Antique Archaeology

Composed of 18K gold, this antique archaeological revival brooch in the form of a fibula dates from

Period: circa 1860 Weight: 9.8 gr. Length: 73 mm Antique 18k gold archaeological revival pendant

: 39,5 gr The 19th-century set, in Neo-Archaeological style, is made entirely of gold and consists of a

This Castellani Archaeological Revival brooch dates back to the 1870s. The circular disk is styled

brooch is made in archaeological style, a trend developed during the 19th century by the Castellani

Edited by Susan Weber Soros and Stafanie Walker This is a magnificent book which is in good condition, and is really the first to display and discuss the family and jewellery that th...

Ring with a flower motif set with agate. Slab work, decorations in cord motif and micro granulation technique. Size 8 Weight: 3,5gr.

Antique Archaeological Victorian Etruscan revival pin /brooch with beautiful details . Pin front

This highly unusual and very rare pair of cufflinks is executed in the archaeological style by the

An antique Victorian period gold and malachite bracelet in the Etruscan Revival style, comprised of a gold foxtail chain suspending five malachite beads of varying sizes from gold ri...

This Exquisite and Rare Collectible Antique Victorian/Etruscan Revival 18kt Gold Carved Carnelian Cameo Fibula Pin/Brooch is a testament to refined elegance. Drawing inspiration from...

A charming little oak collectors box inscribed 'YORK ARCHAEOLOGY SOCIETY' Paper label ink

A fine antique copy of The Domesday Book, transcribed and published by the Sussex Archaeological

Conical shape punctuated with raised spikes. Set in 18K yellow gold. Italian archaeological revival

This exceptional Antique Archaeological Revival necklace, crafted in rare 15-carat yellow gold

bracelet is made in neo-Archaeological style, a trend that developed following countless finds of objects

18 kt gold micro mosaic-pendant, approx. 1860, circumferential wine leaves, centered oval micro mosaic on black ground, floral presentation, also wearable as a brooch, lug removable....

musical putto, setting in archaeological style brooch. Dimension of the brooch : 46mm x 28mm Weight

The bracelet dates to the 1860s, when the neo-archaeological style developed, promoted by the

This Archaeological Revival brooch showcases a beautifully carved coral cameo depicting Diana

An antique archaeological revival style gold fringe necklace by Carlo Giuliano circa 1880. This

Large oval shape archaeological-revival in high karat gold with five roman intaglio 1st century

This chunky bracelet is made up from 6 oval camei carved in high relief out of toffee coloured lava in 1850/1860 ca. The six profile busts represent different beauties in the antique...

Set of four studies of archaeological excavations of the 18/19th in Nola and Sicily. Nola is known

A wonderful Roman Revival bowl by E F Caldwell, one New York's most important historical design firm. The bowl has a raised frieze-like decoration around it's circumference, rosette...

and archaeological fragments admired by Grand Tour travelers in Italy during the 19th century. The

archaeological style that captivated nineteenth-century jewelers. Formed as a continuous collar of finely worked

three-footed base with decorative animal paws. Inspired by classical antiquity and archaeological

classical antiquities and helped establish archaeology as an academic discipline. Montfaucon’s encyclopedic

development of archaeology and classical art history. The composition assembles multiple mythological and

authenticity. These natural markings lend character and underscore its archaeological provenance. Weighing 170

(Ruines de Tirynthe), one of the major archaeological sites of ancient Greece, and forms part of the

archaeological and antiquarian publications, which sought to classify and visually document artefacts from

archaeological heritage that shaped Western historical imagination. The composition offers a sweeping panoramic

distinctive curled horn, reflecting the fascination with classical and archaeological motifs that

print demonstrates both archaeological interest and decorative intent. With its strong graphic impact

classical archaeology and the study of ancient art profoundly influenced European visual culture

fashionable display. The archaeological evidence from Mount Vernon confirms that this pattern was part of the

one of the foundational publications of modern archaeology and art history, Montfaucon’s encyclopedic

foundations for modern archaeology and art history. The plate presents a carefully arranged compilation of

archaeological and cultural sites, renowned for its ancient royal burial mounds associated with early

archaeological and cultural sites, renowned for its ancient royal burial mounds associated with early

that helped establish the scholarly foundations of archaeology and art history during the Enlightenment

encounter with the monumental temples and archaeological wonders of the Nile Valley. Mounted on cardboard

-antique intaglios, showcase the technical prowess of Parisian ateliers inspired by archaeological

archaeological accuracy. The pyramids here are shown in varying sizes scattered across the landscape, emphasizing

archaeological character of the design, echoing the appearance of ancient artifacts that inspired Victorian

architectural clarity and atmospheric sensitivity. The surrounding landscape blends archaeological ruins with

archaeological interest that such monuments held for travellers, scholars, and artists of the Romantic period

and archaeology. Dating to approximately circa 1875, the suite demonstrates traditional hand

Grand Tour Archaeological Revival Bronze Casket with Athena and Greek Processional Friezes

ornamental motif that reinforces the piece’s archaeological and historicist character. Iconographically, the

Archaeological Museum of Olympia in Greece. In the full statue, Hermes right hand is lost. It is thought to have

as one of the founders of the modern discipline of archaeology.

the archaeological excavations of the sites.

nineteenth century’s fascination with classical antiquity and the growing European interest in archaeological

. The work reflects the nineteenth-century European fascination with Greece, where archaeology, travel