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Period: Late 18th Century
Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Adieu! - Original Etching by Philibert-Louis Debucourt - 1797
Located in Roma, IT
Adieu! is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832).
The artwork is the pla...
Category
Modern Late 18th Century Prints and Multiples
Materials
Watercolor, Etching
Chiesa e Monastero di S. Chiara - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Chiara is a black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Le Furet - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Furet is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Stabian Seaside Villa - Etching by Francesco Cepparoli - 18th Century
Located in Roma, IT
Stabian Seaside Villa from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century.
Signed on the plate.
Good conditions.
The etchi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Chiesa di S.Paolo alle tre Fontane - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Paolo alle tre Fontane is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed m...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins and Foxings.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Ancient Roman Bust - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters.
Good condition.
Units of measurements typical of the period in the lower center...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Les Pelerins d'Emmaus (B87), Heliogravure on laid paper by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Les Pelerins d'Emmaus (B87), Year: 1878 (of original 1633), Medium: Heliogravure on laid paper, Size: 8.5 x 6.5 in....
Category
Late 18th Century Prints and Multiples
Materials
Etching
Seminario Romano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Seminario Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th centu...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good conditions...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
Baroque Late 18th Century Prints and Multiples
Materials
Etching
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace - 18th century
Located in Roma, IT
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin....
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Palazzo Altieri - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Quite Good conditions and aged ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Ni asi la Distingue - Etching by Francisco Goya - 1799
Located in Roma, IT
"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition.
Rare and in ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching, Aquatint
Sedale e Chiesa di S. Spirito - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Sedale e Chiesa di S. Spirito is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
La Medee ou Le Mariage de Jason (B112), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Medee ou Le Mariage de Jason (B112), Year: 1878 (of original 1648), Medium: Heliogravure, Size: 9.5 x 7 in. (24....
Category
Late 18th Century Prints and Multiples
Materials
Etching
Ruins - Original Etching after Giuseppe Contenti - 1790s
Located in Roma, IT
Ruins is a original b/w etching on laid paper, realized around 1790s by an Italian old master, after Giuseppe Contenti.
Image Dimensions: 11.2 x 14 ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785)
Title: "Eagle" (Plate V - 5)
Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds)
Year: 1767-1776
Medium: Original Hand-Colored Engraving on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy
Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588
Sheet size: 16.75" x 14.5"
Platemark size: 13.63" x 10.88"
Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet.
Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa.
Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Engraving, Handmade Paper, Laid Paper, Intaglio
Ancient Roman Bust - Original Etching by Carlo Oraty - Late 18th Century
Located in Roma, IT
Ancient Roman Bust from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", is an original etching realized by Carlo Oraty in the late 18th century.
Signed on the p...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Presso Ludivico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma is from a series of original engravings published by Lodovico Mirri in the late 18th century and engraved ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise
Aquatint, 1771
Signed and dated in the plate lower left
Condition: Yellowing to the sheet
Image size: 6 1/8 x 8 1/8 inches
Reference: Hedou 147 ii/II
Provenance: C...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Aquatint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Engraving
THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle.
These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect.
This rare and celebrated plate of the Roses...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat
Color woodcut with gauffrage (embossing)
Unsigned (as usual)
Format: Shikishiban
Publisher: Privately produced
Unusually well preserved with the fugitive blue still intact
Image size: 5-1/8 x 5-3/4"
Sheet size: 5 3/8 x 6 1/4"
From Wikipedia, the free encyclopedia
In this Japanese name, the surname is Isoda.
Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
Life and career
Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts.
Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881.
In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790.
Works
Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century".
The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period.
Legacy
Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category
Other Art Style Late 18th Century Prints and Multiples
Materials
Woodcut
Beauties under a Maple Tree Japanese Woodblock Print
Located in Houston, TX
Three Beauties under a maple tree from the series "A Contest of Fashionable Beauties of the Gay Quarters". The woodblock print is printed on rice paper....
Category
Edo Late 18th Century Prints and Multiples
Materials
Woodcut
A Cart Race
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C.
(label)
Fursten zu Oettingen-Wallerstein, Lugt 2715a,
verso (see photo)
Condition: Excellent
Printed on 18th century laid paper
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
Romantic Late 18th Century Prints and Multiples
Materials
Aquatint
A Rustic Family /// George Morland British Figures Cottage Landscape Etching Art
Located in Saint Augustine, FL
Artist: (after) George Morland (English, 1763-1804)
Title: "A Rustic Family"
Portfolio: Original Sketches from Nature by Various Masters
*Signed by Morland in the plate (printed sign...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Etching, Intaglio
Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807).
