Late 18th Century Prints and Multiples
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Period: Late 18th Century
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Prints and Multiples
Materials
Engraving, Etching
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Engraving
Pair of Antique Framed Hand Colored French Parrot Engraving
Located in Palm Beach, FL
Lofty pair of 18th Century French hand colored engravings of parrots in natural settings as discovered by noted naturalist George Louis Leclerc Comte de Buffon. Presented under glass...
Category
Other Art Style Late 18th Century Prints and Multiples
Materials
Paper
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter B - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter B is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
The Hundred Guilder Print, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Flora Goddess, Allegory Of Spring - Etching by Pietro Campana - 18th Century
Located in Roma, IT
Flora Goddess, Allegory Of Spring from "Antiquities of Herculaneum" is an etching on paper realized by Pietro Campana in the 18th Century.
Signed on the plate.
Good conditions with...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Vaso Antico della Galleria Farnese - Etching by G.B. Piranesi - 18th Century
Located in Roma, IT
Original 18th century etching realized by Giovan Battista Piranesi.
Representation of the vase in the centre, description below "Ancient marble vase...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Mezzotint
Le Cerf De Corse - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Le Cerf De Corse is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper.
The artwork belongs to the suite "Histoire naturelle, générale et par...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle.
These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect.
This rare and celebrated plate of the Roses...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
After Dinner Scene, Flemish Etching by F Schweitzer
Located in Long Island City, NY
After Dinner Scene
F. Schweitzer
Etching on laid paper, signed in pencil
Image Size: 9.25 x 7.5 inches
Size: 17.5 x 12.75 in. (44.45 x 32.39 cm)
Category
Flemish School Late 18th Century Prints and Multiples
Materials
Etching
Chiesa di S.Paolo alle tre Fontane - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Paolo alle tre Fontane is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed m...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter B - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter B is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Capital Letter C - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter C is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
A Cart Race
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C.
(label)
Fursten zu Oettingen-Wallerstein, Lugt 2715a,
verso (see photo)
Condition: Excellent
Printed on 18th century laid paper
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
Romantic Late 18th Century Prints and Multiples
Materials
Aquatint
Chiesa di Paolo Primo Eremita - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower mar...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
The Flight into Egypt: Altered from Seghers, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Flight into Egypt: Altered from Seghers, Year: Of Original 1653, Medium: Etching, Image Size: 8.5 x 11 inches, S...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Antiche urne cinerarie e lampade
Located in Roma, IT
From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Ortij in the 18th Century.
Signed on the plate.
Good conditions.
...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good condit...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
$134 Sale Price
30% Off
Palazzo Altieri - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Quite Good conditions and aged ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
18th Century Pair of Du Temple de la Fortune Virile Facade and Floor Plan
By Antoine Babuty Desgodetz
Located in Soquel, CA
Pair of lithographs of The Temple of Portunus in Rome (Italian: Tempio di Portuno) facade and floor plan by Antoine Desgodetz (French, 1653-1728). These pag...
Category
Late 18th Century Prints and Multiples
Materials
Paper, Engraving, Ink
Le Cerf - Etching by Claude Jardinier - 1771
Located in Roma, IT
Le Cerf is an etching realized in 1771 by Claude Jardinier.
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Zebra - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Zebra is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is en...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Ancient Roman Fresco - Etching by Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century.
Monogrammed on the plate.
Good conditions w...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Chiesa e Monastero di S. Chiara - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Chiara is a black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
English School Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Jan Uytenbogaert (1606-84; The Goldweigher), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...
Category
Late 18th Century Prints and Multiples
Materials
Etching
Chauvesouris - Etching by Louis Legrand - 1771
Located in Roma, IT
Chauve- souris is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et partic...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer Horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Antiquities of Herculaneum - Letter B - Etching by G. Mignani - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet B, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions exc...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Anatomy of Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Old Towers of Rostov Kremlin, Serigraph, signed and numbered in pencil
Located in Long Island City, NY
Anatole Krasnyansky, Ukrainian/American (1930 - ) - Old Towers of Kyiv, Medium: Screenprint, signed and numbered in pencil, Edition: 55/350, Image Size: 10.25 x 9.25 inches, Size: 1...
Category
Late 18th Century Prints and Multiples
Materials
Screen
Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins and Foxings.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Composition with Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork is depicted through confident strokes.
Good condi...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Chauvesouris - Etching by Louis Legrand - 1771
Located in Roma, IT
Chauvesouris is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good co...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Presso Ludivico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma is from a series of original engravings published by Lodovico Mirri in the late 18th century and engraved ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Autre Kabassou - Etching by Louis Legrand - 1771
Located in Roma, IT
Autre Kabassou is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et partic...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Gathering - Etching by Louis Legrand - 1771
Located in Roma, IT
Gathering is an etching realized in 1771 by Louis Legrand (1723-1807).
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la desc...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Qual la Descañona from Los Caprichos - Etching by F. Goya - 1799
Located in Roma, IT
Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching and aquatint on paper.
...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching, Aquatint
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
Baroque Late 18th Century Prints and Multiples
Materials
Etching
Le Grand prêtre Coresus - Etching by J- Danzel - Late 18th Century
By Jérôme Danzel
Located in Roma, IT
Le Grand prêtre Coresus is an artwork realized by Jérôme Danzel in the second half of the XVIII Century.
Burin after Fragonard's artwork "Coresus et ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Cernophores Dancer with Basket, Plat - Etching by Filippo Morghen - 18th Century
Located in Roma, IT
Cernophores dancer with Basket, Plate, Crown from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th Century.
Signed ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Seminario di S. Pietro in Vaticano - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Seminario di S. Pietro in Vaticano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799
Located in Roma, IT
Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquati...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching, Aquatint
Le Couguar - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Couguar is an etching realized in 1771 by Louis Le Grand.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du ...
Category
Modern Late 18th Century Prints and Multiples
Materials
Etching
Letter of the Alphabet P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet P, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
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