Antique Buttons

Arabic geometric motifs over soft and supple crimson ground velvet cloth. The hand wrapped buttons

crystal buttons and cut pendalogues, France, circa 1890. Presently not electrified and shown with wax

composed to two silver mounted buttons connected by a silver link. Under the faceted rock crystal is a fine

is fantastically patinated (some buttons missing) and the steel frame is rubbed and worn too, but all

round double point buttons, and below it, a five-tier waterfall of rule drops. Eight additional internal

together with beaded coral buttons. The overall level of quality and workmanship is superlative, circa 1800

the chair as can be seen in the photos. Majority of the buttons are present and the springs are all in

red color, still in good condition with some wear. The seat is decorated by brass buttons, some might

gripping buttons still quote the great Classic of the time for tableware: the 18th century. Indeed, these

an egg and dart pattern around the outer beveled edge and has Napoleonic buttons along the inside

embroidered with fauna, flora, and birds. The coat is single-breasted with two fabric covered black buttons

round double point buttons, and below it, a five tier waterfall of rule drops. 8 additional internal

as the engraved brass buttons on the four top corners and the original galvanized zinc drip tray. The

red color, still in good condition with some wear. The seat is decorated by brass buttons. The

a beautiful, dazzling diamond effect. Cut steel was fashioned in many ornaments: jewelry, buttons

: buttons are 13 mm. in diameter – links 18 mm. in length Weight: 6.1 grams Condition: very good

arm and carved conical beehive buttons. The chairs have stuff over suede seats and brass studding

, buttons, cuff links or collar studs etc. The stand is in good condition and is made from solid walnut

fabric-covered buttons, and matching tapestry collar and cuffs. The coat is being sold in "estate

surrounded by finely wrought leaves and branches. The jacket has wooden buttons and toggle loops for closure

-faceted studs to create a dazzling effect. Cut steel was fashioned in many ornaments: jewelry, buttons

attention to detail is astounding. The jacket has two buttons for closure in the front and is lined in a

. The robe has five brass buttons for closure, 3/4 length kimono-type sleeves, and a slit up either side

present to open it. A hidden series of buttons, hobnails, release iron strips that conceal the four hidden

set with Natural Coral large buttons They hold a fantastic selection of rare Natural untreated Salmon

crystal buttons. Heavy cut crystal bobeches are hung with Georgian rule prisms. Appropriate chain and

silk Yorkshire buttons. The waistcoat back is plain cotton sateen with buckle tab. The inside is lined

waterfall chandelier dressed with glass buttons and icicle droppers. The outer framed is fixed its glass

crystal pear drops with crystal buttons and crystal icicles. The chandelier comes supplied with braided

brass metal buttons for closure and a navy blue silk lining. The jacket measures 22" across the bust

just four upholstered large buttons,whereas the larger version in the National Gallery depicts Garrick

bodice and ivory satin lining from there down. There are lace covered buttons up the back and on the

crochet. It tightens at the back with small nacre buttons. Made to fit the S line in vogue during the

, dressed with swags of round double pointed buttons and cut crystal pear pendants. Faithfully restored and

. We'll also notice three grooves surmounted by three buttons. The carved and molded tablet is

many ornaments: jewelry, buttons, shoe buckles, etc. The finer cut steel studs date back to an older

beautiful, dazzling diamond effect. Cut steel was fashioned in many ornaments: jewelry, buttons, shoe

glass buttons, each restored and finished with a delicate cut glass pear drop. The frame forms petal

velvet covered buttons for closure. The label is in tact and reads, Miller & Rhoads Richmond, VA. This

retaining the original antiqued brass patina. The chandelier is dressed in glass buttons faceted glass

patterns and shou characters stylized with buttons in the form of insects and vegetables with inlaid

are set in sterling silver. These would have originally been cuff buttons or cufflinks, and were later

pediment with original brass buttons reminiscent of Hepplewhite and Sheraton secretaries of the time. Also

young man. It is in exceptionally good condition for its age. All of the very detailed metal buttons are

been cuff buttons or cufflinks, and were later converted into earrings. The ear wires are 14k yellow

photographed with color paper behind it. Otherwise, it is hardly noticeable. The jacket has five buttons for

fabric around the collar area. I have photographed both flaws. The robe has three satin buttons for

original antiqued brass patina. The chandelier is dressed with glass buttons and glass icicles which

front of the coat and two satin panels with buttons and fringe that decorate the back of the coat. Both

leg ends in a scroll. The frame is sprung and has a generous down wrapped cushion with six buttons

ornaments: jewelry, buttons, shoe buckles, etc. The finer cut steel studs date back to an older period

buttons? Weight shy of 2 ozs. Dimensions 3 1/2 inches by 2 1/2 inches by 3/8 inches high. No monogram

embroidered coat and buttons being perhaps the most clear. The paint is fresh and the colours vibrant, the

completely gone thru in order to work. two keys are missing tab or buttons. Missing some glass cover over the

use of circles and acanthus leaves and raised buttons as well as shaped iron all combine in a

is dressed in a long jerkin with 2 lower front pockets, 5 large buttons and back flaps; narrow, ankle

diamond centrally set in a traditional star engraving common to the Victorian area. The back buttons are