Table Art

Diners in a grand ballroom during a fashion show, circa 1955. Slim Aarons Luxury Dining Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaron...

Framed Dimensions: 24.75h x 24.75w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he recei...

Henry R Kravis, Diana Beattie, Francesca Stanfill, Peter Tufo, Carolyne Roehm, Dick Beattie and Marie-Louise Scio at the Scio family villa in Porto Ercole...

Henry R Kravis, Diana Beattie, Francesca Stanfill, Peter Tufo, Carolyne Roehm, Dick Beattie and Marie-Louise Scio at the Scio family villa in Porto Ercole, September 1986. Slim Aar...

Sergii Druziaka and Sergii Litvinov. ART tandem "Spring"

A restaurant in Positano, Italy, 1958. One of the woman is art director Edna Lewis. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

A restaurant in Positano, Italy, 1958. One of the woman is art director Edna Lewis. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

A restaurant in Positano, Italy, 1958. One of the woman is art director Edna Lewis. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

Guests seen from a poolside bar at the Hotel Il Pellicano in Porto Ercole, Italy, August 1980. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped ...

Guests seen from a poolside bar at the Hotel Il Pellicano in Porto Ercole, Italy, August 1980. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped ...

Guests seen from a poolside bar at the Hotel Il Pellicano in Porto Ercole, Italy, August 1980. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped ...

"Tablescape - Chinese Food Dinner," Archival Pigment Print Photograph, Edition 10, 18 1/2 x 30 Inches Sheet Size. This photograph is unframed. Note: Also available in larger fo...

artwork dimensions (unframed): 59h x 41w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...

This is a unique work. Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. Work comes with a Certificate of Authenticity from The Andy Warhol Foundation for the Visual ...

Stevie Nicks backstage in dressing room Venice, CA. 1981

Yue Minjun, Sheep Herd Lithograph Edition of 130 120 x 80 cm (47.2 x 31.5 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired...

Rolling Stones, "Dogs into Camera" from Beggars Banquet photo shoot, England 1968. Limited Edition photograph. Edition of 30. Signed by photographer on bottom right. Available in ...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Cowgirl by Patty Carroll depicts a woman, dressed in a cowboy hat, sitting and looking down at her desk. She is surrounded by Western themed decor; metal objects, stars, horns and le...

Hugh Findletar is perhaps best known for his bustlike vases, which he calls "flowerheadz." They are created in glassblowing workshop on Murano, an Italian island near Venice. The "z,...

Edition 2 of 5 with 2 APs framing is an additional $420 Photography and acting are kindred spirits in the ongoing series by E2 - Kleinveld & Julien, entitled In Empathy We Trust. Th...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 475. Stretched. All reasonable ...

Signed by Andre Kertesz Vintage gelatin silver carte postale 3 1/2 x 5 3/8 in. Signed in graphite in artist's hand on recto

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x9" paper size 18x13" Large image size generally 22x15" paper size 27x19" Represented by George Billis Ga...

Signed, stamped, dated and numbered on the back of the print. Edition of 15. Price subject to change without notice.

BETH LIPMAN WILD MADDER (plate), 2021 glass, permanent photographic transfer 1 x 6 7/8 in. etched "BL 2021" on back

April 1970—Interior designer David Nightingale Hicks (1929 - 1998) on Windermere Island in the Bahamas. David Nightingale Hicks Slim Aarons Es...

April 1970—Interior designer David Nightingale Hicks (1929 - 1998) on Windermere Island in the Bahamas. David Nightingale Hicks Slim Aarons Es...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features the author Truman Capote (1924 - 1984) relaxing with a book and a cigarette in his clutter...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features the author Truman Capote (1924 - 1984) relaxing with a book and a cigarette in his clutter...

Interior of a farmhouse with tiled stove. Oil painting by Amelie Ruths. Dimensions without frame. Frame may have minor damage in places.

Signed, titled, and dated in pencil on print verso.

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features the author Truman Capote (1924 - 1984) relaxing with a book and a cigarette in his clutter...

Signed in ink on verso. From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compelling photographs of the people, communities, rural landscape and the colorful juke joints of the American South, most notably the Mississippi Delta...

Vingers in de pap Finger in the Pie Acryl Painting on Canvas Fat Lady In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ad...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...

Signed in black ink on print verso by Birney Imes From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compelling photographs of the people, communities, rural landscape and the colorful juke joints of the American South, most notably the Mississippi Delta...

Signed in black ink on verso. From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compellin...

Elizabeth Geiger received her BA in painting and mathematics from the University of Virginia in 1990 and continued her art studies at both the New York Studio School and the Vermont ...

Tom Wolfe (b.1931), from Richmond, Virginia, spurned academic life after receiving his Yale doctorate to become a reporter, ultimately at the New York Herald Tribune. He originated New Journalism, a staccato-adjective-laden style that reinvented subordinate clauses when writing a feature for Esquire on custom cars...

Edition of 25 Signed, titled, dated and numbered.

On couch with Catherine Guinness at a party in Halston’s apartment, 1979 This work is unique and editions can never be reproduced. Stamped on the reverse by Andy Warhol Authenticat...

Table de bistro parisienne après une averse ventée

Art Sz: 10 1/4"H x 15"W Mat Sz: 14"H x 17 1/2"W Alexander Warren Montel (1921-2002)

UNIQUE PRINT SILVER GELATIN - silver gelatin print mounted on diebond and framed in black frame. THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

Jourdan And Douglas 1978 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Left to right: French actor Louis Jourdan, Ann...

Laura Letinsky Untitled #5, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 48 x 37 1/2 inches Paper: 58 x 48 inches

Fred Hughes was Andy Warhol's business manager for more than 25 years. During his time with Warhol, Hughes ran The Factory and was also the publisher of In...

Original cover for Liberty magazine, published October 2, 1926 Sandy glowers as he sits at the table watching his rival Babe Dolan, the athletic lifeguard, flirt with Lil. Lil is entranced as Babe promises to make her a champion swimmer and the two are oblivious to the arrival of the waiter with the check, which Sandy reluctantly pays with nearly all of the remaining money in his wallet. (Liberty magazine, October 2, 1926, p. 54) This cover illustration was produced right after Liberty ceased their title contest for readers. “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

Art Sz: 13"H x 20"W Frame Sz: 14 1/4"H x 21 1/4"W In custom gilt bamboo frame Original color double page from Slim Aarons' iconic book "A Wonderful Time" published 1974 The class...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

This is a large statement piece of art. It is painted in a gestural and loose way mainly in blue and green hues. Inspiration was found at the side of Lake Geneva in Montreaux. Along ...

29.5"x41" watercolor on paper. In this contemporary surrealist watercolor painting by Thomas Broadbent, a cougar climbs along a poolside lounger chair. Two glasses of wine and a st...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate of authenticity included. Edition AP ...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #3, 2009 Chromogenic print Image 102 x 152.5 (40 1/8 x 60 in.) Sheet 114 x 164.5 cm (44 7/8 x 64 3/4 in.) Edition of 6, plus 2 AP;...