Antique Crowns

drapery partially covering it, the woman is crowned with a crescent moon identifying her as the goddess

upper case is crowned by a distinctive broken-arch pediment, centered with a carved finial and flanked

and Neoclassical motifs in lieu of crystals. The elongated fixture incorporates a crown of plumes from

base is crowned by the angelic figure, framed delicately by small wings on either side. The cherub’s

, finds an analogous counterpart in the putto who curiously reaches out to touch the crown of thorns in

stable setting. The composition is enriched by narrative detail: a saddle or blanket bearing a crowned

exhibiting the refined architectural vocabulary of the period. The boldly projecting molded cornice crowns a

- ideal for organizing documents, letters, or personal treasures. The top is crowned with a distinctive

the crescent are embossed, the inner curve is plain, with a crown claw set outer curve, with a pendant

detailed filigree stone work of the Greek Laurel wreath or crown is remarkable and in good condition. Wear

1860. Originally used in a church or chapel, the petite vitrine features a domed top crowned with a

flags of France, Germany, Russia, and Austria. These flags are united beneath a Royal Crown, signifying

each side. The piece is finished in a warm light wood tone and includes crown molding along the top

Features: Small seconds sub-dial at 6 o'clock, Corum crown logo at 12 o'clock Crown: Rose gold knurled

, bearing the Naples Capodimonte blue painted crown signature on the underside, Circa 1860 in date. They

", crown, lion passant, and lowercase "n" date letter for 1905. Height: 11 ½ inches; base 4 ¾ inches

French luxury trades. It marked the official appointment of Ange-Joseph Aubert as the Crown Jeweler

gold gilt finish with a slightly aged surface. Decorative carved elements along the crown and applied

measures approximately 30 x 22 mm (excluding crown and lugs) with a thickness of 7 mm. Screw-down caseback

is crowned with a stepped, tiered crest—an unmistakable hallmark of the Amsterdam School’s

crown jewel of any Buddha or Asian / Japanese artifacts collection or a very eye-catching stand-alone

Virgin's crown and halo. The lower portion depicts the two figures of the Most Illustrious and Reverend

detailed ornamentation. The upper section is crowned with a flared drip pan and a ribbed candle holder

piece like none we have seen before. It would be the crown jewel in any collection or setting

decorative appeal. The cabinets are crowned with veined white marble tops, each elegantly framed with a

of Classical design. Each centrepiece is crowned with a pierced bowl, its outer surface adorned with

. A charming putto holds a crown over her head, which in the story is thrown up to the sky by Bacchus

, elaborate crown, very Fine hand-painted decorated patterns on the body, Gold gilt style embellishments and a

crowned Tudor Rose crests Tactile brass pestle with turned collar finish shows light ageing throughout

the grand proportions. A stylized pediment above the glass features a gilded floral crown which sets

. The table is crowned with a vivid green malachite top, richly patterned with natural swirling veining

finely detailed crown, jewelry, and arm ornaments reflect lingering Khmer courtly traditions, while the

. The light fixture features a unique double crown design with simple details. Below rests a fluted

—crowns the composition, while the dial is supported by a fluted and acanthus-cast baluster column. The

crowned by a stylised shell finial, while the lower section tapers into a small pendant element. The

, showcasing exceptional depth and detail. The ornate pediment is crowned with a sculptural basket overflowing

circular eyes and a compressed crown, giving the piece its distinctive “squashed” owl profile typical of

overlapping leaves that open at the top into a crown of gilded fronds, creating a slender and theatrical

a cylindrical structure resting on an octagonal base and crowned by a thin perimeter fillet. It

with slender leaves. At the center are two cranes, an adult with the characteristic red crown and a

: Sterling silver (.925) Assay office: Sheffield (crossed keys + crown)

: Sterling silver (.925) Assay office: Sheffield (crossed keys + crown)

strands. Above this wig stands a crown composed of two baca horns with a sun disk in the middle, insignia

elements include dentil molding at the crown and center, beaded carving at the crown, applied floral

artistry of French craftsmanship in a smaller, highly versatile form. The desk is crowned with a stunning

with cut crystal prisms in drop, oval, and square shapes. The central crown ring is encircled with

A charming antique ring centered with an opal heart, crowned by a green gemstone accent (possibly

crowns, hearts, flowers and strawberries. Framed in an old, burr maple frame with glass. Mounting: The

Great Ancoats Street. This particular mold is a two-part block, featuring a rounded crown and a broad

the crowns of Poland and Saxony. Their costumes combine Western European court fashion with

. The top is crowned with a simple, stepped pediment and a central decorative crest, common in Victorian

crowning the summit, whilst the delicate handling of light captures the late afternoon sun wonderfully

symbolism, with richly patterned robes, jeweled crowns, embroidered tunics, and ecclesiastical attire

mounted into table lamps and crowned with hand painted parchment shades that coordinate perfectly with the

theme and adding texture and refinement across the design. The upper section is crowned with a stylized

‘Young head’ Queen Victoria & Edward VII Pattern with royal crown

an elegant finial lid crowned with a cross-inspired decorative handle. Crafted during the golden age