19th Century French Etchings

impression, printed by the prestigious Cadart in Paris, offers collectors a beautiful example of 19th-century

gaze through the silent expanse. A leading figure in the 19th-century French etching revival

, and deeply printed. Private collection, Italy. Alphonse Legros was a key figure of 19th-century

of the masters of 19th-century French etching.

French Castle is an original etching artwork realized by an anonymous engraver of the 19th Century

Cityscape - France Pittoresque is an original etching realized in the 19th Century. Belongs to the

Cityscapes - France Pittoresque is an original etching realized in 19th Century. Printed in series

Image dimensions: 13 x 8 cm. Colombine is an original etching realized during the XIX century by

A fantastic set of twenty 19th century framed etchings of Roman and Greek emperors, statesmen, and

The French attack is a Lithograph realized by Auguste Raffet in the 1860s. Belongs to the series

A charming pair of etchings of a French town scenes overlooking the cathedral. The artist has

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval

in time in which it was done. This was printed and designed by a very fine French Swiss 19th century

Male Portrait is a splendid etching and drypoint signed on the lower left inside the matrix “A

Drypoint etching and aquatint in sepia on cream wove paper, 10 x 8 inches (254 x 201 mm), full

Riche who was a noted 19th century printmaker. Custom beautiful gold leafed frame has deep cut beveled

The French attack on Porta San Pancrazio is a Lithograph realized by Auguste Raffet in the 1860s

With certificate of authenticity. The black and white etching dated 1897 from the first limited

Late 19th century black and white etching of "Portrait de Lhéritier (Romain Thomas, dit), acteur

etching in color with gilded wood frame; the scene represents the arrival at the Fountain of Youth of a

: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75” H.

: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75” H.

Set of four coloured etchings from Description de l'Égypte French, 1809-1822 Mount: Height 41cm

Mussard, Léopold Costume design for a 13th century Arbalétrier. Paris: 1836. Etching with hand

 : Frame: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75” H.

: 16” W x 20.25” H x 1” D Etching: 9.5” W x 13.75” H.

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter

given by Raffaëlli to the Société des Aquafortistes, a key institution in the 19th-century revival of

depiction of mid-19th century upper class life there, with a lot of characters, stores and horse carts. It

, in 1860 : a picturesque and charming depiction of mid-19th century with a lot of characters and

depiction of mid-19th century upper class life there, with a lot of characters, stores and horse carts. It

picturesque and charming depiction of mid-19th century seen from quai de Corse, with a lot of characters

, and in France. Tissot's "reputation as a painter is reflected in the enhanced standing of his etchings

A fine hand-colored etching showing the Chateau de Vincennes in 1860, with la Sainte Chapelle on

, ending rue Saint Antoine) in 1860 : a picturesque and charming depiction of mid-19th century with a lot

depiction of this church in the mid-19th century, with many characters. It also shows architectural changes

the paper surface, see pics. This is etching is an made after Pablo Picasso, and after his famous 1931

Son Altesse is a beautiful black and white etching, burin, aquatint and drypoint on paper realized

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques

Paris: Cadart, 1868. Etching on watermarked buff laid Arches paper, 5 1/2 x 9 1/4 inches (140 x

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439

Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In

inventory catalogue of 19th-century printmakers, primarily French." — Guide to the Literature of Art History

TWO WORKS / Paris: Cadart, 1865. Each an etching printed on one sheet of buff wove paper. Each

London: 1876. Etching with drypoint on cream laid paper with a partial large heraldic watermark, 9

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and

had a rich experience exploring in North America in the 19th century, accompanying German explorer

Rouen: Rouen Augé, 1880. Etching and engraving on Arches laid paper with a partial watermark, 9 3

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full

Paris: Delatre, 1850. Etching on Chine collé mounted to heavy cream wove paper, 2 7/8 x 2 5/8

Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full

Etching on chine collé mounted to white wove paper, 3 11/16 x 5 (92 x 125 mm), full margins. In

Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins

Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (210 x 140 mm), full

a cholera epidemic swept Paris in the middle of the 19th century that Jacque's career experienced a