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Late 18th Century Prints and Multiples

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Period: Late 18th Century
Capital Letter for the Antiquities of Herculaneum Exposed-Etching -18th Century
Located in Roma, IT
Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some st...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Tripode antico di marmo che si conserva nel Museo Capitolino - Etching 1778
Located in Roma, IT
English Title: Ancient Tripod Store in the Capitoline Museums... Artist proof, printed on contemporary laid paper, wide margins, representing a “tripod from Villa lanti, Gianicolo (Rome)”. Etching with strong contrasts and sharp details. with a dedication to “Cavaliere Edward Walter”. Signed on plate "Cavalier Piranesi del. e inc.". Good condition, lightly worn paper, normal folds and little holes on higher margin due to the binding of the volume “Vases and Candelabras...
Category

Late 18th Century Prints and Multiples

Materials

Etching

Capital Letter T - Original Etching - 18th Century
Located in Roma, IT
Capital letter T for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very go...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Capital Letter L for the Antiquities of Herculaneum Exposed-Etching-18th Century
Located in Roma, IT
Capital letter L for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some ...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Relief - Original Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate on the lower...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

View of the New Trinity House on Tower Hill
Located in Middletown, NY
London: Laurie & Whittle, 1799 Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm), uneven narrow to wide margins. Soft vertical fold at the center sheet (as issued)...
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English School Late 18th Century Prints and Multiples

Materials

Handmade Paper, Engraving

Ancient Roman Bust - Original Etching - 18th Century
Located in Roma, IT
Ancient ROman Bust, original etching from the end of the 18th century, made by Various Old Masters. Good condition. Units of measurements typical of the period in the lower center...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Stupor of the Geishas - Woodcut - Late 18th Century
Located in Roma, IT
Very interesting woodcut print from the end of 18th Century, representative of the Kyoto School. Fairly good general condition (a litlle crumpled), it is roughly mounted on a cardbo...
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Modern Late 18th Century Prints and Multiples

Materials

Woodcut

Ancient Roman Bust - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters. Good condition. Units of measurements typical of the period in the lower center ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Statue - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Statue, original etching from the end of the 18th century, made by Various Old Masters. Good condition. Units of measurements typical of the period in the lower cent...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Statues - Original Etching by Ferdinando Campana - 1700s
Located in Roma, IT
Ancient Roman statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Ferdinando Campana in the 18th century. Signed on the plate, on the ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Statues - Original Etching - 1700s
Located in Roma, IT
Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Signed on the ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Altra veduta del medesimo in prospettiva - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Complete name : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo Artist proof, with a good contrast and sharp details, printed on contemporary la...
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Late 18th Century Prints and Multiples

Materials

Etching

Jesus and Virgin Mary - Etching - Late 18th Century
Located in Roma, IT
Jesus and Virgin Mary is an original modern artwork realized in the the Second half of the 18th Century. Original B/W Etching on paper. Sheet dimensions: 14 x 13 cm. Passepartou...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Busts - Original Etching by Various Masters - End of 18th Century
Located in Roma, IT
Ancient Roman Busts from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th century, made by Various Old Masters. In very good condition, exc...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Candelabro ornato con diversi arabeschi... Etching 1778
Located in Roma, IT
Candelabrum base ornamented with various arabesques Artist proof, printed on contemporary watermarked paper, wide margins, representing a “candelabrum base ornamented with various arabesques” in P.ce Lanti, Roma. Etching with good contrasts and sharp details.Signed on plate “Cavalier Piranesi F..” on lower-left margin. Good conditions, with usual fold, some foxing and little holes in higher margin due to the binding of the volume “Vases and Candelabras...
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Late 18th Century Prints and Multiples

Materials

Etching

Profile of Ancient Roman Bust - Etching by F. Cepparoli - Late 18th Century
Located in Roma, IT
Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum" is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right....
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Study of Six Heads - Etching by J.-J. Boissieu
Located in Roma, IT
Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort. Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10". This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
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Old Masters Late 18th Century Prints and Multiples

Materials

Drypoint, Etching

Vaso antico di marmo che è ornato di quattro Maschere - Etching 1778
Located in Roma, IT
Antique marble vase decorated with four masks Artist proof, printed on contemporary laid paper, wide margins, representing an “antique marble vase ...
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Late 18th Century Prints and Multiples

