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Late 19th Century Prints and Multiples

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Period: Late 19th Century
Pierre-Auguste Renoir -- Sur la plage, à Berneval/Baigneuse assise
Located in BRUCE, ACT
Pierre-Auguste Renoir Pierre-Auguste Renoir -- Sur la plage, à Berneval/Baigneuse assise, circa 1897 Soft-ground etching printed in black on cream wove paper Full margins, from the ...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Calvary of the Holy Sepulchre
Located in London, GB
David Roberts R.A. 1796 - 1864 CALVARY - HOLY SEPULCHRE First Edition lithograph Full plate: 26 Presented in a acid free mount Modern hand-coloured lithograph for the first editi...
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Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

La Terrasse de la Villa Brancas, Sevres (The Terrace of the Villa Brancas)
Located in Fairlawn, OH
La Terrasse de la Villa Brancas, Sevres (The Terrace of the Villa Brancas) etching & drypoint, 1876 Signed in the plate bottom right corner (see photo) in plate, at lower left: xbre ...
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Impressionist Late 19th Century Prints and Multiples

Materials

Etching

A was an Artist - Wood Engraving by William Nicholson - 1898
Located in Roma, IT
A was an Artist is a Wood engraving, realized by the Artist William Nicholson in 1898 Titled " A was an Artist - Portrait de William Nicholson " below, in the center of the image. O...
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Modern Late 19th Century Prints and Multiples

Materials

Woodcut

Slow and Steady, Vanity Fair legal chromolithograph of a judge, 1900
Located in Melbourne, Victoria
Vanity Fair legal portrait of Justice Gainsford Bruce. Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which wer...
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Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Alsacienne - Original Etching by Eugène Delâtre after Jean Benner
Located in Roma, IT
Alsacienne is a fine black and white etching, realized by Eugène Delâtre (1864-1939), after Jean Benner. A beautiful etching representing a female prof...
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Modern Late 19th Century Prints and Multiples

Materials

Etching

Original Maitres de L'Affiche - PL 26 by Monvel 1895 - Pate Dentifrices
Located in Boca Raton, FL
Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...
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Late 19th Century Prints and Multiples

Materials

Lithograph

Robert Abel, Vanity Fair cricket portrait chromolithograph, 1902
Located in Melbourne, Victoria
'Bobby' Vanity Fair cricket portrait of Robert Abel. Abel was a right hand batsman and bowler for Surrey and England. 390mm by 265mm (image)
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Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Tengmalm's Owl - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Tengmalm's Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lond...
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Modern Late 19th Century Prints and Multiples

Materials

Woodcut

Le Pilori - Vissé - Original Lithograph - 1887
Located in Roma, IT
Le Pilori - Vissé - is an original Modern Artwork realized in 1887. Original Colored Lithograph on paper. Passepartout is included. Good conditions. Dimensions: 70 x 50 cm.
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Modern Late 19th Century Prints and Multiples

Materials

Lithograph

"At Marblehead Neck" original etching
Located in Henderson, NV
Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 b...
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Late 19th Century Prints and Multiples

Materials

Etching

Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
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Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

Au Bois De Boulogne (illustrating the congregation of French nobility outside
Located in Fairlawn, OH
Au Bois De Boulogne (illustrating the congregation of French nobility outside the Chalets du Cycle Chromolithograph, 1897 Signed in the plate lower right corner From the Special Supp...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Cancer-The Crab
Located in Fairlawn, OH
Cancer-The Crab From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as p...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

La phalène des îles de la mer - Original litograph (1897/98)
Located in Paris, IDF
Franz M. Melchers La phalène des îles de la mer Original litograph Printed signature in the plate 1897/98 On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Mod...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

(after) Rhoda Holmes Nicholls - chromolithograph "St Mark's" Venice
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....
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Late 19th Century Prints and Multiples

Materials

Lithograph

1896 original lithography by Armand Rassenfosse Salon des cent
Located in PARIS, FR
In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph, Paper

Aries-The Ram
Located in Fairlawn, OH
Signed with the artist's initials lower left From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Pierre-Auguste Renoir -- Berthe Morisot
Located in BRUCE, ACT
Pierre-Auguste Renoir Portrait De Berthe Morisot, 1892 etching (Printed during his lifetime in 1892) signed in plate lower left Image size: 10.5 x 9.5 cm Frame size: 42 x 33 x 2 cm R...
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Late 19th Century Prints and Multiples

Materials

Etching

Kabuki Actor Diptych, Late 19th Century Figural Japanese Woodblock Prints (Pair)
Located in Soquel, CA
Beautiful late 19th century Japanese woodblock print diptych of two kabuki actors by Kunichika Toyohara (Japanese, 1835-1900). This pair of prints is united by a continuous landscape...
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Edo Late 19th Century Prints and Multiples

