Michael Gregory

Crows Heart

2017

Oil on canvas. Use of different abstract techniques on a deep blue colour. The artist uses his fingerprints to give more character to the work, which is completed by a spiral that inspires the artwork itself. In Antonio Buonfiglio...

Alchemy IV by British artist Charlotte Aiken. Charlotte's work centres on the notion of infinity, as exemplified by her representations of the sky. Her powerfully large-scale pieces...

Alchemy II by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium of paint, working on ...

Alchemy IV by British artist Charlotte Aiken. Charlotte's work centres on the notion of infinity, as exemplified by her representations of the sky. Her powerfully large-scale pieces...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

Oil on panel 13 ⅜ x 9 ⅞ inches; 34 x 25 cm Framed dimensions: 43.4 x 34.3 cm Not signed c. 1730s Collections: James Brydges, Duke of Chandos; Chandos sale, Christopher Cock, Lond...

Isaac and Rebecca had two sons: the twins Esau and Jacob. Esau was the first-born, giving him the birthright. Among Jews the birthright gave the eldest son authority over the family,...

Circle of Ruisdael, Riders in a Landscape passing by a well

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.