Graphics Art

House Outside is an original pencil drawing on ivory-colorated paper, realized by Anonymous French Artist of the Early 20th Century. In very good conditions. Not signed. This artwo...

Horses is an original drawing artwork in pen and watercolor on reddish paper realized in 1983 by Italian artist Michele De Luca. Hand-signed on the lower right and dated. With the ...

This Map of Paris is an original print in etching technique. The state of preservation of the artwork is very good. This artwork represents a detailed map of the city of Paris..

Flowers is a beautiful Cromolitograph print, realized by H.Herder. Good conditions with some rips on the lower margin. Signed. The artwork represents beautiful flowers created thr...

Flowers is a beautiful Cromolitografia print, realized by H.Herder. Good conditions with some rips on the lower margin. Signed. The artwork represents beautiful flowers created th...

Flowers is an original etching hand colored and signed Bouval. Hand-signed on the lower right. Image Dimensions: 15 x 10 cm Good conditions. Numbered, edition 3/25. The artwork r...

Map of Puy De Dome is an original etching realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top cente...

Map of Seine is an original etching realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. The state of preservation of ...

Map of Pyrénées is an original antique etching realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. The state of prese...

Map of Rhône is an original antique etching realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. The state of preserv...

Map of Deux Sèvres is an original antique etching realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. The state of p...

Map Of Martinique is an etching realized by an anonymous engraver of the 19th Century. Printed within the series "France Pittoresque" at the top center. The state of preservation o...

Map of Vaucluse is an original antique etching realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. The state of prese...

Letter P by Rafael Alberti, from Alphabet series, is an original lithograph, realized by Rafael Alberti in 1972. The state of preservation is very good. Th...

This Map of Vallombrosa is a vintage offset print realized by an anonymous author in 1926. The state of preservation of the artwork is aged with some small diffused stains and the a...

This Map of Lymosin-Perigord-Quercy is an etching realized by Antonio Zatta in Venice in 1776. The state of preservation of the artwork is good except for the worn paper and the pap...

This View of Lyon is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates...

This map of Leida is an original etching realized by George Braun and Franz Hogenberg as part of the famous Series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas...

This Map of Spain and Portugal is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension: 28...

This map of Hypra is an original etching realized by George Braun and Franz Hogenberg as part of famous series "Civitates Orbis Terrarum". The state of preservation of the artwork ...

This map of Avgvsta is an original etching realized by George Braun and Franz Hogenberg, as part of the famous series "Civitates Orbis Terrarum (Atlas of the Cities of the World). ...

Composition is an original lithograph, realized by Rafael Alberti in 1970. Hand-signed and dated on the lower right margin. Numbered, edition 19/99 The state of preservation is go...

This square painting is part of a diptych, inspired by spring in the city and the Pantone Color of 2023 - Viva Magenta. The bold shapes of the blooming flowers are rendered with mage...

Projection is an original drawing, realized by the Italian artist Angelo Faverio. A minimalist drawing of projection through geometric shapes and lines. Hand-signed on the lower r...

Still Life is an original artwork realized by an artist of 20th century. The print rapresents an abstract still life in lively bright colors. In good conditions. Lithograph. Illegi...

The Night Fragrances series seems to be Lyudmila's favorite theme: there are many works in this series and all of them are very different in color, but united by the same style and t...

"Vegetation" is an original drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is very good. Sheet dimension: 26.3 x 17 ...

Fish and Blade is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in...

This painting features hues of green, purple, blue, red, and yellow. This surrealist still life features flowers, a patterned textile and apples. Guy Robinson is inspired by the wor...

Make of your heart a burning fire (Dahlia, Mournful Widow, Spiked Speedwell, Strawflower, Ranunculus) 2023 Signed, titled, dated, and numbered on label, verso Archival pigment prin...

This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own. Lisa Houck 'Chittering and Chattering III' Linoleum Block Print, Edition 10 11 1/2 x 11 1/2 Inches (Image Size) Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed. Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue. These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...

"Heartbreaker" is painted with acrylic on 18 x 24 inch museum-quality loose canvas, easily mounted and framed. This expressive and colorful image is a re...

The painting is written in a minimalist style especially for modern interiors that can include gray, neutral tones and bright accents. Lightness and grace of natural forms together w...

This original and unique of a kind artwork by Natasha Lelenco, part of the Exchange Currencies series, presents a hyperrealistic profile portrait painted with acrylics in ochre and y...

César Delgado (Spanish, b. Madrid, 1961) is a contemporary Spanish painter whose work draws upon the legacy of Spanish informalism, approaching the pictorial process through repetiti...

"Machelen", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest print...

Li Governi di Borgogna is an original black and white etching on paper, printed by Antonio Zatta in Venice, 1777. Original Title: Li Governi di Borgogna della Franca Contea e del Ly...

Image dimensions: 22.2 x 27.8 cm. Grecia is an interesting hand-colored etching on paper, realized by an anonymous artist in the first half of the XIX century. With the inscriptions in Italian, this original print describes the geography of Greece with the great charisma of the antique maps. In very good conditions, except for a usual yellowing of the paper at the edges and minor defects and signs of the time, and some light yellow strips...

Flower Petals is an original artwork realized in 2019 by Anastasia Kurakina. Original oil painting on canvas. Signature and date on the back. In excellent conditions. This conte...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Original mixed media painting by Ala Ilescu "Queen Echinacea" 12 x 12 inch "Queen Echinacea" 2022 Mixed media: acrylic, watercolor crayons, and acrylic markers on canvas. Modern, con...

Braun G., Hogenberg F., Ypra (Ypres), from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) ...

Screen print in colors on shaped wood. Hand signed on verso by Matt Gondek. Hand numbered 145/150 on verso. Artwork size 22.4 inches diameter. Artwork is in excellent condition. ...

Limited edition of 99 prints. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) A Spanish...

Limited edition of 99 prints. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) A Spanish...

Limited edition of 99 prints. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) A Spanish...

Limited edition of 99 prints plus 20 artist's proofs. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de San...

Limited edition of 99 prints. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) A Spanish...

Limited edition of 99 prints plus 20 artist's proofs. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de San...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Limited edition of 50 prints, numbered and hand signed.

"Entrance to the Iridescent Garden-First Day of Spring" is an original mixed media piece by David Barnett. The artwork is signed in the lower right. Barnett used iridescent watercolo...

The 1950s were a remarkable era for the world of travel and advertising, and one poster captured the essence of this period like a time capsule. Gaston Vanden Heynde's 1950s poster, ...

bright, colorful flowers painted on a painterly brushy black background :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the art...

Acrylic & mixed media on canvas Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at ...

The painting is 2 cm deep and can be hung without an additional frame, also all picture sides are painted. The painting is signed on front and on the back. A signed Certificate o...

Wayne Ensrud, American (1934 - ) - Wildflowers (on Yellow) 2, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: I/I, Image Size: 29.5 x 20.5 inches, S...

Wayne Ensrud, American (1934 - ) - Untitled - Bouquet, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, I/I, Image Size: 27 x 22 inches, Size: ...

David Lee, Chinese (1944 - ) - Red Flowers (3), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 x 21 in. (73.66 x 53.34 cm), Descrip...