Antique Cope

An exceptional, fine and impressive antique George III English sterling silver teapot with spirit burner made by John Cope Folkard; an addition to our Georgian silver teaware collect...

Raised on four original Cope & Collinson ceramic castors stamped ‘C&C Patent’.

A fine quality figured mahogany writing table by Kendell of Leeds; the casters stamped Cope and Collinson. Kendell and Co are known for high quality furniture and Cope & Collinson ca...

Solid copper English 19th century Pail with forged iron handle and hand made coper nails.

Grandfather clock by benjamin cope.  Movement has just been fully overhauled and professionally serviced. 

Large-scale late Scottish Regency period etagere/trolley/server of solid oak construction and three-tiered form, having turned finial-topped supports terminating in original large br...

Howard & Sons Armchair in Tweed by Pierre Frey England, 1871 Newly upholstered in Plaid Tweed by Pierre Frey, on carved antique frame with Cope castors. Stamped 1871 on the back le...

A very fine mahogany writing table on four masculine legs, terminating in cope castors with two drawers above, deep rich timber top with stamp.

Raised on walnut legs with gilt detail and all on the original brass Cope & Collinson casters. Upholstered by us in antique European grain sacks hand dyed using traditional methods.

An elegant English Regency period, circa 1820, armchair, library chair, or bergere of solid mahogany construction having rounded crest rail with caned back, sides, and seat with loos...

Original brass squat castors marked Cope. Very comfortable. Re-upholstered in calico.

Late English Regency / Early Victorian period, circa 1840, upholstered slipper chair having high back tapering into shaped seat on front tapering spiral twist-turned rosewood legs an...

With signed Bramah lock and Cope and Collinson signed hinges. On wood castors, one replaced.

A popular history of the named countries profusely illustrated with 69 fine sepia toned engravings after famous artists including Benjamin West, John Singleton, Copely van Dyck and o...

In the late 19th century in the United States, two rival paleontologists, Othniel Charles Marsh and Edwin Drinker Cope, competed with each other to unearth new dinosaur fossils, in w...

In the late 19th century in the United States, two rival paleontologists, Othniel Charles Marsh and Edwin Drinker Cope, competed with each other to unearth new dinosaur fossils, in w...

The bishop is dressed in blue with a long cloak called a cope around his shoulders, mitre on his head, holding a bible in his left hand and a crosier staff in his right.

English, circa 1825 The padded oblong back above a cushioned seat within padded double scroll-ended arms, the solid sides most unusually banded and quarter veneered in yew wood, a...

He was a pupil at the Royal Academy Schools and of Charles West Cope. He exhibited at the Royal Academy (1848-87), the British Institution, the Society of British Artists, the New Wa...

It was also a 'whimsical' move by the publishers. 21 engravings in total. by C.W. Cope R.A., W.P. Frith R.A., C.R. Leslie A.R.A., D.

Banque Nationale De Credit (literally translates to "National Bank of Credit"), the 1920 French poster (with a tagline that translates to "National Loan 1920") encouraging citizens t...

The legs having brass castors stamped ‘Cope/ Collinson/ Patent,’ while the table clamps bear the mark ‘Cope Collinson/ Jan 2 1840.’

He published Henry Blake Fuller's Bertram Cope's Year (1919), a novel about homosexuals in Chicago and an early example of gay literature in America.

The piece has the two exposed support beams to the base, something you only find on antique Howard seating, it also has the Cope & Collinson stamped castors, Cope’s were the only com...

He was educated at Horton, near Bradford, and while there he received instruction in drawing from Charles Cope, the father of Charles West Cope, R.A. At the age of fifteen he came to...

There she became active in the community and did not focus on her art talents until 1925 when she lost her hearing in a flu epidemic. To cope with that circumstance, she took up pain...

I love Teta a Teta's and this is simply put the best I have ever seen, the chair design is based on an early William the IV model, I would have said it was of the period based on the...

