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Tortoise Figurative Photography

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Art Subject: Tortoise
Green Turtle, Tahiti by Cristina Mittermeier
Located in Chicago, IL
"Green Turtle" Tahiti, French Polynesia, 2023 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Tortoise - Photograph - 1960s
Located in Roma, IT
Tortoise is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.
Category

1960s Contemporary Figurative Photography

Materials

Photographic Paper

"Tortoise", Joshua Tree, California, 2005
Located in Hudson, NY
This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...
Category

Early 2000s Contemporary Figurative Photography

Materials

Photographic Paper

Guard and Tortoise
Located in Maidenhead, GB
Patrick Lichfield (1939-2005) Officially Thomas Patrick John Anson, 5th Earl of Lichfield Guard and Tortoise, c. 1960 Gelatin silver print 38.2 x 26.5 cm. Provenance: Patrick Lichfield, who gifted to Hugh Myddelton Biddulph (1995-2021); Passed to Gaia Servadio (1938-2021); By descent to Orlando Mostyn-Owen (b. 1973); Private Collection, United Kingdom. A young man crouches on a rocky outcrop, approached by a small tortoise. He wears an archetypal service uniform, his jacket cuffs with bands of gold braiding, and polished brass buttons. His banded cap is of a sort later appropriated from the military for use in private service, and his loose socks and mud-spattered brogues remind of British schoolboys. A distant arched structure can be seen beyond, perhaps a small bridge over water. The photograph was taken by Lichfield on a visit to the Empty Quarter with his lifelong friend Hugh Myddelton Biddulph, of Chirk Castle, Wales. The visit was one of Lichfield’s earliest to the Middle East, which he would revisit throughout his career. The pair travelled through the region on a Mini Moke, carrying basic supplies and sleeping in a teepee. The photograph was left after Myddelton’s death to his second wife Gaia Servadio, the eccentric Italian journalist, writer, and first mother-in-law to Boris Johnson. After her death in 2021, it passed to her artist son Orlando Mostyn-Owen, and later into a private British collection. Patrick Lichfield was born in 1939, the son of Thomas Anson, Viscount Anson, and Anne Bowes-Lyon, later Princess Anne of Denmark. After seven years in the Grenadier Guards, Lichfield began his career as a photographer’s assistant in 1962 to Kasterine and Michael Wallis, after which he earned a five-year contract with American Vogue. He benefited greatly from his access to the royal family, since Queen Elizabeth was his maternal first cousin. In 1981 he took the official photograph for the wedding of the Prince and Princess of Wales. Although best known for his portraits of the royal family, Lichfield’s celebrity portraits included Yves Saint Laurent, Jane Birkin, Cecil Beaton, David Hockney, Kate Bush, Ian McKellen, Joan Collins, Joanna Lumley...
Category

1960s Figurative Photography

Materials

Silver Gelatin

I See You Too, Bahamas by Cristina Mittermeier
Located in Chicago, IL
"I See You Too" Bahamas, 2021 Available sizes: 20 x 30 in / Edition of 3 32 x 48 in / Edition of 3 "Most of the sea turtles I encounter keep their distance from divers and I’m hap...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

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Gorbals Boys (1948) - Silver Gelatin Fibre Print
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Gorbals Boys (1948) - Silver Gelatin Fibre Print (Photo by Bert Hardy/Getty Images Archive London) Possibly Bert Hardy's most famous image. Two boys in the Gorbals area of Glasgow. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. Original Publication: Picture Post - 4499 - The Forgotten Gorbals - pub. 1948 Additional Information: Unframed Paper Size: 20 x 16'' inches / 51 x 41 cm Printed 2024 Silver Gelatin Fibre Print Limited edition issued and stamped on front by the Getty Archive London Edition size 300 only NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 8'' 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...
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