Antique Cravat

to fidelity, trust and loyalty. The hairstyle and the attire, notably the type of cravat with the

elaborate pink cravat” 50in. by 37in. Measurements: Height 161cm, Width 129cm, Depth 12cm framed (Height

Depicted standing on a rocky outcrop wearing suit of armour over a white cravat, the gentleman is

For sale is this wonderful Victorian pin. This lovely antique 18k gold pin is decorated with a small heart with in its centre a Red enamelled swallow. In the Victorian Era swallows r...

For sale is this stunning 18 carat gold Victorian dragon pin. This dragon / Eagle / Griffin is very detailed and breathtaking in real life. On top of that is this stickpin marked wit...

This beautiful portrait could depict an artist, as evidenced by his neatly trimmed moustache and cravat

brooch painted to depict a gentleman, in formal mourning attire, with white cravat, within

floral motifs. The young gentleman is well dressed in a fashionable brown coat and cravat. The portrait

floral motifs. The young gentleman is well dressed in a fashionable brown coat and cravat. The portrait

This late Georgian silver and paste stick pin can be imagined adorning a fine gentleman's cravat

. Originally gentlemen wore these stickpins to hold their cravats in place. Today it is fun to wear a bit of

known as a tie or cravat pin started out its journey in the early 19th century as a staple of a wealthy

luck or fortune to the wearer. The stick pin also known as a tie or cravat pin started out its journey

touch of good luck to any outfit! The stick pin also known as a tie or cravat pin started out its

dressed gentleman holding a prolonged glaze in circular spectacles and a cameo cravat brooch. The portrait

somewhat haughtily before a landscape. Dressed in a sumptuous blue velvet cloak, white lace cravat, and

as a tie or cravat pin or to decorate a lapel, there are multiple ways this could be worn. The

, wearing coat, frilled cravat, pigtail wig tied with a ribbon bow Watercolour on plaster 3 x 2½ inches

coat, cream waistcoat, white shirt, and cravat. He’s dressed according to the rather dapper fashions

ties and cravats. The charm weighs 2.2 grams and is 15 x 11mm. The 14k gold oval bail, which was added

lapel or cravat or even securing your favourite antique long chain. The brooch is marked 9ct to the

would also make a great tie or cravat pin.. The Victorian's began somewhat of an obsession with insect

used as a cravat or tie pin, it features a row of four individual cut steel flowers each with plenty of

19th century, French make. This could be worn many ways, as a lapel or cravat pin or as a brooch

or frame. The subject’s flowing, curled hair and elaborate cravat with a striking red ribbon suggest

. Washington’s white cravat and dark coat are rendered with sharp contrasts and restrained palette, while the

original form as a classic stick pin — perfect for a lapel, tie, or cravat — or, upon request, it may be

secure their ties and cravats. Pins were also worn on the lapels of coats, and incorporated into hats

worn as a tie or cravat pin. Condition: Good used condition overall, light surface wear commensurate

mounted onto a 15kt gold bar brooch, could also be used as a tie or cravat pin. The Victorian's began

gentleman, bust length, turned to the left, wearing coat and cravat watercolour, reverse painted on glass 2

, it was customary for upper class men to wear stickpins to secure their ties and cravats. Pins were

would make a great tie or cravat pin, lapel brooch or even a hat adornment. Marks and era: Victorian

1800s, it was customary for upper class men to wear stickpins to secure their ties and cravats. Pins

or cravat or even securing your favourite antique long chain. The brooch is marked on the reverse

century, including a dark coat, waistcoat, and a white cravat. The subject appears to be engaged in

cravat and high white collar. He is gazing at the artist/viewer and the facial details are superb. This

rich brown coat with a golden waistcoat and a high-collared white cravat, indicative of the period. The

Shown in half length with blue waistcoat, white vest and cravat, an 18th century portrait of

subsequently been worn by men as either cravat or tie pins, and by ladies as brooches or lapel pins. Diamond

have subsequently been worn by men as either cravat or tie pins, and by ladies as brooches or lapel

cravat, the slim tan waistcoat collar, and the hairstyle were fashionable circa 1809. The artist endowed

textures of his hair, the folds of his cravat, and the refined simplicity of his attire, embodying the

a dark green double-breasted coat and a high-collared white cravat, reflecting his social status and

white chemise and lace cravat. He wears a powdered wig in the fashionable style of the day and is

practical use in a haberdashery store for tying on bowties or cravats. But the 3 mirrored sections at the

cravat or tie pins, and by ladies as brooches or lapel pins. This antique 1900's hunting brooch has been

gentleman the sitter has been depicted within a feigned oval wearing a scarlet coat and a white cravat. It

This striking young gentleman has been depicted in a brown coat, a white cravat, and a pink

Revolution. His fashion includes A lace cravat or jabot with a high collar—typical of French aristocratic

Artists. On the left, a proud father, upstanding in his tailcoat, waistcoat and cravat, gently holds the

or brown coat, with a white high-collared shirt and white cravat; their hair was brushed forward

evidenced here, with the blue coat and large gold buttons and red collar, frilled white cravat, and powdered

His Majesty King Charles III and would add eye-catching sparkle to a cravat or jacket lapel. Should

fashionable attire—a tightly wound cravat over a white shirt, with a light brown waistcoat, topped by blue

A Victorian c.1890 Rose cut Diamond Fox head Stick Pin or Cravat Pin in Silver and Rose Gold

A fine and sensitively late 17th century portrait of an officer wearing armour and a lace cravat