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Period: Late 18th Century
A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
American Impressionist Late 18th Century Prints and Multiples
Materials
Engraving
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Er...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Plan, Coupe, et Elevation d'une Stalle, Roubo French cabinetmaking engraving
Located in Melbourne, Victoria
'Plan, Coupe, et Elevation d'une Stalle'
French copper-line engraving by Milson after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L'Art du Men...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Maniere de Prendre Les Mesures, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Prendre Les Mesures de la Menuiserie et de la Marquer sur le Plan'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid water...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Elevations de Diverses Armoires, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Elevations de Diverses Armoires Pour Les Sacristies'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Veduta della Magnifica Sostruzione Fabricata - Etching by G. B. Piranesi -1760s
Located in Roma, IT
View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi.
Very precoius and rare specimen. Roman edition.
Complete tit...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Developments des Appuis, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Developments des Appuis et Des Museaux des Stalles'
French copper-line engraving by P Le Cor after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Elevations de Divers Especes de Dessus de Portes, Roubo French design engraving
Located in Melbourne, Victoria
'Elevations de Divers Especes de Dessus de Portes'
French copper-line engraving by JB Bichard after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Girls and Pigs - Etching by William Ward After George Morland - 1797
Located in Roma, IT
Image dimensions: 38.2 x 45.7 cm.
Girl and Pigs is an original etching, hand-colored, d'après George Morland.
Interesting artist's proof by William Ward ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
$1,315 Sale Price
25% Off
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward
Located in Carmel, CA
"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826.
Print: 20.75" x 26" - With Frame: 28.5" x 34"
Published: March...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint
The Hopes of the Family, University of Cambridge engraving by William Bunbury
Located in London, GB
William Bunbury, engraved by James Bretherton
The Hopes of the Family
Hand coloured engraving
26 x 36 cm
c.1790
This engraving, titled "The Hopes of the Family – An Admission at the University", is satirical work by William Bunbury. The scene portrays a young man being presented for admission to the University of Cambridge. Although the title suggests that the boy is expected to achieve great things, his appearance and and general demeanour hint at incompetence or lack of enthusiasm, thus introducing an ironic paradox.
This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Antique French Copper Engraving - Portico Architectural Details
Located in Houston, TX
Beautifully-detailed French antique copper engraving showing the architectural details of a portico from Recueil d'Architecture, 1780.
Original ...
Category
Late 18th Century Prints and Multiples
Materials
Ink, Paper
Tears of Sensibility –Sympathy a Poem – Let's all be unhappy together. Wig Club
Located in Middletown, NY
Tears of sensibility- sympathy a poem- let's all be unhappy together ie the Whig club in distress etc. &c
London: S.W. Fores, 1798. Etching on white wove paper, 9 1/2 x 15 3/4 inche...
Category
English School Late 18th Century Prints and Multiples
Materials
Handmade Paper, Etching
The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Holy Sepulchre at Heckington in Lincoln
Engraving
45 x 30 cm
This engraving was originally published by the Society of Antiquaries ...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Architectural designs. A set of nine architectural engravings.
Located in Paris, FR
Architectural designs. A set of nine architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Diff...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Engraving of a Female Sculpture
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category
Late 18th Century Prints and Multiples
Materials
Laid Paper
Ancient Roman Statues - Original Etching by Francesco Cepparoli - 1700s
Located in Roma, IT
Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli in the 18th century.
Signed on the plate, on the ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London'
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768.
Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
College Fun at the University of Cambridge, engraving by William Bunbury
Located in London, GB
William Bunbury, engraved by James Bretherton
College Fun or Quizzing the Proctor
Hand coloured engraving
27 x 34 cm
c.1790
In this playful scene, a proctor--garnering a powdered wig and academic dress--is reading a public proclamation regarding a 'general fast.' Unbeknownst to him, a mischievous student is pinning a satirical note on his back. The note mocks the proctor's authority, reading, "From all Pride, Vanity, Glory and Hypocrisy, Good Lord Deliver us." Meanwhile, two other students, dressed in academic gowns and mortarboards, stand to the left, laughing and gesturing at the proctor, clearly enjoying the other student's prank.
This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
The Hundred Guilder Print, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
Ancient Roman Statue - Original Etching by Vincenzo Segoni - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Segoni in the 18th century.Signed on the plate on the lower r...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
A Chinese Watchman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Capital Letter C - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter C is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category
Northern Renaissance Late 18th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint, Laid Paper
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Italian School Late 18th Century Prints and Multiples
Materials
Archival Pigment
$261 Sale Price
79% Off
18th Century Pair of Du Temple de la Fortune Virile Facade and Floor Plan
By Antoine Babuty Desgodetz
Located in Soquel, CA
Pair of lithographs of The Temple of Portunus in Rome (Italian: Tempio di Portuno) facade and floor plan by Antoine Desgodetz (French, 1653-1728). These pag...
Category
Late 18th Century Prints and Multiples
Materials
Paper, Engraving, Ink
Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Millouinan" (Plate 1002)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the plate (printed signatur...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
By Vincenzo Dolcibene
Located in Alamo, CA
A grouping of three antique engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" and "Istrione", "Gia nella Villa Mattei" (Found in the Vi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Engraving
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
La Cresserelle - Etching by Juste Madeline Rousselet - 1771
Located in Roma, IT
La Cresserelle is an etching realized by Juste Madeline Rousselet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$163 Sale Price
30% Off
Monumento antico ritrovato fra le rovine di un Sepolcro sulla Via Appia - 1778
Located in Roma, IT
Antique monument found in a tomb on the Via Appia
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique monument found in ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
The Original Entrance to the Cloisters at Magdalen College, Oxford Engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Piranesi VI.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category
Italian School Late 18th Century Prints and Multiples
Materials
Black and White, Archival Pigment
$1,029 Sale Price
20% Off
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Elizabeth Duchess of Hamilton - Etching by W. Hamilton - Late 1700
Located in Roma, IT
Beautiful portrait of Elizabeth Duchess of Hamilton, in very good conditions.
Prov.
Ederheimer Gallery N.Y.
Private Collection, Italy
Category
Late 18th Century Prints and Multiples
Materials
Etching
India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796
This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category
Other Art Style Late 18th Century Prints and Multiples
Materials
Paper, Etching
The Rat Poison Peddler, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Rat Poison Peddler, Year: Of Original 1632, Medium: Etching, Image Size: 5.5 x 5 inches, Size: 13 x 11 in. (33....
Category
Late 18th Century Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Original Etching G. Casanova - 18th Century
Located in Roma, IT
Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century.
Signed on the plate.
Good condit...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Les Musiciens Ambulants (B119), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Les Musiciens Ambulants (B119), Year: 1878 (of original 1635), Medium: Heliogravure, Size: 5.5 x 4.75 in. (13.97 x...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Library Case, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Case'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's styl...
Category
English School Late 18th Century Prints and Multiples
Materials
Engraving
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
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This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”