertory of individual art exhibitions in Catalonia and included a catalogue listing the exhibited works and their prices. His paintings belong to the broader tradition of 20th-century Catalan landscape painting, combining naturalistic observation with increasingly free brushwork, expressive colour and a distinctly Mediterranean sensitivity to light. Artistic Inspiration The work belongs to the rich tradition of Catalan modern landscape painting developed from the late 19th century onward. Its expressive treatment of colour and vegetation recalls the Mediterranean landscapes of Joaquim Mir, while its luminous atmosphere and direct observation of nature can also be related to painters such as Eliseu Meifrèn, Santiago Rusiñol and Joaquim Sunyer. Rather than suggesting direct stylistic dependence, these comparisons place Gimbert within the wider Catalan and Spanish tradition in which landscape became a vehicle for colour, atmosphere and personal expression. Landscape Paintings Mountain Paintings Post-Impressionist Paintings Spanish Paintings Catalan Art Modern European Paintings Mediterranean Landscape Paintings Post-Impressionism Catalan Modernism Spanish Modern Art Mediterranean Landscape Painting Catalan landscape, Spanish landscape painting, El Montmell, Baix Penedès, Tarragona landscape, Catalonia painting, Mediterranean landscape, mountain landscape, Post-Impressionist landscape, Spanish Post-Impressionism, Catalan Post-Impressionism, 1960s Spanish painting...

Artist: Alexander Shandor Title: Trees Medium: Oil on Cardboard Year: 2016 Style: Impressionism Dimensions: 12.5" x 13.5" x 0.2" inch ( 32 x 35 x 1cm) Presentation: Unframed, Type:...

Fauvist Spanish Wildflower Landscape in Jaén, Mediterranean Oil Painting Artist: Rafael Duran Benet (Spanish, 1931–2015) Title: Campos de Jaén Medium: Oil on canvas board Dimensions...

This oil painting captures a moment of timeless elegance. The composition radiates warmth and vitality. Lush dahlias and delicate roses bloom in a vibrant dance of pinks and creams. ...

Figure beside a Bridge on the Seine Paris French Modernist Cubist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal on artist paper, unf...

JACQUES DEVEAU Oil Painting French Impressionist Landscape Framed. In good condition measures 44x31

Artist: Alexander Shandor Title: Autumn Evening Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 23.5" x 25.5" x 1" inch (60 x 65 x 2cm) Presentation: Unframed, Gal...

Size: 92×92 cm (overall size with stretching 102×102 cm) Year: 2026 Materials: acrylic on canvas Shipping: ready to hang The painting "In the Garden" invites the viewer into a secl...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

Seth Winegar (American, b. 1974) "Spring Full Bloom," 2026 Oil on board 42 x 48 in (106.68 x 121.92 cm) Signed lower right. Framed, 50.5 x 56.5 in (128.27 x 143.51 cm). A row of tre...

Dimensions: 90 × 90 × 2 cm Medium: Acrylic on canvas Format: Stretched canvas Ready to hang This painting captures the quiet transition between day and evening—the moment when the e...

The painting captures the beauty of a town at dusk, cradled by majestic mountains. The warm glow from houses and streetlamps reflects in the calm water, transforming the lake’s surfa...