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Period: Late 18th Century
Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.
Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.
From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."
After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.
From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category
Baroque Late 18th Century Prints and Multiples
Materials
Paper, Watercolor, Ink
Piranesi VI.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category
Italian School Late 18th Century Prints and Multiples
Materials
Black and White, Archival Pigment
$1,054 Sale Price
20% Off
18th century etching figurative neoclassical mythology scene dynamic
Located in Milwaukee, WI
"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed in plate on the lower edge of the etching, "ARunciman inv. & ...
Category
Academic Late 18th Century Prints and Multiples
Materials
Etching, Paper, Ink
Holbein Hand-colored Portrait of Warham, Archbishop of Canterbury for Henry VIII
By (After) Hans Holbein The Younger
Located in Alamo, CA
This framed hand colored stipple engraving and etching portrait of William Warham, Archbishop of Canterbury under King Henry VII and his son King Henry VIII was created by Francesco Bartolozzi (1728–1815) after a drawing and a painting by Hans Holbein (1497-1543), who was Henry VIII's court painter. The print was published in London by John Chamberlaine in 1795. The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of England. The publisher, John Chamberlaine, was Keeper of the King's Drawings and Medals. The inscription beneath the portrait reads" "In His Majesty's Collection", "Engraved by F. Bartolozzi R A Historical Engraver to His Majesty'' in the lower right, and ''From an original drawing by Hans Holbien'' in the lower left. The original painting by Holbein is displayed at Lambeth Castle and the original drawing is in the art collection at Windsor Castle. The engraving is held by many museums, including: The British Museum, The Metropolitan Museum of Art, The National Portrait Gallery, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
This portrait depicts Archbishop William Warham facing to his right, wearing a black cap covering his ears and fur trimmed clerical robes. The print is presented in a decorative gold-colored wood frame with a blue-grey fabric mat. The frame measures 26.5" x 20.13" x 1". The print is in excellent condition.
William Warham (1450-1532) was the last of the pre-Reformation archbishops of Canterbury, serving under King Henry VII and then under King Henry VIII. He was a quiet, unassuming intellectual whose career ended with a strong and brave stance against the divorce of King Henry VIII and the king's resultant withdrawal of England from the Catholic church and his draconian actions against the clergy. As Lord Chancellor...
Category
Late 18th Century Prints and Multiples
Materials
Engraving, Etching
Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat
Color woodcut with gauffrage (embossing)
Unsigned (as usual)
Format: Shikishiban
Publisher: Privately produced
Unusually well preserved with the fugitive blue still intact
Image size: 5-1/8 x 5-3/4"
Sheet size: 5 3/8 x 6 1/4"
From Wikipedia, the free encyclopedia
In this Japanese name, the surname is Isoda.
Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
Life and career
Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts.
Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881.
In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790.
Works
Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century".
The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period.
Legacy
Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category
Other Art Style Late 18th Century Prints and Multiples
Materials
Woodcut
A Sledge of Kamtschatka – An image of a relic from Captain Cook's third voyage
By John Webber
Located in Middletown, NY
London: Scatcherd & Whitaker, 1784.
Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...
Category
English School Late 18th Century Prints and Multiples
Materials
Handmade Paper, Etching, Watercolor
Rest on the Flight into Egypt - Etching by Giambattista Tiepolo - 1750
Located in Roma, IT
This etching on laid paper is the 13th plate of the series of 27 entitled Idee pittoresche sopra la fugga in Egitto di Giesù, Maria e Gioseppe executed by Giambattista Tiepolo and pu...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
Remarkable Ruins of Morea, formerly called the Peloponnesus
Located in Middletown, NY
Engraved by Pierre François TARDIEU, after Giovanni Paolo PANNINI
London: Alexander Hogg, c1778.
Etching with engraving on light weight wove paper, 7 1/2 x 11 1/4 inches( 190 x 285...
Category
Late 18th Century Prints and Multiples
Materials
Ink, Handmade Paper
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London'
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Italian School Late 18th Century Prints and Multiples
Materials
Archival Pigment
$268 Sale Price
79% Off
New Zealand War Canoe: Original 18th C. Engraving from Captain Cook's 1st Voyage
Located in Alamo, CA
"War Canoe of New Zealand, with a View of the Gable End Foreland" is an engraving created by Thomas Prattent, from a drawing by Sydney Parkinson, who was the artist on Captain James ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Carriage engraving from the Encyclopedie ( Sellier Carossier )
By Denis Diderot
Located in New York, NY
Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving, Etching, Intaglio
$160 Sale Price
20% Off
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing.
From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category
English School Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Aquatint
Le Paysage a la Vache qui sa Breuve (B237), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Paysage a la Vache qui sa Breuve (B237), Year: 1878 (of original 1650), Medium: Heliogravure, Size: 4.25 x 5 in....
Category
Late 18th Century Prints and Multiples
Materials
Etching
Architectural designs. A set of nine architectural engravings.
Located in Paris, FR
Architectural designs. A set of nine architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Diff...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
A portrait of Charles Etienne Bonnet
Located in Middletown, NY
London: Thomas Holloway, 1794.
Engraving on cream laid paper, 9 3/4 x 8 inches (246 x 201 mm), full margins. In good condition with some light discoloration throughout the sheet. As...
Category
English School Late 18th Century Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Amida, a Deity of Japan – English School, 18th century
Located in Middletown, NY
Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...
Category
English School Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Ceiling designs. A set of three architectural engravings.
