Hans Holbein

18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing

1793

This portrait of Anne Boleyn entitled "Anna Bollein, Queen" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1797. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of Anne Boleyn, Henry VIII's 2nd wife, who was beheaded by Henry. She is facing to the left and she is wearing a cloth headdress and a fur colored coat. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs June 1, 1797 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi...

This portrait of a noble woman in King Henry VIII's court entitled "M. Souch" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring, including her blue eyes. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of a noble woman, who is facing to the front. She wears a necklace and a medallion on her bodice. The sitter's identity is somewhat controversial. The inscription in the upper left reads M. Souch. The sitter may be Mary Zouch, who served as a lady-in-waiting to Queen Jane Seymour...

This portrait of Prince (and eventually King ) Edward VI entitled "Edward VI" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of Prince Edward VI, Henry VIII's son with Henry's 3rd wife, Jane Seymour, who died in childbirth. He is facing to the left and he is wearing a feathered cap tilted to his right. Edward succeeded his father as king, but died your. He was succeeded by his half sisters Queen Mary 1 and Queen Elizabeth 1. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs May 1, 1793 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "24.5 high, 19.5" wide and 1.25" deep. The print is in excellent condition. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, N. Poines, Knight, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

This portrait of a nobleman in King Henry VIII's court entitled "N. Poines, Knight" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of a noble man (Nicholas Poines (or Poins), who is facing to the left. He is bearded and is wearing a feathered cap and an ornate shirt. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs April 6, 1795 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "22.25 high, 17" wide and 1.25" deep. There are a few tiny spots, but the print is otherwise in excellent condition. There is a small ding in the the upper right. The original text from the 18th century publication is included in a sleeve on the back of the frame. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, Henry VIII's son Edward, who succeeded Henry as King and himself was succeeded by Queen Elizabeth I, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...

This is an 18th century engraved and etched portrait of Johannes Wesselius by Jacobus Houbraken after a painting by Jan Maurits Quinkhard. It depicts a half-height image of Wesselius...

Anthony Palamedesz (Delft 1601 - Amsterdam 1673), workshop Merry company in an interior oil on canvas, 60 x 82 cm, framed 81 x 104 cm. The scene tha...

In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...

Set of Four Hand-Colored Engravings after Holbein in Giltwood Frames

Rembrandt, “ La Synagogue des Juifs, 1648 Etching on watermarked paper . Beautiful artist’s proof representing the interior of a Synagoge with people. Good condition, except some l...

Jan Antonides van der Linden is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1665. This wonderful piece of art belongs to ...

In this print, Wenceslaus Hollar presents a portrait of Charles de Solier, comte de Morette, copying a painting and a drawing by Hans Holbein the Younger - both of which are kept in ...

Striking, black, white, red and blue, oil-on-panel painting by listed American artist, Emil Bisttram (1895-1976) whose work is held in many important museums. This period image has been framed in a chic, silver gilt frame. From Antiques & Fine Art Magazine: "A leader in the development of modern art in America, Emil Bisttram pioneered its introduction in the Southwest, moving from New York to Taos, New Mexico, in 1931. Before this date, the Hungarian-born artist was exposed to advanced painting and art theory through several sources. These included a close association with the Russian emigrant Nicholas Roerich...

An original copper plate etching and engraving on heavy laid paper by Dutch artist Jacobus Houbraken (1698-1780) titled "Sir Francis Drake", 1742....

"Self Portrait Drawing at a Window" is an original etching by Rembrandt van Rijn. It depicts the artist sitting at a window, but otherwise obscured by darkness. This is the fifth and final state, a posthumous impression 1998. 6 1/4" x 5 1/8" art 24 3/4" art x 23 5/8" frame Rembrandt van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting...

Anna Held, dans Toutes ces Dames au Theatre, recto and Footit et Chocolat, verso Lithograph, printed on newsprint, 1894 Monogramed in the stone (see photo) Published in La revue Blanche, in the NIB supplement which accompanied the January 1895 issue This impression of the regular edition is considered "Uncommon" by Wittrock, even though it was printed in an edition of c. 2000. Because of the fragile nature of the paper, the fact that it was folded and inserted in La Revue Blanche, my guess is that many have been ruined since it was published, hence "uncommon". Reference: Wittrock 87 recto and 88 verso Condition: Sun staining to the recto image of Anna Held. Small tears at the edges of the folds (as issued). Archival framing with double sided windows. Gilt finished corner frame with linen recto and rag verso matting. Sheet size: 14 x 9 3/4 inches Provenance: Ira Lipman, Memphis, TN. Lipman was an extremely successful business man and engaged in generous philanthropy. Chocolat was the stage name of Rafael Padilla (ca. 1865/68 – 4 November 1917), a clown who performed in a Paris circus around the turn of the 20th century. Rafael was of Afro-Cuban descent and was one of the earliest successful black entertainers in modern France. He was the first black clown to play a lead role in a circus pantomime act, and with his longtime partner George Foottit they revolutionized the art of clowning by pairing the sophisticated white clown with the foolish auguste clown. Ira Ackerman Lipman (November 15, 1940 – September 16, 2019) was an American businessman and philanthropist. He was the founder and chairman of Guardsmark, a privately owned security company with a payroll of 17,000 employees and 130 offices in the United States, Puerto Rico, the United Kingdom and France. In 2015, he sold Guardsmark to Universal Protection Service, the largest private security company in the United States, and he served as its vice chairman until its 2016 merger with AlliedBarton. He was called "a pioneer in the private security guard business". His work was cited by the United States Department of Justice's Law Enforcement Assistance Administration and the United States House Judiciary Subcommittee on Crime, Terrorism, Homeland Security and Investigations. He supported the arts in Memphis, Tennessee and Judeo-Christian interfaith dialogue in the United States. Lipman served on the boards of trustees of the Brooks Memorial Art Gallery and the Memphis Academy of Arts as well as on the Advisory Council of the Chickasaw Council Boy Scouts of America. He established the Alexis de Tocqueville...

An original copper plate etching and engraving on heavy laid paper by Dutch artist Jacobus Houbraken (1698-1780) titled "Sir Francis Drake", 1742....

Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...

The Entombment of Christ. c.1580-1620. Engraving. 9 1/4 x 7 (236 x 177 mm). Collector's seal verso: Knoedler and Co. OE (Old engravings Lug...

Hans Sebald Beham (1500-1550), Panel with a Mascaron, engraving, 1543 [with the initials monogram and date in the plate]. Reference: Bartsch 231, Hollstein 235. Second state (of 2). ...