Materials

Etching

Bust of an Old Man w/ Flowing Beard & White Sleeve Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Bust of an Old Man with Flowing Beard and White Sleeve, Year: Of Original 1631, Medium: Etching, Image Size: 3.5 x 3...
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Late 18th Century Prints and Multiples

Materials

Etching

The Deposition - Original Etching after Heinrich Fuseli - 1791
By Heinrich Fuseli
Located in Roma, IT
The deposition is an original etching on ivory-colored paper realized in 1791 by Thomas Holloway d'apres Heinrich Fuseli Signed on the plate on the lower. Titled on the lower cente...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Profile of Ancient Roman Bust - Etching by Bernardino Nolli - Late 18 Century
Located in Roma, IT
Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Bernardino Nolli. Signed on the plate, on the lower right. ...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Capital Letter for Antiquities of Herculaneum Exposed - End of 18th century
Located in Roma, IT
Capital Letter from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters. In very...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Bust - Original Etching by Carlo Oraty - Late 18th Century
Located in Roma, IT
Ancient Roman Bust from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", is an original etching realized by Carlo Oraty in the late 18th century. Signed on the p...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Busts - Etching by Nicola Billy - Late 18 Century
Located in Roma, IT
Ancient Roman Busts, from the series "Antiquities of Herculaneum Exposed", is an original etching realized by Nicola Billy in the late 18th Century. Signed on the plate. Good condi...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Anticient Roman Busts - Etching by Francesco Cepparoli - Late 18 Century
Located in Roma, IT
Profile of Anticient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower righ...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Allégorie à l'Eglise Catholique à Berlin - Etching by J.L. Legeay - Late 1700
By Jean Laurent Legeay
Located in Roma, IT
Allégorie à l'Eglise Catholique à Berlin is a black and white etching realized in the late 18th century by Jean Laurent Legeay, a French Neoclassical architect. This is an original ...
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Late 18th Century Prints and Multiples

Materials

Etching

Le Petit Maitre - Original Etching and Pastel by L-M Bonnet - Late 18th Century
Located in Roma, IT
Le Petit Maitre (The Small Master) is an engraving made by the Parisian artist Louis-Marin Bonnet and realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “A Paris, chez Bonnet rue St. Jacques” appears on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the left margin and some stains, of which one is more visible on the higher left of the image. The higher, lower, and left margins are fringed and present tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...
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Late 18th Century Prints and Multiples

Materials

Pastel, Etching

Cornette de Crêpe, à Longues Pointes - Etching - 1799
Located in Roma, IT
Cornette de Crêpe, à Longues Pointes is an original watercolored print, realized in 1799 by an anonymous French engraver. This artwork is the original illustration n. 145, of the F...
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Late 18th Century Prints and Multiples

Materials

Paper, Etching

Minister of Sacrifices - Original Etching by Agostino Tofanelli - 1794
Located in Roma, IT
Minister of Sacrifices (Original Title: “Ministro de’ Sagrifizi”) is an original etching realized in 1794. Image Dim: cm 48 x 33, Dim: cm 59 x 44. Wonderful B/W Etching on copper. Designed by Agostino Tofanelli and engraved by Alessandro Mochetti...
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Late 18th Century Prints and Multiples

Materials

Etching

Somerset Royal Palace View - Original Etching 18° Century
Located in Roma, IT
Somerset Royal Palace View is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue du Palais Royal Somerset du côté de la Tamise" with the imprint "a Paris chez Daumont rue St Martin...
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Late 18th Century Prints and Multiples

Materials

Etching

Theatre of Vaudeville - Original Lithograph by P. Maleuvre - Late 18th Century
By Pierre Maleuvre
Located in Roma, IT
Theatre of Vaudeville is an original lithograph on paper by Pierre Maleuvre ( 1740 - 1803) in the late 18th Century. Good conditions except for diffused foxings. No.427 et 528 on t...
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Modern Late 18th Century Prints and Multiples

Materials

Lithograph

Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Late 18th Century Prints and Multiples

Materials

Engraving

“Yellow Crested Parrot”
Located in Southampton, NY
Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...
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Academic Late 18th Century Prints and Multiples

Materials

Engraving

“Yellow Crested Parrot”
“Yellow Crested Parrot”
$850 Sale Price
29% Off
The Flute Player (l'Espiegle), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Flute Player (l'Espiegle), Year: Of Original: 1642, Medium: Etching, Image Size: 4.5 x 6 inches, Size: 12 x 12....
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Late 18th Century Prints and Multiples

