Turban Art

Henry Macbeth-Raeburn (1860-1947), after Sir Henry Raeburn (1756-1823) mezzotint, 'The Macnab'. Signed in pencil 'H. Macbeth-Raeburn' to the lower left. Published 1918. Presented in ...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Portrait of a Woman in Front of the Sea - Original Romantic Oil Painting Beautifully rendered and realistic portrait by Gianni (Giovanni) Strino (Italian b. 1953.) A woman stands in...

Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...

Fine art 20x24" print of David Bowie in his hotel room reading a newspaper in Singapore, 1983 during the Serious Moonlight Tour by acclaimed photographer, Denis O'Regan Printed to o...

Signed limited edition print of The Beastie Boys taken in 1987 by Lynn Goldsmith Signed limited edition #7/20 - signed, numbered and titled by Lynn Goldsmith

Female Figure in Oriental Dress among the Ruins of Romantic Greece Oil on canvas, 61 × 46 cm (without frame), 74 × 57 cm (with frame) Early to mid-19th century Not signed A youn...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

Romantic Painter (second half of the 19th century) - The Soldier. 50.5 x 38 cm (unframed) — 79 x 66 cm (framed). Oil on canvas, in a carved wooden frame (not signed). Proven...

Romantic painter (second half of the 19th century) - Portrait of a Lady. 45.5 x 31 cm (unframed) — 74 x 60 cm (framed). Oil on canvas, in a carved wooden frame (not signed). Full-...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694. The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge. An author wrote of her: "The line of Vere, so long renown’d in arms, Concludes with luster in St. Albans’s charms; Her conquering eyes have made their race complete, It rose in valor, and in beauty set." This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace. Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...