Men Landscape Paintings

Stanley Cosgrove, 1911-2002, Canadian La Tuque , 1972 Oil on board 18 x 14 in 45.7 x 35.6 cm signed lower right; signed, titled; dated 1972 and inscribed “no. 12” and “Hudson” on ...

The painting (with a Salvador Rosa-style gilded frame 88 x 116 cm) depicts a group of four children who are playing outside on a swinging seesaw; we are probably dealing with a prank, as can be seen by the satisfied expression of the child on the right at the expense of the one in the foreground, who seems to be supported by the others, perhaps because of the fear felt. They are dressed in the same way, with black or brown ankle boots and a kind of double-breasted jumpsuit with a rich lace collar reminiscent of the jabots of dames, blue for the one in the foreground, brick-colored for the other three. Children also look alike in the hair, typical of the period, and features, suggesting a kinship relationship. We find the same subject, for example, in Johann Zoffany...

Febland always works in rich dramatic narratives that are timeless and yet of this time. Timeless, because human narratives have remained relatively consistent throughout our time here and certainly of this time in regard to his choice of subject matter. This piece, a comment on the "Millennial." The piece feels somewhat lude, in nature. A scantily clad woman walking down the street. Unique hair, nails, tattoos, and clothes that draw attention. The shoulder strap fallen down as if to reference Sargent's "Madame X," a scandalous piece in 19th century Paris. She is in public, grasping her lifeline to the world, the cellphone. Yet she feels isolated and perhaps lost. The rickshaw's in the background as metaphorical guides to an unknown destination, yet she pays them no mind...

19th Century Dutch

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Artist Ernest Chateignon was born in 1887. Ernest Chateignon exhibited at the Salon since 1867. Through his painting, he always marries peasant exis...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

Medium: Oil on Canvas Signature: Signed Lower Right Du Pont Safety Calendar, 1941, June # 2270 in the Catalogue Raisonné, 2009

"Une Belle de Jour" is an original oil on board painting that measures 30x40 inches and comes unframed. Gaugy's still life of red and blue flowers is a beautiful representation of "M...

Portrait Of Captain Arthur George Coningsby Capell, dated 1915 by Charles A. Buchel (1872-1950) Large 1915 English portrait of Captain Arthur Ca...

Tempera mixed with gum arabic and alcohol on Renaissance Panel Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways. Throughout Riggs oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style. In “Prospector firing Rifle” is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the peak moment of climax. Meanwhile, the bag two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker and nothing in any of Riggs’s compositions were haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Attributed To George Garrard Landscape with animals and figures. oil on canvas

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Étienne Jeaurat (Vermenton 1699 - Versailles 1789) Game of children intent on harvesting grain (Allegory of Summer) Mid-18th century Oil on canvas 97 x 129 cm - Framed cm. 112 x 14...

The Face of Self-Righteous Delusion rides the night sky seeking it's glorification both on Earth and in Heaven. It is accompanied by various enablers. There are also spectators. The ...

"Friday Market" Oil painting 39" x 79" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has nota...

Henry Bernard Chalon (London 1770-1849) 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes Signed and dated 'H.B. Chalon pinxit 181...

"India III" Painting 16" x 20" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he moved t...

Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting. Acrylic on canvas. Author: Igor Fomin. Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77" In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary. From the tow...

