Gold Leaf Figurative Photography

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Other Side of the Eye (Shot 2019 on 600 film) Edition of 10 - 20 x 20 cm - Digital C-Print based, not mounted. Signed on back and certificate. Artist: The image was in part influ...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from the sidewalk and the skyline of Houston in the background. This photograph is signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a perfectionist, enthusiastic and di...

"Untitled 1" (En Rouge) Nude Photography 32" x 24" in Ed. 3/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited Edi...

BROOKE SHADEN A Storm to Move Mountains, 2011 Photo on Velvet Fine Art Paper 10 × 10 in. Image 18.25 x 18.25 in. Framed Edition 7 of 15 Channeling the...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

"Queen of Diamonds" - 2016 - C Print on Fuji Pearl, 50x38x2 inches Edition 1 of 7 Custom white box frame Kathleen Wilke blurs the lines of poetry ...

"Edens Dreaming" Photography 24" x 24" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 24" inch Edition of 7 30" x 30" inch Ed...

This photographic triptych Titled "Ribbons" 1998 is a gelatin silver print on paper by noted American/Canadian artist Carol Marino, born 1943. It is hand signed, dated 1998 and titled in dark red ink by the artist. The size of each photograph is 16 x 11 inches, sheet size is 16. 5 x 11.5 inches. The three together is 34.65 x 11.5 inches, framed is 29.25 x 43 inches. Framed in a silver and maple frame. The photographs are in excellent condition, the frame has some minor scratches and will be replaced by a similar or better new frame before shipping, which will make the overall condition excellent. About the artist: CAROL MARINO (Canadian, b. United States, 1943) In reaction to the industrial landscape of Pittsburgh, where she grew up, Carol Marino responds to her present, comparatively untouched environment with a certain instinctive attachment to it. Photographing near and around her home in northern Ontario, she focuses on flora and fauna in their natural habitats. For her, photography is a vehicle to express her concern for and engagement with her natural surroundings and her work often shows the influence of artists such as Edward Weston or Imogen Cunningham, particularly in its sensuality. Marino generally makes only a single print from each negative, often grouping three or four images together to create assemblages. The occasional addition of patterned colour-pigmented Select Solo Exhibitions 2006 Newfoundland, Corkin Shopland Gallery, Toronto 2001 New Work, Jane Corkin Gallery, Toronto 1999 Recent Work, Jane Corkin Gallery, Toronto 1996 Jane Corkin Gallery, Toronto 1993 Jane Corkin Gallery, Toronto 1991 The Koffler Gallery, Toronto New Work, Jane Corkin Gallery 1988 Works in Colour, Jane Corkin Gallery 1986 Recent Work, Jane Corkin Gallery 1984 Jane Corkin Gallery, Toronto 1983 Kodak Gallery, Rochester, New York 1982 Jane Corkin Gallery Kensington Fine Art Gallery, Calgary 1981 Marcuse Pfeifer Gallery, New York 1980 Jane Corkin Gallery 1978 The David Mirvish Gallery, Toronto 1976 The David Mirvish Gallery, Toronto 1973 The Baldwin Street Gallery, Toronto Select Group Exhibitions 2002 Four Canadian Photographers, Samuel P. Harn Museum of Art, University of Florida 1997 Hot Art for Hot Days, Jane Corkin Gallery 1996 Gallery Artists, Jane Corkin Gallery 1995 Contemporary Animals, Jane Corkin Gallery 1994 15th Anniversary Exhibition, Jane Corkin Gallery 1992 Women on Women, Jane Corkin Gallery 1991 Four Canadians, Vision Gallery, San Francisco 1990 Is There Still Life in Still Life or is Nature Morte?, Watson de Nagy, Houston, Texas 1989 Contemporary Canadian Photography, Hotel La Citadelle, Montreal, PQ 1988 Figurative Force, The Gallery / Stratford, Ontario 1987 An Exhibition of Works in Colour, Jane Corkin Gallery Summer Gardens – Summer Flowers, Jane Corkin Gallery 1986 Masterpieces from the Gallery Collection, Jane Corkin Gallery Canadian Contemporary Photography, Watson de Nagy, Houston, Texas 1985-6 Retrospective, Jane Corkin Gallery 1985 Jane Corkin Gallery 1984 Santa Claus Exhibition, Jane Corkin Gallery Summer Salon ’84, Jane Corkin Gallery 1983 Galerie Zur Stockeregg, Zurich, Switzerland 1981 Le Troisième Salon, Jane Corkin Gallery 1979 Canadian Images Conference, Trent University, Peterborough, ON Opening Exhibition, Jane Corkin Gallery 1978 The Baldwin Street Gallery, Toronto 1975 National Film Board - International Women’s Year Exhibition Select Solo Museum Exhibitions 1987 Life Forces, Agnes Etherington Art Centre, with Catalogue, Queen’s University, Kingston, ON Select Group Museum Exhibitions 2009 Dancing While Driving, Corkin Gallery, Toronto 2000 From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography 1995 The Hat My Father Wore, Agnes Etherington Art Centre, Kingston 1992-4 Flora Photographica: The Flower in Photography...