Ceramic Figurative Photography

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Artist: Jeff Koons Title: Balloon Rabbit (Violet) Year: 2019 Medium: Porcelain with violet chromatic coating Dimensions: 11 1/2 × 5 1/2 × 8 1/4 in (29.2 × 14 × 21 cm) Edition: 999; I...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 7/10. Provenance: Freed archive. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the phot...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Rabbit (Violet) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre. “One of the things that I’m most proud of is making work that lets viewers not feel intimidated by art, but feel that they can emotionally participate in it through their senses and their intellect and be fully engaged”. — Jeff Koons The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decorations, the artist is proud to make art that is not intimidated for the viewers. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce...

This set of Jeff Koons' Balloon Animals includes Balloon Rabbit, Balloon Monkey and Balloon Swan, made of highly reflective porcelain. Incorporating the vocabulary of his iconic Cele...

Katia , Platinum Palladium print on Arches Platine paper from Ian Sanderson, unframed. Edition of 12 plus 2 AP ( small Size ) Portrait of a naked woman in a fur coat lying u...

This is a black and white contemporary portrait photograph of a female nude by Leonard Freed, Kate Resting, is in the photographer's series "Kate". A 20" x 16" gelatin silver photograph signed verso (back of photo) by the Freed estate (provenance). The self-assigned photo series on Kate became a welcome reprieve for Leonard Freed who during a long photo...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Tulips Coupe Plate - Jeff Koons, 21st...

Office Party, New York City, 1966 by Leonard Freed is a gelatin silver later print, 16 x 20, signed verso (on back) by the photographer. Freed enjoyed sto...