Michael Carson

"Bluff"

2023

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Ga...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Ga...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Ga...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

"Small Sitting Figure VIII" is a bronze sculpture of an elongated nude female on a white wooden frame. Edition 18, signed, numbered and dated on the ba...

David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10. A veteran home and furniture builder, David turned his in...

I was born in Nice in 1955. In the 80’s, I discovered the world of metal and ornamentation in my father’s workshop where I learnt gold and silver plating and bronze restoration. After many years of practice and technical research dedicated to rehabilitating and re-composing objects, I engaged in an artistic way around 2010. The ornament that is torn from its original support then becomes the very structure of my sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring me a precious help as well as a constraint. I got special inspiration from the Renaissance period. Vanitas are one of my favourite themes, typical of classical sceneries...

I was born in Nice in 1955. In the 80’s, I discovered the world of metal and ornamentation in my father’s workshop where I learnt gold and silver plating and bronze restoration. After many years of practice and technical research dedicated to rehabilitating and re-composing objects, I engaged in an artistic way around 2010. The ornament that is torn from its original support then becomes the very structure of my sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring me a precious help as well as a constraint. I got special inspiration from the Renaissance period. Vanitas are one of my favourite themes, typical of classical sceneries...