Outer Space Figurative Photography

Romantic Couple - Signed limited edition archival pigment print, Edition of 10 This image was captured on film in Paris in 1988, on the Carrousel de Montmartre. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print; each is an edition of ten (10) making the total that can be printed as thirty (30). This will include any custom sizes requested Archival pigment print available sizes ( Image size , the white margin is not counted) : 35 x 56...

This photography is part of a series of zen like beauty of Flowers art photography. In 3 sizes. This piece: Print size: 30 x 37.5 in. Image dimensions are 22 x 30 in. Matted in 8 ply museum archival matt. Ed of 15, signed, editioned on a Certificate of Authenticity by by photographer. About this series: With great patience and respect, the photographer observes the life cycle of the flower, viewing the subject much like a portrait photographer views a person, choosing the particular instance which in his view represents the essence of the flower. We feel the piece evokes a certain poetic, quiet, Zen beauty. The photographer was a London Central Saint Martins graduate and lived in a short spell in a monastery in Japan, and now primarily lives in Japan. ----- The artist was born in the UK in 1971, and after leaving Central Saint Martin’s in London in 1992, determined to explore a deeper sense of meaning, and contemplate life, he journeyed to Japan where he lived in a Zen Buddhist monastery and lived and studied in a temple in the mountains of Yamanashi for months, during which he studied Zen Buddhism and joined the monks in their daily prayers and routines. Over time, the subject matter for this series is borne out of a respect of the inner life of living things, Nature, in this instance and a sense of “mono no aware” (the art of impermanence). His artist vision has drawn influences from his Western artistic culture, Japanese classical aesthetics, and the 1933 classical text, “In Praise of Shadows” by Japanese literary titan, Junichiro Tanizaki (1886–1965). Tanizaki, as translated by scholars, examines the singular standards of Japanese aesthetics and their stark contrast with the value systems of the industrialized West. He writes: “We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.” “Shadows” presumably refers to the subtle interplay between light and darkness, not a stark dualism between black and white. Hence, the quiet beauty expressed in shadows of light and darkness as a living flower moves through the passage of life. The art of impermanence refers to a “pathos” (aware) of “things” (mono), deriving from their transience. The flower is a perfect metaphor for the expression of impermanence and beauty. Each flower has its own distinctive character and temperament, and is in constant dynamic motion. Through the passage of its life, it blossoms to its greatest peak, turning always towards the light until they eventually give up their petals. The artist documents this process through hundreds of images over time, essentially capturing the essence of the life of the subject. Both the visual aesthetic and process of his art calls to mind the transcient nature of things and reminds us to rejoice what we do have. In his gold series - Gold, in turn associated with the sacred, the divine, with supernatural powers and even immortality, has been recognized since ancient times in all the great civilizations as a noble material. Gold leaves have been used to decorate shrines, temples, statues, armor, jewelry since ancient times. At different times of the day, the light reflects off the gold differently as the day progresses, providing a visual context in which the celebration of life was captured. The artist has been recognized for his work for example, with a merit award at the Art Directors Club 87th Annual Awards N.Y. (2008). His work has been in group exhibitions as a runner up at the National Portrait Gallery in London as part of the Taylor Wessing London – Elle Commendation Portrait Awards, and at the Kiyosato Photo Art Museum in 1999. A successful photographer, the artist’s commercial clients include Adidas, Estee Lauder, Hugo Boss and shot celebrities for magazines / editorials featuring Sam Smith, Jeremy Renner, Gwyneth Paltrow, David Fincher, Zhang Ziyi...

Ariane - Signed limited edition archival pigment print , 2005 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Sacha and Pearl ‘ who was captured on f...

Dancer - Signed limited edition archival pigment print, Edition of 5 Signed + numbered by artist with certificate of authenticity , unframed Photographed in Vienna during a Strauss ...

One of the famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

Zip - Signed limited edition archival pigment print , Edition of 10 This image was captured on film in 1982. From the same photoshoot, the so-called 'Stretch' print by Ian Sand...

20"x30" This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 20"x30" edition #1 of 5, signed and editioned on the reverse. This color p...

Sunspots - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sofa ‘ Nude and masked model on a lea...

Torso - Signed limited edition archival pigment print 1987 , Edition of 5 This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber b...

This artwork titled "Fidel C. (Fidel Castro cutting cane) 1968 (printed later) is a gelatin silver print by noted Cuban artist Ernesto Fernandez Nogueras, b.1939. It is signed, titled and dated at the lower margin. The photograph size is 11.75 x 10.25 inches, framed size is 17.85 x 15.85 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: Ernesto Fernandez trained under the tutelage of several established photographers during the 1950s in Havana. He is one of the four great photographers of the Revolutionary period of Cuba. As a young man he witnessed both the excesses of Havana as a “playground” of the USA, and the poverty that produced the hotbed of revolutionary thought and action. He was in the Cuban capital as the revolution reached its climax, and his pictures document a time of great hope. They are celebrations of youth’s ability to bring about change and to reinvent a new world. Alongside Korda, Salas and Corrales, Fernandez documented the heady days of the Triumph of the Revolution and continued to photograph Fidel Castro, Che Guevara and other leading lights of the new system, including some wonderfully intimate studies of Alicia Alonso...