Antique Crosses

Rehn’s expressive handling of the etching medium is particularly evident here: dense cross-hatching alternates with areas of open plate, allowing light to break through the darkness ...

This exceptional piece exemplifies the dynamic cross-cultural aesthetic prevalent in the early 20th century, merging the bold geometry of Art Deco with traditional Far Eastern iconog...

The structure is both visually light and structurally stable, with elegant cross-bracing and finely worked legs that demonstrate the skill of traditional ironwork.

This stunning pair of two arm sconces displays a central rosette with two crossed arrows. At the front are two scrolled electrified arms decorated by bottom acanthus leaves and endin...

Characteristic of Henry Alken’s mature style, the print combines keen observation of equestrian movement with a gently satirical eye for human behavior. The vigorous cross-hatching a...

Rendered with crisp linework and delicate cross-hatching, the scene balances naturalism with schematic clarity.

It’s also structurally very sound, with a wishbone cross stretcher joining the legs together, giving it extra stability.

The darker bronze patina of the corpus contrasts harmoniously with the lighter cross behind it. The vertical beam extends into a large, tiered round base that provides substantial s...

Antique Chippendale style slant front desk with four graduated drawers below a slant door with cross-banding and a solid brass batwing escutcheon plate.

Printed from the original copperplate and enhanced with hand-applied watercolor, the work retains: • A clearly defined plate impression with rounded corners • Crisp cross-hatching c...

Constructed from Walnut with numerous precision made lathe turnings. Cross stretchers and the legs with hand/lathe work see pics.

Carved detail includes shell, floral and foliate motifs with fine moldings and cross hatching for accent. Brass hinges and cast brass key guards add a nice touch.

This mutual influence highlights a rich cross-cultural artistic exchange that reshaped visual language in both Europe and Japan.

The geometric ornament and vibrant colour palette seen here echo patterns associated with Islamic decorative arts, a reminder of the long cultural interaction between Moorish and Chr...

A distinctive Dutch side table from the 1920s, executed in solid oak and decorated with a striking cross-shaped inlay in Macassar ebony on the tabletop.

This stunning piece showcases a beautifully decorated centre cross/star motif, featuring a vibrant cabochon peridot at its heart, surrounded by four delicate seed pearl points that a...

A pair of George III Chippendale period chairs with carved frames in dark mahogany, carved front and side rails with scrolled shoulder supports, typical square moulding to the square...

A George IV ebony-inlaid mahogany tilt-top centre table, the circular top with a flame-veneered cross-banded border above a moulded frieze with ebony stringing and four small rectang...

With spiny back and seated on a cross-hatched rectangular plinth base.

The spine is banded and embellished with gilt crosses and lettering, reinforcing its ecclesiastical character.

It is supported by stylish carved legs and a cross stretcher. There is also a long drawer making this into a very useful piece of true antique furniture.

On the other, small, shimmering figures cross a high-arched bridge, frozen in a perpetual journey over a golden stream.

Please be aware that we the sellers of this item can confirm that due to the volume and type of wood species contained within, no restricted species CITES licence is required to ship...

Supplied loosed, this group contains 4x floral tiles, 4x foliate cross within roundel tiles and 1x coat of arms tile, all 19thcentury encaustic designs by Craven Dunhill & Co.

Variations may occur if cross-referenced with third-party evaluations. Color may vary slightly between screen and natural lighting.

The hair is arranged in thick curling locks that frame the forehead and fall behind the ears, gathered at the back with layered strands. A draped mantle crosses the left shoulder and...

The figures are carefully arranged to emphasize the ceremonial nature of the meeting, highlighting both curiosity and formality in these early cross-cultural encounters. The engravi...

On the left, a pair of castle towers shares the quartered shield with two crosses pattée. Additional crosses pattée of varying sizes are positioned atop the two shields.

The plate demonstrates Rehn’s mastery of etching techniques, with nuanced cross-hatching, subtle wiping effects, and a rich range of greys that evoke depth and movement across the te...