Materials

Etching

Female Figure - Original Etching on Paper by Domenico Cunego - 1777
Located in Roma, IT
Female Figure is an original modern artwork realized in the half of the XVIII Century by the Italian artist Domenico Cunego (Verona, 1724 or 1725 - Rome, 1803). Original B/W Etching on paper. Excellent conditions. Excellent Etching depicting a female standing figure, an allegory. The impression is very fresh and has been realized wih soft and delicate strokes. The work has been realized by the Italian artist Domenico Cunego (Verona, 1724 or 1725 - Rome, 1803). He was an Italian engraver; he began his artistic career as a painter, producing several works, which are either lost or otherwise unidentifiable. At 18 he started engraving, a technique on which he was probably self-taught. The engravings he made on Michelangelo's Sistine Chapel, published in the Schola Italica Picturae (1773) by Gavin Hamilton, were an important source for the artists of his time. Cunego is relevant not only for the reproductions of the paintings of his fellow countryman Guido Reni and other contemporary Italians such as Antonio Balestra...
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Late 18th Century Prints and Multiples

Materials

Etching

Map of Lymosin-Perigord-Quercye - Original Etching by Antonio Zatta - 1776
Located in Roma, IT
This Map of Lymosin-Perigord-Quercy is an etching realized by Antonio Zatta in Venice in 1776. The state of preservation of the artwork is good except for the worn paper and the pap...
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Late 18th Century Prints and Multiples

Materials

Etching

Christ Appearing to the Apostles, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Christ Appearing to the Apostles, Year: Of Original 1656, Medium: Etching, Image Size: 6.5 x 8.25 inches, Size: 14 ...
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Late 18th Century Prints and Multiples

Materials

Etching

Battle Scene - 1790s - Hans Burgkmair - Lithograph - Modern
Located in Roma, IT
Battle Scene is an original artwork realized in 1799 (after an original artwork realized in 1515) by Hans Burgkmair. Original lithograph on paper. The a...
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Modern Late 18th Century Prints and Multiples

Materials

Lithograph

Design for Vase - Original Etching - Late 18th Century
Located in Roma, IT
Image dimensions: 17.5 x 14 cm. Design for Vase is an original drawing in etching technique on paper, realized by L. N. Percenet (1736 - ?). In excellent conditions: as good as new...
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Late 18th Century Prints and Multiples

Materials

Etching

Toute Sorte le Têtes - Etching by Ferdinand Landerer - Late 18th century
Located in Roma, IT
Toute Sorte le Têtes is an original etching artwork realized by the austrian engraver Ferdinand Landerer (1730-1795), "from Character Heads, after Martin Johann Schmidt". The state ...
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Modern Late 18th Century Prints and Multiples

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Etching

Packhorse and Soldiers /// Antique British Victorian Etching Figurative Animal
Located in Saint Augustine, FL
Artist: (after) John Hamilton Mortimer (English, 1740-1779) Title: "Packhorse and Soldier" Year: 1783 Medium: Original Etching on watermarked laid paper Limited edition: Unknown Prin...
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Pre-Raphaelite Late 18th Century Prints and Multiples

Materials

Etching, Laid Paper, Intaglio

Portrait of Anton Maria Zanetti - Etching by Joannes de Plano -Late 18th Century
Located in Roma, IT
Anton Maria Zanetti is a beautiful original etching and burin on laid paper, realized by the Spanish artist Joannes de Plano (active in 1770-1780), as the inscription reports aroind the oval portrait. Below image, at left the inscription: Anton: Mariae Zanetti se ipsum delineavit; below image, at right: Joannes de Plano sculpsit; below image, at center: Anton Mariae Zanetti Alexandr: f: / Artis Pictoriae, at Linguae Graecae peritiss: / Per XLII annos a publ: D. Marci Bibliotheca benemerenti / Hic dormit in Domino / Ano LXXIII Aetatis suae...
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Late 18th Century Prints and Multiples

Materials

Etching

Vue de Tivoli - From Le Journal des Dames et des Modes - 1797
Located in Roma, IT
Vue de Tivoli is an original watercolored etching realized in 1799, as the plate n.159, or the illustration for the Journal des Dames et des Modes...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

A Rustic Family /// George Morland British Figures Cottage Landscape Etching Art
Located in Saint Augustine, FL
Artist: (after) George Morland (English, 1763-1804) Title: "A Rustic Family" Portfolio: Original Sketches from Nature by Various Masters *Signed by Morland in the plate (printed sign...
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Victorian Late 18th Century Prints and Multiples