Materials

Paper, Ink, Woodcut

Alphonse Mucha's Le Pater: "Thy Kingdom Come" 1899 mandala lithograph
Located in Chicago, IL
Stone lithograph mandala plate of Thy Kingdom Come from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899. “Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts with Moorish arabesques, Byzantine mandalas, and Classical Renaissance melodrama to create a body of work that guided viewers across the gap between the ancient and the modern. The published plates for Le Pater were struck by Champenois on December 20, 1899 in an edition of 510 copies with the express agreement that they never be reprinted. As much of Mucha's work had been commercialized by Champenois due to numerous printings across multiple mediums, by this point he felt he had earned the right to insist on this deeply personal work existing only in the original release he had envisioned. The title page, prayer plates, and illuminated manuscript pages...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Dante - Etching, 1897
Located in Paris, IDF
Auguste RODIN (after) Dante, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of authent...
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Modern Late 19th Century Prints and Multiples

Materials

Etching

Awabi Diver with shell - Japanese Woodblock print by Kitagawa Utamaro
Located in Greenwich, CT
Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 in...
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Other Art Style Late 19th Century Prints and Multiples

Materials

Ink

1894 original poster by Jules Chéret titled "Au quartier Latin Mi-Carême"
Located in PARIS, FR
The 1894 original poster by Jules Chéret, titled "Au quartier Latin Mi-Carême," unveils a captivating snapshot of the festive atmosphere during the Mi-Carême celebration in the Latin...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph, Paper, Linen

Woman Seated Beside a Stove (B197), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Woman Seated Beside a Stove (B197), Year: 1878 (of original 1658), Medium: Heliogravure, Size: 9 x 7.25 in...
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Late 19th Century Prints and Multiples

Materials

Etching

1895 Original poster by Jules Chéret for the Quinquina Dubonnet - Art Nouveau
Located in PARIS, FR
Beautiful poster by Jules Chéret in 1895. One of the many products promoted by Chéret's cheerful redhead was Quinquina Dubonnet, a fortified wine made from herbs mixed with quinine....
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Linen, Lithograph

"La Vache Enragee" iconic vintage poster by Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Chromolithograph after Childe Hassam
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam ...
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Late 19th Century Prints and Multiples

Materials

Lithograph

"The Fisherman's Home" original etching
Located in Henderson, NV
Medium: original etching and drypoint. This rich, dark impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Com...
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Late 19th Century Prints and Multiples

Materials

Etching

May Flower - original lithograph (1897-1898)
Located in Paris, IDF
Henri HERAN (1864 - 1946) May Flower Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12")...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

"Vaine Pature" etching
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). Published in Paris by L'Art in 1875 and printed by Francois Lienard on laid paper. The image measur...
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Late 19th Century Prints and Multiples

Materials

Etching

"La grand'rue, le matin" original etching
Located in Henderson, NV
Medium: original etching. Printed in Paris by Porcabeuf and published in 1898 by Gazette des Beaux Arts. Image size: 5 1/2 x 8 3/8 inches (138 x 212 mm). A nice impression showing go...
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Late 19th Century Prints and Multiples

Materials

Etching

"En Normandie" etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by Charles Courtry after Constant Troyon. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" in 18...
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Late 19th Century Prints and Multiples

Materials

Etching

The Strength - Etching, 1897 (Goupil, Limited to 125 copies)
Located in Paris, IDF
Auguste RODIN (after) The strength, 1897 Etching enhanced with watercolor On vellum 31 x 42.5 cm (c. 12.2 x 16.7 inches) Edition limited to 125 copies, send with the certificate of ...
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Modern Late 19th Century Prints and Multiples

Materials

Etching

Cauliflower - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
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Modern Late 19th Century Prints and Multiples

Materials

Lithograph

The Gigaro - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
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Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Squirrels - Original Lithograph - Late 19th Century
Located in Roma, IT
Squirrels is a color lithograph realized by an anonymous artist in the late 19th century. Good conditions. This print reproduces four squillers indicated with the alphabet letters...
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Late 19th Century Prints and Multiples

Materials

Lithograph

1st Violin Duke of Edinburgh: 19th C. Vanity Fair Caricature by Ape (Pellegrini)
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of "First Violin " Prince Alfred, Duke of Edinburgh and Saxe-Coburg and Gothan by Ape (Carlo Pellegrini)...
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Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Queen's Amaryllis - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
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Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Arcade du Molard, Old Masters Hand colored etching by Charles Bastard
Located in Long Island City, NY
Charles Bastard, Swiss (1854 - 1924) - Arcade du Molard, Year: 1890, Medium: Hand colored etching on Arches, signed, titled and dated in the plate, Image Size: 6 x 8 inches, Size: ...
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Old Masters Late 19th Century Prints and Multiples