The painterly style of Ben Duke is beautifully rendered in this small painting on panel titled "We Will Build Our Dreams and Then Live in Them". The couple is engaged in something out of sight for the viewer but give a casual feel to the entire scene. The sailboat conjures up the thoughts of sailing off into the unknown. The painting is framed in a simple black wooden frame measuring 12h x 15w inches. Ben Duke We Will Build Our Dreams and Then Live in Them #2 oil on panel 11h x 14w in 27.94h x 35.56w cm BSD024 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City, UT 2001 Summer School of Music and Art, Yale University, New Haven, CT Selected Exhibitions 2017 Distortion, Gallery Victor Armendariz, Chicago, IL Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2015 The Suburbs Eyes: Picturing the Sprawl, (invitational), Ernestine M Raclin Gallery, Indiana University, South Bend, IN 2014 21 and Counting, The Painting Center, New York City, NY A River Without Banks, Paul Collins Art Gallery, Grand Rapids, MI The Contemporary Figure, Ben Duke and Robert McCann, Moss-Thron Gallery of Art, Fort Hays, KS 2013 Benjamin Swallow Duke and Nathan Barnes, Emerson Center for the Arts and Culture, Bozeman, MT Benjamin Swallow Duke and Esther Randall, Rosewood Gallery, Kettering, OH Thresholds, Delaware Center for the Contemporary Arts, Wilmington, DE 2012 Sublime Rupture, Target Gallery, Catalog with Essay by Dominique Nahas, Alexandria, VA 2011 Identity In Itself, Lapham Gallery, Lower Adirondack Regional Arts Center, Glens Falls, NY Benjamin Duke, Tony Shumsky, Roy G. Biv Gallery, Columbus, OH Upheaval, [traveling solo exhibition] University Art Gallery, Saginaw Valley State University, Saginaw, MI 2010 Kuandu Museum Residency Show and Open Studio, Kuandu Museum of Fine Art, Taipei, Taiwan Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Upheaval, [traveling solo exhibition] Cloyde Snook Gallery, Adams State College, Alamosa, CO Floating, Fitton Art Center, Hamilton, OH 2009 Disrupted Particulars, Macomb Center for the Performing Arts, Clinton Township, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Notwishstanding, Ann Nathan Gallery, Chicago, IL SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Biennial 25, South Bend Museum of Art, South Bend, IN 2008 We Drew a Circle and Called it and Island, Garden City Art Space, Taipei, Taiwan Benjamin Duke and Teresa Dunn, University of Wisconsin-Parkside, Kenosha, WI Imaginary Cities, Moraine Valley Community College, Palos Hills, IL Awakening, Ann Nathan Gallery, Chicago, IL 2007 SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3, Palm Beach County Convention Center, Ann Nathan Gallery, West Palm Beach, FL Above and Beyond, Ann Nathan Gallery, Chicago, IL Darkness: World and Culture, Caladan Gallery, Beverly, MA Baker Arts Center 10th National Juried Exhibition, Liberal, KS Nude International, Lexington Art League, Lexington, KY 2006 Launch: Graduate Thesis Show, Baltimore, MD (solo) Second Chance: Brewer’s Art, Baltimore, MD (solo) Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Academy 2006, Conner Contemporary, Washington, DC. Opening Exhibition, Touchet Gallery, Baltimore, MD Only Human, School 33, Baltimore, MD Go Figure, Maryland Federation of Art, Baltimore, MD 2005 Emerging Artists, Maryland Federation of Art, Baltimore, MD real vs. Real, City Café, Baltimore, MD Artscape Art Fair, Baltimore, MD Group Show, Hoffberger Gallery, Baltimore, MD 2004 Clamor, Rose Wagner Center for the Arts, Salt Lake City, UT (solo) Boxing, Fox Gallery, Baltimore, MD 2003 Paintings, Finch Lane Gallery. Salt Lake City, UT (solo) Regional Show, Saint George Art Museum, Saint George, UT Show us Your Stuff, Left Bank Gallery, Salt Lake City, UT Spring Salon, Springville Art Museum, Springville, UT 2002 Trasa Urban Arts, Salt Lake City, UT 2001 Seen and Unseen, Union Art Gallery, Salt Lake City, UT (solo) Professional Experience 2006-present Assistant Professor, Michigan State University, East Lansing, MI 2006-2005 Instructor, Ruriart Community Art Center, Ellicott City, MD 2004-2003 Instructor, Peterson Art Center, Salt Lake City, UT Selected Awards 2015 Alfred and Trafford Klots...

The scene of Christ carrying the cross is imagined in a rocky landscape. Two soldiers press the cross onto his shoulders, another leads him, holding the rope. A line of soldiers and prisoners moves from right to left. In front of them the three Marys kneel and pray for Christ. A nursing woman, symbol of Caritas, sits in the right foreground. Some dogs and playing kids enliven the scenery. Simon de Vos was born in Antwerp, and was first taught by Cornelis de Vos...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Circle of Peter Paul Rubens (Siegen 1577 - Antwerp 1640) The Judgement of King Solomon Oil on copper (41 x 49 cm. - with ebonised and gilded wooden frame 58 x 66 cm.) The proposed painting, executed in oil on copper, depicts the biblical episode known as the 'Judgement of King Solomon' and is taken from the Book of Kings, in the Old Testament (I Kings, 3, 16-28). The work is derived from the painting in the Statens Museum for Kunst in Copenhagen depicting the 'Judgement of Solomon', which was largely created by Rubens' workshop with some intervention by the master. The iconography of the painting was certainly made popular by the print made by the Dutch engraver Boetius Adams Bolswert (Bolsward, c. 1585 - Antwerp, 1633) now in the collection of the Metropolitan Museum. The extraordinary critical and illustrative success of the work is certain, of which several replicas and copies exist, preserved in museums and private collections: Delft, Rouen and Coutrai, Liechtenstein in Vaduz and in Seville Cathedral. The prototype for the original Copenhagen painting...