His vestments are rendered in exquisite color: a deep rose-red cope draped over a vibrant blue chasuble, trimmed with gold and worn above a pale alb with golden fringe.

Morel dissolved his old partnership with Robert Hughes (fl. 1805–30) and in 1827 went into business with George Seddon (1769–1857), whose well-established family firm was probably th...

He studied art at Edinburgh School of Art, at the Cope and Nicholl School in London and The Academie Julian in Paris.

It stands on its original brass cap castors and has its original circular brass handles handles and Cope & Collinson locks. It has been masterfully inlaid with a floral marqu...

Oil on canvas of a landscape along the Susquehanna river with two sailboats drifting down as the colors of fall start to show themselves on the trees

This breathtaking Edwardian couture cape is in a class of its own. The detailed construction and meticulous attention to detail are comparable to what you will find in modern day hau...

A superb walnut cellarette, wine cooler with a very unusual sliding lid, by Cope and Collinson, in original just waxed excellent condition, original inset castors, tin lining.

Beautiful workmanship, beautiful gold decorations on burgundy fabric.

French priest's velvet cape with beautiful silk embroidery. It has a silver clasp in the shape of a fleur de lis.

Beautiful silk cope with a stumpwork bird and roses. The back piece has beautiful gold bouillion fringe, and the front has large panels of flowers with metallic thread.

Summary: Antique 19th century George III Gillows attributed Cope & Collinson locks, circa 1820 Georgian Cuban mahogany Three drawers Brass handles Side table Lowboy Writ...

Summary: Antique 19th century George III Gillows attributed Cope & Collinson locks, circa 1820 Georgian Cuban mahogany Three drawers Brass handles Side table Lowboy Writ...

St037 Fine quality Regency dressing table / writing desk in mahogany, having shaped upstand, figured mahogany top with moulded edge and two oak lined drawers fitted with turned knobs...

The colors, figures, and, even, the inclusion of a sleeping dog (i.e. fidelity asleep), are testaments to Cope's study of sixteenth-century Dutch, Flemish, and Venetian Old Masters, ...

Brillant Geolin metal polish gets your coper pots so shiny you can see yourself in them.

A pair of English Aesthetic period andirons executed in cast iron, brass and coper. Ca. 1890.

Pillow made from a beautifully detailed priest's cope of aubergine velvet embroidered with metallic gold thread.Backed in golden bronze silk and down filled.

Pillow made from a beautifully detailed priest's cope of aubergine velvet embroidered with metallic gold thread.Backed in golden bronze silk and down filled.

UNUSAL X FORM BASES JOINED BY GILT DECORATED STRETCHERS-- LEGS CAPED WITH DECORATIVE CASTERS BY "COPE"

Deep seat and square back, raised on square tapering legs with quality Cope castors. English circa 1910.

Background: Howard and Sons only ever used Cope and Collinson Patent casters before they started using their own Howard and Sons stamped casters.

Supported on beautiful octagonal faceted feet retaining their original Copes patent castors, English, circa 1860. The quality of this Canterbury and the fact that Copes castors were ...

With original leaf and Cope patent castors. The table stands on fine turned legs with stylised Tulip design to the top.

Illustrated with steel and coper plate etchings. First Edition, pre 1815 Paris.

Stamped twice to the underside "Gillow" with Cope and Collinson patent casters.

In beautiful Cuban mahogany with scrolled and carved ends, standing on sabre legs with original brass castors that bear the stamp "Cope and Collinson, Patent. With show wood on both ...

The whole is raised and supported on the original lacquered brass cup castors by Cope and Collinson 'Patent Strong' English circa 1835

William IV rosewood armchair of unusual form; the top-rail carved with acanthus leaves and the central splat with stylised plumes; the deep loose upholstered seat newly re-covered in...

The legs have their original casters with the stamp of 'Cope's Patent.'

A fabulous George I walnut veneer lowboy of fine colour, the quartered feather and cross banded top with the re-entrant corners, one long and three short oak lined drawers retaining ...