Materials

Etching

Le Pater: "Forgive Us Our Trespasses" 1899 mystical lithograph by Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from his masterpiece of mysticism, Le Pate...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
Located in SANTA FE, NM
Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...
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French School Late 19th Century Prints and Multiples

Materials

Paper, Ink, Etching

Eagle Owl - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Eagle Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London...
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Modern Late 19th Century Prints and Multiples

Materials

Woodcut

Gerlach's Allegorien Plate #114: "Vignettes" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
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Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

Pursued Centaur (Verfolgter Centaur) - Etching by Max Klinger - 1881
Located in Roma, IT
Pursued Centaur (Verfolgter Centaur) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the...
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Symbolist Late 19th Century Prints and Multiples

Materials

Etching

Moonlit Night from Intermezzi - Etching by Max Klinger - 1881
Located in Roma, IT
Moonlit Night from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate ...
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Symbolist Late 19th Century Prints and Multiples

Materials

Etching

"Le Passant, " Original Color Lithograph
Located in Milwaukee, WI
"Le Passant" is an original Art Nouveau color lithograph. It depicts two women in the foreground wearing medieval white robes and a knight passing behind them on a black horse. Features the L'Estampe Moderne blindstamp bottom right hand corner. 1898. 15 3/4" x 12" art 23" x 19 1/4" framed Robert Engels studied in Dusseldorf and moved shortly thereafter to work in Munich. Later, he became a professor at a school of applied arts at the KGS in Munich. He created many decorative prints as well as stained glass windows and also created compositions to illustrate Joseph Bedier's rendition of "Tristan and Iseult...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Pierre Auguste-Renoir "Le Chapeau Épinglé"
Located in Los Angeles, CA
"PIERRE-AUGUSTE RENOIR (1841-1919) Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extr...
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Late 19th Century Prints and Multiples

Materials

Drypoint

Venus zeigt Amor Psyche - Etching by Max Klinger - 1880
Located in Roma, IT
Etching and aquatint realized in 1880, belonging to the Series "Amor und Psyche", Opus V. Ref. Singer 67, IV. Excellent condition.
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Symbolist Late 19th Century Prints and Multiples

Materials

Etching

19th century engraving landscape bridge industrial river scene ink signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
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Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"Psyche, " a Maltese
Located in Columbia, MO
The Curly Coated Retriever 1887 Etching
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Naturalistic Late 19th Century Prints and Multiples

Materials

Etching

River in Normandy - Original etching - Ed. Durand Ruel, 1873
By Alfred Sisley
Located in Paris, IDF
Alfred SISLEY (after) The Angelus, 1873 Original Etching Engraved by Flameng under the supervision of SISLEY Printed signature in the plate On laid paper...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Etching

Suk - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Suk is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is  after the watercolor realized by the artist during a trip to Egypt between 18...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Trumpeter Swan. (Young).
Located in New York, NY
Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.
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Late 19th Century Prints and Multiples

Materials

Paper

"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Ink, Oil

S. LOEB (SOLOMON LOEB)
Located in Portland, ME
Zorn, Anders. S. LOEB (SOLOMON LOEB). H&H76, Asplund 115, Delteil 113. Etching, 1897. Unsigned (signed in the plate). Apparently the 2d or 4th State of 4. All of the states are descr...
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Realist Late 19th Century Prints and Multiples

Materials

Etching

Art Nouveau Muse - Lithograph (Les Maîtres de l'Affiche), Imprimerie Chaix 1900
Located in Paris, IDF
Henri PRIVAT-LIVEMONT (1861-1936) Art Nouveau Muse, 1900 Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 212 of ...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

"An Italian Macaroni" original etching
Located in Henderson, NV
Medium: original etching. The full title is "An Italian Macaroni of the Eighteenth Century". A nice impression in reddish-brown ink on cream laid paper, published in 1887 by Frederic...
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Late 19th Century Prints and Multiples

Materials

Etching

Composant les dessins pour l'apocalypse de Saint Jean, Etching by Jean Duvet
Located in Long Island City, NY
Jean Duvet, After by Amand Durand, French (1485 - 1562) - Composant les dessins pour l'apocalypse de Saint Jean, Medium: Heliogravure, Size: 10.5 x 7 in. (26.67 x 17.78 cm), Printe...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

GUERRE CIVILE
Located in Portland, ME
Edouard Manet, French, (1832-1883). GUERRE CIVILE (CIVIL WAR). Lithograph on chine colle, 1871-73. The second state of two. Printed and Published by Lermercier, Paris, 1874. 15 5/8 ...
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Late 19th Century Prints and Multiples

Materials

Lithograph

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