Antique Cope

Traditionally upholstered with hand-stitched and stuffed horsehair, covered in deep-buttoned Rose Uniacke "Pearl" wool, on turned ebonized legs with original Copes Patent castors. Co...

The original casters stamped "COPE & COLLINSON, PATENT STRONG"

The piece features a tufted upholstered top, double nailhead trim, and turned, fluted legs on original Cope & Collinson castors. The hinged lid opens to a lined interior, offering pr...

Raised on turned walnut forelegs and splayed rear legs, complete with original Cope Collinson brass castors and the firms stamp to the rear left leg.

The original gilt brass castors are stamped 'Copes'.

Supported on turned and reeded supports with brass Copes patent castors, English, circa 1860 Dimensions: 48" wide x 24" deep x 60" high Condition: This dressing table is in sup...

Standing on turned and inlaid legs terminating in original Cope and Collinson brass and white pot castors. This item is in good home ready condition.

A good 19th century Gillows leather box ottoman, newly upholstered in burgundy leather with brass studs, the lift up lid buttoned and with a piped edge, revealing a large lined stora...

The top lifted by turned walnut gate-legs, and supported on twin turned walnut columns, a walnut platform with swept supports and brass "Copes patent" socket castors. English, circa ...

The original gilt brass castors are stamped copes. The settee has recently been recovered.

The base with an oak lined drawer stamped by the maker, pattern number 7548, the whole supported on turned supports with brass "Copes Patent" castors English circa 1860 Dimensions...

The base with an oak lined drawer stamped by the maker, pattern number 7548, the whole supported on turned supports with brass "Copes Patent" castors English circa 1860 Dimensions...

The chair has turned front legs and square kick out back legs with cope and colinson patent gilt brass and pottery castors.

The table stands on finely turned and reeded legs in the true Gillows style, terminating in the best quality Cope and Collinson brass castors. This item is stamped "Gillows Lancaster...

Absolutely fabulous extending antique dining table made by Gillow of Lancaster from the finest dense grained Cuban mahogany, this table is complete and all original, it even has its ...

Supported on four typical "Gillows" turned and fluted legs with Cope & Collinson patent castors. English circa 1820-1830.

Standing on turned and reeded legs terminating with original Cope and Collinson brass and white pot castors. This item is in good home ready condition c1860 H 62 3/8" H29 5/8"-table ...

There are no visible maker stamps, but the porcelain castors are stamped ‘C&C Patent’ for Cope and Collinson, which were good quality castors used by both Howard and Gillows, respect...

The casters are stamped Clarke and Timmins a company with its origins in Birmingham in the 1760s and as well regarded for casters and locks as Cope & Collison. In 1897 the two compa...

There are no visible maker stamps, but the porcelain castors are stamped ‘C&C Patent’ for Cope and Collinson, which were good quality castors used by both Howard and Gillows, respect...

The vanity table is standing on four turned, reeded and tapered legs terminating in original Cope & Conllison brass and ceramic castors. This antique dressing table has been sympathe...

The legs are finely turned and tapering and they are also fluted, ending in brass castors stamped Cope & Colinson. It is a pull-out action table with a smooth sliding movement and re...

This chest is made of teak, a timber that is able to cope with the climate, as well as being resistant to seawater.

The brass locks are stamped with the maker's name 'Cope & Collinson'. (circa 1900) Measures: Height 100.5cm (40 inches) Width 122cm (48 inches) Depth 56cm (22 inches).   

Perhaps the pastille cones emitted a rather stronger essence to cope with some of the stronger aromas as sociated with city and town houses in the time when the sanitation systems we...

Well padded, comfortable, robust, both chairs with scroll carved back bars and substantial turned, tapered and reeded front legs terminating in original large brass casters stamped C...

The cabinet hinges are by the London makers Messrs. Cope and Collinson and the locks are by the world-famous company Chubb and Son with serial numbers :- 754755, 754757 & 754759, pur...

She studied under Charles West Cope (1811-1890), a painter of historical and genre scenes who influenced her work and helped her develop her distinctive style.

The good quality mahogany framed and horse-shoe backed library or desk armchair of beautiful proportions, the back in ruby red upholstery, the circular seat ready for re-upholstery t...

They have labels of their provenance: the G Cope Collection. CONDITION REPORT: The figures are in perfect condition without damage, wear or repairs.

When it opened it was built originally to take 500 patients, but the building was enlarged in 1831, 1837, 1857 and 1879 to cope with the increasing demand for beds. In 1888 the Asylu...

It is hoped that these facts will demonstrate to the Northern people that negro soldiers cannot cope with Southerners.’ Subsequently Forrest made a report in which he left out the pa...

From: Antique Textiles Galleries Intricate English embroidered fragment depicting St. Paul holding an orb; all rendered with silk and gold threads in closely worked laid and couched ...

Resting on four satin birch turned legs with cope and Collinson brass castors having white ceramic wheels.

The Lazy Susan is of outstanding quality and size with a one piece top, a gilt brass bearing stamped 'Cope & Collinson' and sits on a circular plinth base.

The table top surface is quite durable and will easily cope with everyday domestic use. Tapering table legs ensure maximum dining space and room to tuck the end chairs under the over...

Summary: Antique 19th Century Howard and Sons Open Armchair Original Date: 1870 Wood: Mahogany Cope and Collinson Casters Button Back Investment Condition: Excellent con...

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Provenance: Collection of the late Charlotte Cope of Osbaston Hall and the collection of the late Brenda Costell of The Old rectory, Addingham, Yorkshire.