20th Century Abstract Prints

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Sonia Delaunay Hommage a Sonia Delaunay (from the Estate of art dealer Andre Zarre), 1975 Original vintage offset lithograph poster 26 1/2 × 19 1/2 inches Unframed (unsigned and unnu...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Three Horses Robert Goodnough, American (1917–2010) Date: 1961 Lithograph, signed, numbered, dated and titled in pencil Edition of AP Image Size: 11.25 x ...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Johnston, Ynez. UNTITLED. Etching, not dated (but likely 1950s). Edition of 20, signed in pencil and numbered 4/20. 6 7/8 x 9 inches (plate), 8 x 10 5/8 inches (sheet). In excellent ...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:8.1×11.5in on 12x17in COA provided Ref.: 924802-1197 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

DOROTHY DEHNER Mid Century Modern Geometric Abstraction, ca. 1970 Silkscreen on wove paper Plate signed on the front; bears Academy Arts label on the back Published by: Academy Arts...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Psaltery, 2nd Form Mark Tobey, American (1890–1976) Date: 1974 Etching on Japon, signed and numbered in pencil Edition of 107/150 Image Size: 14 x 11 inches Size: 26.5 in. x 20 in. (...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right ...

Günter Fruhtrunk (German, 1923-1982) Seh-Übung (from Dschuang Dsi), 1967 Medium: Screenprint on card Dimensions: 38 x 33 cm Edition of 40: This is an unsigned print outside the editi...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric configurations. Each of his prints has its own rhythm and, therefore, its own energy as part of a lyrical composition. Artist: Richard Anuszkiewicz Title: Midnight Suite (Blue with Black) Year: 1979 Medium: Intaglio Etching with Aquatint on Somerset, signed and numbered in pencil Edition: 95, AP 15 Image Size: 21.6 x 21.6 inches Paper Size: 31.25 x 30.2 inches Printer: Deli Sacilotto...

Medium: original lithograph. Executed for XXe Siecle (issue No. 25), printed in Paris by Mourlot and published in 1965 by San Lazzaro. Sheet size 12 1/4 x 9 1/2 inches (310 x 240 mm)...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

This artwork titled "Meta" c.1990, is an original colors screen print on wove paper by noted French artist Yvaral AKA Jean Pierre Vasarely, 1934-2002. It is hand signed and numbered ...

Lithograph on vélin paper. Paper Size: 22 x 30 inches, with quadfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 74-76,...

Victor Vasarely Rare 1960s Victor Vasarely poster, 1967 Offset lithograph 35 × 19 1/4 inches Unframed, unsigned Published by London Arts Group Rare 1967 offset lithograph The work...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

A frenzy of lines and color, this pair of Dieter Roth lithographs could have been produced in 2022. The contemporary popularity of semi-abstract imagery featuring color gradients, za...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

Modern abstract geometric lithograph with neutral tones. The work is signed, titled, and editioned by the artist in pencil along the bott...

For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...

"Homage to the Square - Portfolio 2, Folder 24, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Salvador Dali American Trotting Horses no.1 poster for Tokyo Exhibit 1974. This image is from the The Currier and Ives Suite of six litho...

This original lithographic poster was created to accompany an exhibition of works by Achille Perilli at the prestigious Marlborough Gallery in Rome. A striking example of mid-20th-ce...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Julius BALTAZAR (1949 -) Storm Etching on vellum Signed on the right bottom and numbered on /20 Size : 41 x 31 cm (c. 16 x 12 in) Excellent condition, paper slightly yellowed

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Amordie Year: 1983 Medium: Etching, signed and numbered in pencil Edition: 36 Image Size: 11 x 7 inches Paper Size: 18 x 12 in. ...

Artist: Leo Maranz, American (1900 - 1988) Title: Stacatto Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30 x 30 inches ; 76.2 x 76.2 cm

Mario Yrisarry Stern - 1967 Print 29½" x 23½" inches Edition: signed and numbered in pencil 3/100 Biography Birth place: Manila, Philippines Addresses: NYC Profession: Painter ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 119, 1960. Published by Aimé Maeght, Éditeur, Paris; pr...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Tête d'Homme, ref. no. 13-C Year of Original Artwork: 1940 Medium: Lithograph on Coventry Paper, 100% acid free Edition of ...

Artist: Marc Chagall Title: Homage to Marc Chagall Portfolio: XXe Siecle Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/4" Sheet Size: 12" x 9 1/2" Im...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 193-194. Published by Aimé Maeght, Éditeur,...

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

Artist: Arthur Boden, American Title: T Series Year: circa 1970 Medium: Six Screenprints, each signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 98, 1957. Published by Aimé Maeg...

Pierre ALECHINSKY Copa del Mundo, 1982 Original Lithograph (Maeght workshop) Printed signature in the plate On heavy paper 95 x 60 cm (c. 35 x 24 inch) Created for International Foo...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

This print features Johns's exuberant hatching in orange, white, bright green, and purple atop collaged newsprint. Printing on translucent parchment makes the image particularly vibr...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró V Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lith...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 73/150 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 224] 51.50 c...

"Three Movements," an original silkscreen by Yaacov Agam, is a piece for the true collector. Agam is considered the father of Kinetic art. His iconic style is recognizable across the...