Antique Cope

Circa 1830 George IV / William IV English Regency armchair of large size having upholstered frame with rectangular back issuing outward scrolling arms either side of D-shaped seat wi...

A good quality 19th century armchair raised on mahogany turned legs with the original white ceramic Cope & Collinson casters. In good structural condition but would benefit from upho...

Raised on walnut turned and carved walnut front legs with the rear legs both stamped Gillows and all raised on the original Cope & Collinson Strong patent casters. English circa 1860...

Raised on on short turned legs with over sized gilt brass Cope & Collinson casters. The inside of the back rail marked this chair for 'Large Drawing Room 2' c1840 Newly recovered in...

Raised on turned front legs with out splayed legs to the rear and all on the original Cope & Collinson brass casters. Beautifully figured grain throughout.

Raised on crisply carved legs with the original Lewty front casters and Copes on the rears. The craftsmanship shown throughout these chairs is impeccable!

They are supported on polished block legs terminating in Cope & Collinson castors with wooden wheels. Holland & Sons was founded in 1803 by William Holland and they went on to bec...

Raised on walnut fluted and gadrooned front legs and arm supports with splayed rear legs and all with the original copes castors. The back legs stamped holland & Sons and also bares ...

A very well proportioned 19th century arm chair by Constantine & Co of Leeds, West Yorkshire. sitting on well turned walnut legs with the original large Cope Collision brass and cera...

Its raised on turned walnut legs with the original Cope & Collinson brass casters. Structurally in good solid condition and retaining its original stretcher rail to the underside.

Raised on turned walnut front legs with the original large Copes brass casters. The seat retains its original webbings and springs.

The frame is caned throughout with arched top rail and down swept arms ending with ball terminals, finely tuned front legs resting on Cope & Strong patent brass castors. The front an...

Raised on 4 very nicely carved legs with the original cope and Collinson strong brass casters. The quality of the show wood throughout this sofa is simply outstanding and a testament...

It is a truly fascinating antiquity believed to have been housed at Hanwell Castle and probably commissioned by William Cope's son to adorn an overmantel or as a sign of commitment t...

The three dimensional copper body is pressed and shows realistic feather markings and an open beak The bird is perched on a large ball with smaller ball below and the N,S, E and W be...

The cabriole legs are made from mahogany and have concealed Cope and Collinson brass casters which is a testament to the quality of the chair.

The cabriole legs are made from mahogany and have concealed Cope and Collinson brass casters which is a testament to the quality of the chair.

The leaves are secured with Cope & Collinson stamped brass fork clips — premium fittings of the period and a strong indicator of the table’s superior quality.

The front legs of turned figured walnut retain their original gilt Cope and Collinson brass castors with the rear splay legs again of figured walnut similarly retaining the original ...

The vanity table is standing on four turned, reeded and tapered legs terminating in original Cope & Conllison brass and ceramic castors. This antique dressing table has been sympathe...

Raised on turned walnut front legs with out splayed legs to the rear and all with the original large Cope & Collinson brass casters. Each chair stamped Johnstone & Jeanes, New Bond S...

Raised on turned walnut front legs and arm supports with splayed rear legs and all with the original Cope & Collinson brass casters. C1840 Provenance.

On brass and white ceramic castors stamped ‘C & C’ for Cope & Collinson. In very good condition, there is a small repair to the very centre of the top and a small blemish at the edge...

The rounded rectangular top with a moulded edge and decorative tablet above each carved and fluted turned leg, standing on brass caps with Cope & Collinson brown pottery castors. The...

Raised on turned walnut front legs with splayed rear legs and all with the original Cope & Collinson brass casters. C1840 Provenance.

HOLLAND HOUSE Holland House, originally known as Cope Castle, was a great house in Kensington in London, situated in what is now Holland Park.

In 1882, two distinct factories were built in Crayford and New Eltham to cope with the significant increase in requests for instruments.

The castors are also stamped with a slightly illegible maker's name but are potentially by Cope & Collinson. Dating from the Victorian period, circa 1880s-1890s in date.

