Antique Archaeology

Composed of 18K gold, this antique archaeological revival brooch in the form of a fibula dates from

Period: circa 1860 Weight: 9.8 gr. Length: 73 mm Antique 18k gold archaeological revival pendant

This Castellani Archaeological Revival brooch dates back to the 1870s. The circular disk is styled

: 39,5 gr The 19th-century set, in Neo-Archaeological style, is made entirely of gold and consists of a

brooch is made in archaeological style, a trend developed during the 19th century by the Castellani

Edited by Susan Weber Soros and Stafanie Walker This is a magnificent book which is in good condition, and is really the first to display and discuss the family and jewellery that th...

Ring with a flower motif set with agate. Slab work, decorations in cord motif and micro granulation technique. Size 8 Weight: 3,5gr.

Antique Archaeological Victorian Etruscan revival pin /brooch with beautiful details . Pin front

This highly unusual and very rare pair of cufflinks is executed in the archaeological style by the

An antique Victorian period gold and malachite bracelet in the Etruscan Revival style, comprised of a gold foxtail chain suspending five malachite beads of varying sizes from gold ri...

A charming little oak collectors box inscribed 'YORK ARCHAEOLOGY SOCIETY' Paper label ink

A fine antique copy of The Domesday Book, transcribed and published by the Sussex Archaeological

This Exquisite and Rare Collectible Antique Victorian/Etruscan Revival 18kt Gold Carved Carnelian Cameo Fibula Pin/Brooch is a testament to refined elegance. Drawing inspiration from...

Conical shape punctuated with raised spikes. Set in 18K yellow gold. Italian archaeological revival

This exceptional Antique Archaeological Revival necklace, crafted in rare 15-carat yellow gold

18 kt gold micro mosaic-pendant, approx. 1860, circumferential wine leaves, centered oval micro mosaic on black ground, floral presentation, also wearable as a brooch, lug removable....

Period: 19th century. Provenance: Italy. Inner width: 5,8 cm Weight: 48.33gr It is in the form of a rigid opening bracelet decorated in the center with an oval cameo on two-layer...

This Archaeological Revival brooch showcases a beautifully carved coral cameo depicting Diana

musical putto, setting in archaeological style brooch. Dimension of the brooch : 46mm x 28mm Weight

The bracelet dates to the 1860s, when the neo-archaeological style developed, promoted by the

An antique archaeological revival style gold fringe necklace by Carlo Giuliano circa 1880. This

Large oval shape archaeological-revival in high karat gold with five roman intaglio 1st century

This chunky bracelet is made up from 6 oval camei carved in high relief out of toffee coloured lava in 1850/1860 ca. The six profile busts represent different beauties in the antique...

Set of four studies of archaeological excavations of the 18/19th in Nola and Sicily. Nola is known

A wonderful Roman Revival bowl by E F Caldwell, one New York's most important historical design firm. The bowl has a raised frieze-like decoration around it's circumference, rosette...

(Ruines de Tirynthe), one of the major archaeological sites of ancient Greece, and forms part of the

three-footed base with decorative animal paws. Inspired by classical antiquity and archaeological

archaeological heritage that shaped Western historical imagination. The composition offers a sweeping panoramic

archaeological and cultural sites, renowned for its ancient royal burial mounds associated with early

archaeological and cultural sites, renowned for its ancient royal burial mounds associated with early

architectural clarity and atmospheric sensitivity. The surrounding landscape blends archaeological ruins with

archaeological interest that such monuments held for travellers, scholars, and artists of the Romantic period

nineteenth century’s fascination with classical antiquity and the growing European interest in archaeological

. The work reflects the nineteenth-century European fascination with Greece, where archaeology, travel

as one of the founders of the modern discipline of archaeology.

arches — set within a quiet archaeological landscape. Figures placed in the foreground add a sense of

filled with old temples and other archaeological and architectural sites that were going to be under

original housed in the Archaeological Museum of Delphi. The result is an object of rare authenticity—as

modern classical archaeology and profoundly influenced 18th-century artists, architects, and collectors

1960 Condition: original archaeological eroded patina wear consistent with age. Condition: Good

pieces that blended archaeological motifs with contemporary craftsmanship. The brooch measures

culturally influential dynasties. The figure retains a pleasing archaeological surface with expected losses

in Nubia, this plate documents temple remains along the riverbank, combining archaeological interest

and later 19th-century archaeological surveys, making them especially valuable as early records of the

the National Archaeological Museum of Naples.

archaeological and art-historical study. The figures shown here derive from celebrated ancient monuments and

on archaeological and historical sources. Published by Ernst Wasmuth A.-G. in Berlin around 1905, the

archaeological neoclassical character. The lower sections terminate in stepped plinths with carved paw-foot

a series of jewels in the archaeological taste. The firm was famous for creating jewels and objects

. The composition combines precise anatomical observation with archaeological curiosity, presenting

publications of modern archaeology and classical studies. The composition presents a comprehensive visual

Archaeological Museum in Naples, Campania, Italy. This relief is in marble and has been relief carved in to the

fountain figure. The antique original, now preserved in the National Archaeological Museum, Naples

archaeology, presenting antiquity through engraved visual evidence rather than textual description alone. The

during the second half of the 19th century, inspired by archaeological discoveries and classical

antiquarian curiosity to systematic archaeological documentation. Artists and scholars associated with this

evidence within a broader historical and archaeological framework. The juxtaposition of portable objects