Antique Crowns

the crowns of Poland and Saxony. Their costumes combine Western European court fashion with

. The top is crowned with a simple, stepped pediment and a central decorative crest, common in Victorian

crowning the summit, whilst the delicate handling of light captures the late afternoon sun wonderfully

symbolism, with richly patterned robes, jeweled crowns, embroidered tunics, and ecclesiastical attire

mounted into table lamps and crowned with hand painted parchment shades that coordinate perfectly with the

theme and adding texture and refinement across the design. The upper section is crowned with a stylized

‘Young head’ Queen Victoria & Edward VII Pattern with royal crown

the saint's image, adorned with a detailed brass oklad (overlay) that highlights his crown, halo

an elegant finial lid crowned with a cross-inspired decorative handle. Crafted during the golden age

. A curvaceous diamond set decoration crowns the pendant and suspends a fabulous 18ct yellow gold

mounts. The vase is crowned by a porcelain lid featuring a charming ormolu mount of two doves nestled

features an architectural rectangular frame topped by an elaborate pierced cresting. The crown is centered

earrings feature carved pear-shaped jade drops accented by old mine cut diamonds in decorative crown-style

, warmth, and natural artistry. The bookcase presents a classic neoclassical silhouette with a molded crown

from the crown, with well-defined cheekbones tapering gently to the muzzle. During this period

ogee molding pinned to the underside of the overhang forms a substantial crown. The front corners bear

(1910s–1930s). Defined by strong horizontal lines, the cabinet features a crown-like upper molding and a

surface. The foliage, rendered in low relief, forms an organic crown unfurling from the figure's head and

intricately detailed with classical engravings and crowned with an oval deep-red stone, reminiscent of the

central mascaron motif, flanked by geometric bands and stylised foliage. The upper section is crowned by a

Weight: 430 grams / 13.82 troy oz Hallmarks: - Crescent + Crown - German official hallmark from 1888

An exceptional 18th century devotional portrait depicting Christ as the Man of Sorrows, crowned

appearance. An applied ogee molding around the top edges forms a bold crown.

, ethereal glow. The horn is finished with a crown-like gold-tone cap pavé-set with shimmering clear paste

. The marble Lyre is crowned by a radiant neoclassical mask, symbolizing both the sun and the passage of

. Overdoor crests like this would have crowned a doorway, adding grandeur and visual height to any room. In

gesture of prayer, dressed in a tunic and cloak, barefoot and with a crown of leaves on her head

traditional foundation. Decoratively, each bookcase is crowned with a molded cornice. Small, intricate

marking boundaries with piles of stones or simple boundary markers, which over time would be crowned with

lid with an engraved brass cartouche featuring a crowned monogram, a refined nod to its original owner

" style four-light hanging grand-hall lantern, surmounted with a royal crown, male gargoyles, seashells

-shaped clock case; front and sides feature the finest floral enamel decorations, crowned by a flower vase

bamboo. The top of each frame is finished with a bamboo central pierced and crossed crown. All original

medallions, crowned by a delicate ornamental finial that adds sophistication and presence. The cane woven

portrait of the Crown Prince of Belgium, Léopold Ferdinand, Count of Hainaut, who died in 1869 at the age

. This particular example is a two-part mold, consisting of a separate crown and brim piece along with

carving throughout, with arched doorways, stepped towers, and a central clock tower crowned by a scalloped

mid-20th century and finely crafted in two sections with a molded and carved crown. The cabinet is

feature is the richly colored heraldic cartouche in the lower left, flanked by lions and crowned arms

whose edge is brought forward across the front, and a tall fleuroned crown set over a short veil that

Which Has So Loved Men). The reverse depicts the crowned Madonna and Child with scapular pendants, with

position of authority, holding a sceptre while the Imperial State Crown rests prominently beside him

the sensational and uniquely decorated top crown displaying three divided reserves with the central

chrome base with rubber seal rings for practical use, crowned by an organic, freeform glass top bursting

FLIGHT & BARR, Royal Porcelain Works WORCESTER London House No. 1 Coventry Street, with Crown and

beech. Fittings of gilded brass. Straight shape with broken crown. Profiled door mirrors with shelves

with such projects. The tall fluted shaft is crowned by an elegant scroll-carved capital, while the

specific social world: London/Westminster civic gentry and Crown administration, the milieu in which

with teak inlays on ebony forming floral motifs surrounding crowned lions, which in turn frame the

base leading to a fluted fuste, punctuated by expertly cast bronze acanthus leaf crowns. The central

-right backrest frame crowned with classic volute cornice with perforated palmette. The seat and backrest

Pair of French Louis XVI style gilded bronze sconces with two lights with the crowns decorated with

the top crown. The crown has various scrolled designs which are adorned with various Baccarat Crystals

protection and guidance. In this specific "Moscow" variation, she holds the crowned Christ Child on her left

panes, and the cabinet is topped by a crown with deeply carved dentil molding. Curved, fluted canted

are missing, so only one shelf is installed in the detail photo). The crown, which is adorned with

mounts. The composition is crowned by a lidded finial and flanked by scrolled handles, all raised on a