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$165 Sale Price
30% Off
Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Letter E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter E is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks.
[Published: Venanzio Monaldini, Rome, 1781].
Rare and strong impressions of etchings of grotesque masks, after...
Category
Gothic Late 18th Century Prints and Multiples
Materials
Handmade Paper, Etching, Engraving
Corvus, Cornix (Hooded Crow) /// Dutch Ornithology Bird Animal Engraving Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Corvus, Cornix (Hooded Crow)" (Plate 106)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original Hand-Co...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
The Original Entrance to the Cloisters at Magdalen College, Oxford Engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
The Windmill, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Windmill, Year: Of Original 1641, Medium: Etching, Image Size: 6 x 8 inches, Size: 13 x 14 in. (33.02 x 35.56 ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Le Lapin D'Angora - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Lapin D'angora is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Le Mococo - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Mococo is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Le Saimiri - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saimiri is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Le Moufflon - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Moufflon is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Le Dromadaire - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Dromadaire is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good c...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$215 Sale Price
35% Off
Le Mico - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Mico is an etching realized by Jean Charles Baquoy in 1771.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$170 Sale Price
40% Off
Le Paon - Etching after Jacques De seve - 1771
Located in Roma, IT
Etching realized in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$184 Sale Price
35% Off
Le Guib - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Guib is an etching realized in 1771 by Louis Legrand (1723-1807). The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
18th century landscape etching pastoral nature scene detailed ink trees
Located in Milwaukee, WI
"Near Tottenham Midd." is an original etching by John Thomas Smith at the top right of the image, reading "Drawn & Etch'd by J. T. Smith, Engraver of the Antiquities of London & Envi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Paper, Ink, Etching
Composition with Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork is depicted through confident strokes.
Good condi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$141 Sale Price
40% Off
Composition with Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork is depicted through confident strokes.
Good condi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$127 Sale Price
40% Off
Rest on the Flight into Egypt - Etching by Giambattista Tiepolo - 1750
Located in Roma, IT
This etching on laid paper is the 13th plate of the series of 27 entitled Idee pittoresche sopra la fugga in Egitto di Giesù, Maria e Gioseppe executed by Giambattista Tiepolo and pu...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
"Inside of a House in Nootka Sound" (Canada) from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included.
Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
$1,900 Sale Price
20% Off
1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER
(AMERICAN, EIGHTEENTH CENTURY)
A Chart of Delaware Bay and River, 1776
Printed for John Bennet and Robert Sayer, London
Engraving on pape...
Category
Realist Late 18th Century Prints and Multiples
Materials
Paper, Engraving
Chiesa e Monastero di S. Maria dei Sette -Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good c...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Médaille de Pallot - Original Etching by Palloy "the Patriot" End of 1700
By Pierre-François Palloy
Located in Roma, IT
Medaille de Palloy is an original artwork realized by the French artist Pierre-François Palloy in the second half of the XVIII Century.
Original etching on paper. Proof before Lette...
Category
Late 18th Century Prints and Multiples
Materials
Etching
18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"Near Mill Hill, Gravesend" is an original etching by John Thomas Smith. It depicts a cottage and farmstead with a few small figures. The piece is titled on ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Isl...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Etching, Intaglio
Sezione per il Luogo della Nave - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Section for the place of the boat.
Wonderful proof, printed on contemporary laid paper, wide margins, representing a “section for the place of the boat”. Etching with good contrasts ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Fishermen resting by a riverbank
Located in Middletown, NY
Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Vitraux in Four Sheets Puzzle of Life by Salvador Dali
Located in New York, NY
Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989)
Lithograph on paper
52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm)
53 ½ x ...
Category
Surrealist Late 18th Century Prints and Multiples
Materials
Lithograph
$10,000 Sale Price
20% Off
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Italian School Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
18th century etching figurative neoclassical mythology scene dynamic
Located in Milwaukee, WI
"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed in plate on the lower edge of the etching, "ARunciman inv. & ...
Category
Academic Late 18th Century Prints and Multiples
Materials
Etching, Paper, Ink
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