Blue Shadows is an original Painting by Eleanor Woolley. Blue Shadows is one of a series of shadow paintings interested in light, shade and shadow. The artist is exploring the relati...

Venetian painter (18th century) - Gallant scene with masked characters. 80 x 63.5 cm without frame, 87.5 x 70.5 cm with frame. Antique oil painting on canvas, in a wooden frame. C...

"The Day's Toil" Oil painting 16" x 24" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has nota...

"Lonely Rocks" - Original 1958 Watercolor on Paper Original watercolor painting of a woman in a red dress standing on rocks along the seashore by Bertram Spencer (American, 1918-199...

Rudolf Kosow delivers a surreal masterpiece that encapsulates his fascination with the interplay of scale and the deep connection between humans and animals. In this painting, a Sain...

Rudolf Kosow once again challenges our perceptions with this captivating painting, merging the familiar with the surreal in a composition that both delights and intrigues. The canvas...

This poignant painting by Rudolf Kosow presents us with a remarkable visual allegory rich with surrealistic influences. The canvas is occupied by a colossal, detailed black labrador ...

In this evocative piece by Rudolf Kosow, we are confronted with the signature elements of surrealism that define his work. The canvas is dominated by the vastness of a feline's paw, ...

In this striking oil painting by Rudolf Kosow, we are presented with a surreal vision where the dimensions of reality are altered, provoking thought and stirring the imagination. The...

In Full Pursuit Hunting Hounds clearing a Fence by Jean Terry, British 20th century signed and dated 1998 oil on board, framed framed: 28.5 x 45 inches board: 23 x 42 inches provenan...

The Half Way Hotel English artist, late 19th century (double sided painting with a hunting scene to the reverse). oil painting on board, unframed board: 13 x 10.75 inches provenance...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

"City Synergy" is a 30x40 oil painting on canvas by artist Richell Castellon. Featured is a rainy day in New York City cityscape. Pedestrians stroll the streets under umbrellas while...

The Toilet of Venus Francesco Albani (Bologna 1578 - 1660), workshop of oil on canvas 62 x 76 cm. - framed 70 x 84 cm. (period frame) The proposed painting, depicting the Toeletta ...

Quaint early 20th century landscape of an old man traveling down a dirt road in a covered wagon led by two donkeys and a dog, through rolling hills and wildflowers, by S. Bassett Wei...

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

Ignacio Gil Sala (1913-2003) - Barcelona - Oil on canvas Oil measures 38x46 cm. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who...

Matthias de Visch (La Reninge, 1701 - Bruges, 1765) Signed and dated on the edge of the globe: M. De Visch 1739. Allegory of the triumph of Art over Time (Music and Astrology that c...

Tramonto, 2024 by Luigi Christopher Veggetti From the Beaches series Mounted on stretcher Unique The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration th...

An original painting by Garth Bayley. Pen, watercolour and ink painting of the horses racing on a stormy day. ADDITIONAL INFORMATION: Storm clouds over head by Garth Bayley [2020] ...

"KSENIYA RAI'S WORKS ARE IN MORE THAN 200 PRIVATE COLLECTIONS WORLDWIDE. This is original art, one-of-a-kind, that has a virtual projection. The virtual projection can be seen with y...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: River Boat + Gardner Medium: 2x gouache on paper, loosely laid over card, unframed card: 12.75 ...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

David Teniers II, the Younger(Antwerp, 1610 - Brussels, 1690) Workshop of The Temptations of St. Anthony Abbot Oil on canvas 61 x 90 cm. - Framed 95 x 125 cm. The evocative theme o...

"Dangerous" Portrait of the 1833 Derby racehorse winner by John Frederick Herring Snr (1795-1865) British signed lower left, titled lower right oil painting on canvas: 10 x 14 inches...

Italian master (17th century) - David and Bathsheba bathing. 49.5 x 64.5 cm without frame, 68 x 84 cm with frame. Antique oil painting on canvas, in an antique carved and gilded wo...

David Rathman, born in 1958 in Choteau, MT, is known for his delicately rendered paintings of stereotypically male motifs from American history and contemporary culture. He focuses o...

The Harvest Workers French Post-Impressionist circa 1930's pastel drawing board, unframed board: 21.5 x 18 inches provenance: private collection, France condition: very good and soun...

David Rathman, born in 1958 in Choteau, MT, is known for his delicately rendered paintings of stereotypically male motifs from American history and contemporary culture. He focuses o...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...