Located in Paris, FR
Ceiling designs. A set of three architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication publishe...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Engraving, Etching
Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan.
One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category
English School Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
A Japanese Temple – English School, 18th century
Located in Middletown, NY
18th century image of a priest presiding over a traditional Japanese nuptual ceremony.
One plate from A new and complete collection of voyages and travels containing all that have b...
Category
English School Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
“Les Revers de la Fortune”
Located in Southampton, NY
Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...
Category
Academic Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
$760 Sale Price
20% Off
Shooting. English engraving by Woollett after George Stubbs, 1799
Located in Melbourne, Victoria
'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings.
Copper-line engraving with later hand-colouring by William...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Engraving
Self-Portrait, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self-Portrait, Year: of Original: 1634, Medium: Etching, Image Size: 5.5 x 4.5 inches, Size: 14 x 11 in. (35.56 x ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Engraving of a Female Sculpture
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category
Late 18th Century Prints and Multiples
Materials
Laid Paper
Ancient Roman Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an etching on paper realized by F.Martano in the 18th century.
Signed on the plate on the lower right
Good co...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Maniere de Coller Les Bois Droits, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Coller Les Bois Droit et Les Paneaux Cintree en Plan'
French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Italian School Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
A Night Dance by Women in Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Plan et Elevation d'un Buffet en Niche, Roubo French design engraving
Located in Melbourne, Victoria
'Plan et Elevation d'un Buffet en Niche'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L'Art du ...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Engraving
The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Family in Dusky Bay, New Zealand: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"A Family in Dusk Bay, New Zealand" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Maniere de Disposer La Menuiserie, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Disposer La Menuiserie pour Recevoir La Sculpture'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
F...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
John Flamsteed, astronomer, 18th century portrait engraving print
Located in Melbourne, Victoria
'Flamsteed'
Copper-line engraving by Joseph Baker after T Gibson. 1790.
John Flamsteed FRS (1646 - 1719) was an English astronomer and the first Astronomer Royal. He catalogued ov...
Category
English School Late 18th Century Prints and Multiples
Materials
Engraving
Attack on Captain Wallis When He Discovered Tahiti: Original 18th C. Engraving
Located in Alamo, CA
"A Representation of the Attack on Captain Wallis in the Dolphin by the Natives of Otaheite (Tahiti)" is an engraving created by the artist Sparrow based on an engraving in John Hawk...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954)
Portfolio: Histoire Naturelle Des...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Maniere De Construire Les Bazes, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Construire Les Bazes, Les Chapiteaux et Les Entablements en Bois'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid waterm...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
A Promenade to a Rout on a fair Evening
By Isaac Cruikshank
Located in Middletown, NY
London: Allen & West, 1797.
Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...
Category
English School Late 18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Vaso antico di marmo che è ornato di quattro Maschere - Etching 1778
Located in Roma, IT
Antique marble vase decorated with four masks
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique marble vase ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768.
Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Logge di Rafaele nel Vaticano (Raphael's Loggia in the Vatican) Plate X Pilaster
By Gaetano Savorelli
Located in San Francisco, CA
Artists: Raffaello Sanzio d’Urbino.(1483 – 1520)
Gateano Savorelli, artist. (unk.- 1791)
Ludovico Teseo, draughtsman. (1731-1782)
Pietro Camporesi, architect (1726 - 1781)
Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers
Title: Delle Logge di Rafaele nel Vaticano, Plate X (10)
Year: 1772-1777
Medium: Hand-colored copperplate engraving
Sight size: 42 x 16 inches.
Framed size: 55.5 x 28.5 inches
Condition: Very good
Frame: Frame in very good condition
A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...
Category
Renaissance Late 18th Century Prints and Multiples
Materials
Engraving, Watercolor
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Different Profils Des Cimaisses, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Different Profils Des Cimaisses et Des Plainthes'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's ...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
The Card Players, Late 18th Century British Etching
Located in London, GB
Etching laid on paper
Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm)
This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist.
This wonderful etching shows a gr...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Differents Manieres de Coller, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Differents Manieres de Coller les Bois Courbes'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780
By Joshua Reynolds
Located in Melbourne, Victoria
'The Honourable Lady Stanhope'
Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park.
James Watson (c1739-...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Etching, Mezzotint
Ancient Roman Scene - Etching F. Campana - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Ferdinando Campana in the 18th Century.
Signed on the plate.
Good conditions wi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
English School Late 18th Century Prints and Multiples
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
A Man of the Sandwich Islands, Dancing (Hawaii) from Captain Cooks travels engra
By John Webber
Located in Paonia, CO
A Man of the Sandwich Islands Dancing (Hawaii) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official artist for the third voyage of Captain James Cook (1728-1779). The purpose of this voyage was to discover the Northwest Passage and to explore the Pacific Ocean north of the Equator. These engravings were published in 1784-85 by G. Nichol and Thomas Cadell of London in the four large format atlas, Voyage to the Pacific Ocean. Captain Cook was an extraordinary explorer known for discovering and mapping unknown territory and for his many contributions to the scientific world. These original engravings from Webber’s drawings and paintings are only a glimpse into this great man’s historical contributions that make him one of the greatest explorers of all times.
This image shows a Hawaiian dancer...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Plan, Coupe, et Elevation d'une Stalle, Roubo French cabinetmaking engraving
Located in Melbourne, Victoria
'Plan, Coupe, et Elevation d'une Stalle'
French copper-line engraving by Milson after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L'Art du Men...
Category
French School Late 18th Century Prints and Multiples
Materials
Engraving
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