Antique Crosses

, travellers, a laden donkey, while to the left sails and boats cross the calm waters. The figures, handled

background active among the travellers who crossed Switzerland between the late 19th and early 20th century

who could decide the fate of anyone who dared to cross them. Therefore, all sorts of beliefs and

. 1680-1700, England The cross-grain moulded top is entirely covered in well-placed oyster of olive in

carved legs with cross stretcher - Perfect for vintage decor lovers and antique collectors This rare and

paper loss and cross fold losses, but some loss can still be seen; several areas of restoration in the

rests across her arm, holding a globus cruciger adorned with a red cross, symbolizing His dominion over

A refined Dutch Art Deco side table from the 1920s, executed in solid oak with a striking cross

TEMPORVM, Aequitas Securitas standing left, legs crossed, holding scepter in right hand and resting left

Rectangular top with oval banded inlay and cross banded edge over two over three drawers with

Baptist, as a young boy, kneels before them, holding a reed cross, symbolizing his future role as the

palm and twisted dolphins. The standard with crossed flags bearing coats of arms to support the two

disciplined linear technique: smooth, closely spaced hatching models volume, while restrained cross-hatching

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exterior with floral bouquets and sprays. Lug handles. Marked wit Meissen crossed sword underglaze mark

top giving way to a milgrained band and a wheat sheaf hand-engraved criss-cross band dotted with

artist’s character with remarkable sensitivity, using dense cross-hatching and tonal variation to create

design centers around a rhythmic sequence of lozenge-shaped medallions, each featuring interior crosses

Serpentine cross banded top over four conforming graduated drawers with string inlay. The chamfered

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inside plinth is not cross banded like the front and outside plinth, so these may be old replacements

patina of oak construction with mahogany cross banding, and has three workable drawers adorned with brass

with coordinating mother-of-pearl with gold highlights and a cross-shaped baroque pearl. Polished green

(signed with impressed orb and cross mark) USA, Circa 1920s Measures: 18.5"W x 15.5"D x 1.5"H. Very

: 20,0 cm / 7.87 inches Depth: 19,0 cm / 7.48 inches Marks: Blue Meissen underglaze crossed

cross-hatching characteristic of 18th-century scientific illustration. The composition presents the

(1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross

. At that time these aqueducts crossed the ancient Via Labicana and Praenestina roads thereby providing

Necklace, Crossed Arms and Erect Penis  Raised upon its original base titled: in typical ‘yellow’ paint

elegantly crossed with rhumb lines radiating from ornate compass roses, emphasizing the maritime character

cross boy with one arm draped around his young son. His son is looking up at the man admiringly

cm / 4.33 inches Marks: Blue Meissen underglaze crossed sword mark Anniversary mark 1710-1910

the Mandalay (Burma) region. The Monk figure is seated crossed legs lotus posture, slightly reclined

. The engraving relies on precise parallel hatching and restrained cross-hatching to create volume

cross the road in the middle of the composition create a sense of movement that brings the painting to

diamond criss-cross shaped back splat. * Detailed ring turned baluster arm supports The chair is made

frequently appears in conjunction with the crossed keys of Saint Peter, forming part of the heraldic language

" Monogram, cross, crown, shield marking. Circa Early 20th Century. Measurements: 8" H x 11.5" W x 5" D.

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Meissen crossed swords, cancelled with two incised lines. The “Blue Onion” pattern is one of Meissen’s

. Marked with Meissen crossed swords in underglaze blue. The “Blue Onion” pattern is one of Meissen’s most

-lobed form in deep navy/indigo with an ivory center bearing a sky blue cross-star with internal floral

Rectangular top with cross banded edge over one over two drawers. Cabriole legs with pad feet. This

-turned barley twist legs united by a sturdy cross-stretcher base terminating in classic bun feet. The

band with a crossed ribbon design. The circular fluted columns are richly embellished by fanciful

Rectangular cross banded top over two drawers with brass handles, separate bases with shell carved

upon the cross beneath a sky of roiling dark clouds, his pale body illuminated against an opening of

two parts divided by a cross grain moulding the reeded upper section consists of a complex cross-grain

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with an Oak leaf band accented with crossed ribbons. A concave and fluted band supports the Onyx body

enhanced protection. The top edge is intricately cross-banded and delicately inlaid with precise detail

stepped cross or sunburst with four projecting arms, each terminating in a stepped hook, and at the very

, with the surface delicately cross-hatched to indicate tissue texture and vascularization. The right

. Period: Early 20th century. Condition: Excellent condition ( marked with Meissen crossed swords with two

cabinet door is secured by a cross-form lock with a kiku medallion at center; and bail pulls throughout

Brass Knobs, Raised On Elegant Lyre Design End Supports And Four Sabre Legs United By Cross Stretcher

objects carefully carved from the bones of their mutton stew. At Norman Cross near Peterborough, the camp