The figure’s body, rendered with expressive, nervously charged linework, appears suspended between ascent and collapse, evoking themes of transcendence, struggle, and spiritual tensi...

A powerful and psychologically charged etching by Walter Richard Rehn, executed in a dense network of cross-hatched lines that exemplify the artist’s mastery of tonal contrast and dr...

This powerful etching presents a stark, vertical composition dominated by a towering rocky precipice rendered through dense, expressive cross-hatching. At the base of the composition...

Executed with a rich, granular plate tone and dense cross-hatching, the work displays Rehn’s mastery of etching as a medium for atmospheric depth and emotional resonance.

Gracefully curved arms flow into a well-balanced base with crossed stretchers and wrapped joints, showcasing the craftsmanship and rhythmic geometry typical of high-quality rattan fu...

The top slightly overhangs and has beautiful cross banded edges. There is a single drawer with turned handles, and this has a nicely polished back, so it can be used as a free standi...

English craftsmanship is seen in the butterflied burled walnut top with yew wood cross banding and chevroned stringing inlay. Four graduated drawers sit atop of four bracket feet and...

Alken’s confident line work and rhythmic cross-hatching articulate both anatomical accuracy and animated movement, from the alert posture of the horse to the varied expressions of th...

The plate was engraved by William Leney (1769–1831), an accomplished English engraver known for translating painted compositions into finely detailed copperplate prints. His careful ...

In the background, the city of Rome stretches into the distance beneath a luminous sky, rendered with delicate tonal modulation and meticulous cross-hatching. The print is titled “S...

Executed with refined linear technique and a masterful use of cross-hatching, the print reflects the 19th-century fascination with the picturesque remains of Rome’s historic fabric, ...

It captures a moment from the Stations of the Cross, Christ’s fall beneath the weight of the crucifix.

The table stands on four sculptural, curved legs arranged in a cruciform layout, joined by a shaped cross stretcher centered with a turned walnut finial.

Senufo wooden hut stool, foot carved with a cross. Early 20th Century.

In the background stands a church with a conical-shaped roof topped by a cross, anchoring the scene within a religious or historical context.

The figure is shown nude but for a helmet and drapery, his muscular body rendered with great sensitivity through dense cross-hatching and subtle modulation of light and shadow.

In 1983 he was awarded the Cross of Sant Jordi, and in 1994 the National Prize of Plastic Arts.

Manufactory: Meissen Germany Dating: Made ca. 1870, Lover 20th century Material: White porcelain, glossy finish Technique: Handmade porcelain and finest hand ...

The crossed arrows symbol was later acquired by William Hutton & Sons in 1902.

Kneeling at their feet is the young Saint John the Baptist, recognizable by his humble cross and accompanied by the Lamb of God—an iconic representation of purity and sacrifice.

A series of stepped diamonds and striking quartered cross motifs are executed in deep chocolate brown and crisp cream.

The young saint presents the reed cross, a symbol foreshadowing the Passion. Saint Anne, slightly set back, inclines her head toward the group, while Saint Joseph appears in the back...

This structural balance between the massive, totemic central cross motif and the surrounding geometric symbols reflects the pinnacle of the Lori Pambak tradition, celebrated for its ...

A conforming plain lower cross-banded tier and raised on tall curved legs with wide satin wood banding.

Please be aware that we the sellers of this item can confirm that due to the volume and type of wood species contained within, no restricted species CITES licence is required to ship...

Please be aware that we the sellers of this item can confirm that due to the volume and type of wood species contained within, no restricted species CITES licence is required to ship...

In the Figaro of 7 July 1921, Édouard Mortier, Duke of Trévise, President of La Sauvegarde de l’Art Français (the French heritage-protection society), wrote an article in which he pr...

Variations may occur if cross-referenced with third-party evaluations. Color may vary slightly between screen and natural lighting.