Materials

Etching, Intaglio

Due Urne Cinerarie - Etching - 1778
Located in Roma, IT
Two cinerary Urns Artist proof, printed on contemporary laid paper, wide margins, representing “two cinerary urns”. Etching with good contrasts and sharp details, with a dedication to “Signor Giovanni Corbet, Cavaliere inglese”. Signed on plate “Cavalier Piranesi F..” in lower left margin. Very good conditions, with normal fold, left margin lightly damaged, and little holes in higher margin due to the binding of the volume “Vases and Candelabras...
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Late 18th Century Prints and Multiples

Materials

Etching

Antonio Canova - Etching by G.E. Morghen - Late 18th Century
Located in Roma, IT
Image dimensions: 19.3 x 17.5 cm. Antonio Canova is a beautiful black and white etching on paper, realized between 1770-1810 by the Italian old master, Giovanni Elia Morghen (1721-1789), after a painting by Pellegrini, as the inscriptions on plate report. Title on plate on the lower margin at the center. This original print represents Antonio Canova the Italian sculptor and painter, the greatest exponent of Neoclassicism in sculpture and for this reason called "the new Phidias", in the official portrait reserved to the great personalities. Realized with full mastery of the technique, this old master's print is in excellent condition, as good as new. Absolutely to collect! Giovanni Elia Morghen (Florence, 1721) Giovanni Elia Morghen came from a family of engravers in Florence. According to the testimony of Raphael, the most illustrious member of the family, his grandfather was originally from Montpellier and, after marrying a Genoese woman, he moved to Florence, where he opened a lace shop. Both their sons, Giovanni Elia and Filippo, specialized in chalcographic art: Giovanni was predominantly a draftsman, whilst Filippo mastered the art of carving. In Florence, Giovanni Elia Morghen was a pupil of Giovan Domenico Ferretti, and he probably also worked at the workshop of Carlo Bartolomeo Gregori. Indeed, he, with the other artists of the school, made 26 of the engravings present in the second Florentine edition (1766) of the Salon paintings at the palace of Florence. He then moved to Naples with his brother. From 1756, he began participating in the creation of the tables of the Antiquities of Herculaneum, a work of several volumes published in Naples with various interruptions in the late nineteenth century. In 1767, he published six tables with representations of the temples of Paestum, taken from drawings by Antonio Joli...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

The Tourney - Original Etching Late 18° Century
Located in Roma, IT
The Tourney is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue des jeux Tournois dans le Sup be Manege de son ASM le Duc ...
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Late 18th Century Prints and Multiples

Materials

Etching

James Basire engraving Bishop's Palace Exeter England 1796 Chimneypiece
Located in London, GB
James Basire (engraver) after W Davey (illustrator) Chimneypiece in the Bishop's Palace, Exeter 50x33cm (to plate mark) Engraving Published by the Society of Antiquaries 23rd April 1...
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Realist Late 18th Century Prints and Multiples

Materials

Engraving

Sezione per il Luogo della Nave - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Section for the place of the boat. Wonderful proof, printed on contemporary laid paper, wide margins, representing a “section for the place of the boat”. Etching with good contrasts ...
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Late 18th Century Prints and Multiples

Materials

Etching

Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Millouinan" (Plate 1002) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signatur...
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Realist Late 18th Century Prints and Multiples

Materials

Engraving, Watercolor, Laid Paper, Intaglio

Oxford High Street with Queen's College and University College engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Late 18th Century Prints and Multiples

Materials

Engraving

Le Canal (B221), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Canal (B221), Year: 1878 (of original 1652), Medium: Heliogravure, Size: 3 x 8.25 in. (7.62 x 20.96 cm), Printe...
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Late 18th Century Prints and Multiples

Materials

Etching

Jan Uytenbogaert (1606-84; The Goldweigher), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...
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Late 18th Century Prints and Multiples

Materials

Etching

La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise Aquatint, 1771 Signed and dated in the plate lower left Condition: Yellowing to the sheet Image size: 6 1/8 x 8 1/8 inches Reference: Hedou 147 ii/II Provenance: C...
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Old Masters Late 18th Century Prints and Multiples

Materials

Aquatint

Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
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Old Masters Late 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

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Naturalistic Late 18th Century Prints and Multiples

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Naturalistic Late 18th Century Prints and Multiples

Materials

Engraving

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Naturalistic Late 18th Century Prints and Multiples

Materials

Engraving

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