Grace Khalsa

Fruit Bat

2021

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Bat Ornament" Year: 202* Porcelain, Glaze, Chinapaint, 24k German Gold L...

Title : Fancy Encantada Materials : Stoneware, Glaze, Leather Cord, Paint Date : 2016 Dimensions : 11" X 2" X 8"

Stephanie Lanter Title : "If Nothing Else" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 15.5" x 8" Description : Manually sl...

Title : Splice Materials : Slip-cast porcelain, Glaze, Decals, and Resin dipped flowers Dimensions : 8.5" x 21" x 14" Rain Harris uses her artistry with m...

Oil and acrylic on board Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination ...

The title refers to the well known baseball metaphor about the advantages that come to a person in our society who is born white.

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...