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David Goldes
The Future in the Present

2012

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Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

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Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph

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Bruce Cratsley, American (1944-1998) Vintage gelatin silver print (Television) TV Head A surrealist image of a window mannequin man with a TV head. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman who shot many luminaries including, Allen Ginsberg, Denise Levertov, Anaïs Nin and more. In 1978 Cratsley contributed the photo sequences for the musical The Class, performed by The New Ballet School at the New York City Center. In 1980, Cratsley showed his work, Atlantic City, 1977, an August beach scene, at the 11th Anniversary show at the Witkin Gallery. In 1989 Cratsley was awarded with the Guggenheim Fellowship for Photography, US & Canada. Cratsley documented gay life in NYC including his life with David Waine, who died in 1991. "I'd been photographing David since long before he became sick [...] at some point I realized that this was an extraordinary thing that was happening, and that I had an intimate relationship to it. I photographed David just a few hours before he died, not knowing what was about to happen [...] David was very spiritual [...] My pictures are a poetic, spiritualized look at AIDS". In 1995 Cratsley was included together with Barbara Norfleet, Olivia Parker and John Sturges in the list of bestselling photographer at Robert Klein Gallery...

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Air, glass, water, air

Air, glass, water, air

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Collectively entitled Electro-graphs, David Goldes' exhibition of new work features graphite drawings; photographs made when electrical current is applied to the drawings; and photog...

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