Both front castors by cope and Collinson, one back castor has unfortunately been replace however to other is stamped Howard and sons.

Supported by reeded and ring turned front legs, splayed rear legs, all sat on "Cope & Collinson Patent', gilt brass and ceramic castors.

Ison….8.11; Coaches:- S. Cope Morgan A.Ludman. Stearn & Sons photography studio was founded in circa 1866 by Thomas Steran, an English photographer.

The handles are longer in 'Real Tennis' than in 'Lawn Tennis' and have very tight strings to cope with the heavy cloth balls. The 'Real Tennis' court is asymmetrical with high walls ...

Both Hall and Dixon were from Sheffield and the latter’s business was large enough to cope with the demand for Hall’s design. Hall described his patent in his application of 1881 ...

Pair of circa 1830 English Regency bergères of large scale having fully upholstered frames; the curved rectangular backs connecting deep seats with squab cushions and box-form arms o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare, highly collectable Victorian circa 1860-1880 Howard & Son's attributed library armchair whi...

At some point the square leg has had a spacer fitted to the bottom, you can see it’s a slightly different color The inside back leg is stamped with the order number 4532, the cast...

The sculpture presents a figure of the Holy Bishop, recognizable by the cope and miter. The particular rhomboid lacing of the cope betrays Nordic suggestions; the miter is very decor...

She studied under Charles West Cope (1811-1890), a painter of historical and genre scenes who influenced her work and helped her develop her distinctive style.

The castors on this one are stamped to the front Cope & Collingson who were the only company Howard trusted to make castors for them as they mirrored Howards exact specification ...

Probably made by William Watt, the casters stamped 'Copes Patent'. This armchair has the identical side stretchers as the front stretchers of his side chair made by W.Watt.

David wearing a royal headgear seizes the sceptre / additionally, there is the Star of David visible on his coat/cope. The king's unclothed mistress Bathsheba wearing only a feathe...

The inset marble top is original as are the casters, which are all stamped ''Cope's Patent'. The timber is a truly gorgeous, warm & mellow colour, with a wonderful patina.

She started her training with the Royal Academician Sir Arthur Cope, and continued it at the Royal Academy of Art under the direction of the American portrait painter John Singer Sar...

The figures were placed in tombs to enable and comfort the individual as he or she coped with daily needs in the after life. Handmade and hand glazed, quality figures such as these ...

In 1853, Allen, a well-respected horticulturalist and author of a treatise on viticulture, cultivated a seed from the water-lily given to him by Caleb Cope, president of the Pennsylv...

His convalescence was slow, and to cope with the boredom, Denner began to draw and copy paintings by Berchem and Bloemaert.

Somewhat reluctantly, his father allowed him to study under two artist friends, both survivors of the Victorian age, Sir Arthur Cope and John Watson Nicol. As a result, he appeared h...

We are delighted to offer for sale this stunning exceptionally rare original early Victorian walnut framed Howard & Son’s Berners street tobacco brown leather armchair I have a Ho...

For this project Morel struck a bushiness relationship with George Seddon, whose well-established family firm was probably the only one large enough to cope with this immense commi...

The castors are stamped "Cope Collinson Patent Strong" they were the only company Howard trusted to make their castors, the inside left back legs are stamped with the serial numbers ...

“You will never see watercolors like these of John Marin again so take a good look and remember, and if you are a painter, don't try to cope with the style because the style in this ...

An English majolica pitcher shaped as a country cottage, by Warrilow & Cope – Wellington Pottery Works, Longton, Stoke-on-Trent, circa 1880-1887.

Cope's tobacco chromolithograph by George Pipeshank.

Antique golf print. Cope's tobacco chromolithograph by George Pipeshank.

Elegant 19th century embossed copper pareclose mirror Very beautiful mirror richly decorated with renaissance decoration. We can find birds, foliage and velvets It has its original...

An original hand colored steel plate engraving after English artist Charles West Cope (1811-1890) titled "The Young Mother", printed and published in 1878.

An exceptional, fine and impressive antique George III English sterling silver teapot with spirit burner made by John Cope Folkard; an addition to our Georgian silver teaware collect...