Antique Ikat

An Uzbek ikat in silk with striking indigo and saffron colored pattern. An ikat is a textile in

A 1920s striking ikat panel. cotton weft , silk warp. It is recently lined with plain cotton.

Chapan, it is in wearable condition. 19th century. Uzbekistan

Antique Japanese Double-Ikat Futon Cover This eye-dazzling hand-spun cotton, indigo-dyed 4-panel

A fragment of the very best Bukhara quality ikat - fully saturated colour with 6 or 7 colours

This vibrant antique ikat panel originates from Central Asia and dates to the late 19th century

-band (ikat) with silk warp / cotton weft Design: Large-scale mirrored medallions & stylized palmettes

An attractive rare ıkat panel dating back to early 20th C.

A striking and well preserved Japanese Meisen kimono hand-sewn from woven Ikat Silk circa 1920-40s

A well preserved Japanese Meisen kimono hand-sewn from woven Ikat Silk circa 1920-30s (Taisho to

A well preserved Japanese Meisen kimono hand-sewn from woven Ikat Silk circa 1920-30s (Taisho to

Antique Japanese Indigo-Dyed Double Ikat Kimono This deeply saturated indigo-dyed kimono is made

A rare ikat chapan , padded for winter time from Tajikistan.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th Century. Uzbekistan Ready to go on a wall....

weaving is double-ikat (called Tate-Yoko Kasuri in Japanese), in which both wefts and warps were pre-dyed

It does not come with an insert. Linen in the back zipper closure dry cleaning is recommended.

It has been hand backed on linen and stretched over a stretcher , and finished with the wooden frame. Ready to go on any Wall.

Professionally Framed Ikat Fragment, Uzbekistan, Early 20th C. It has been hand backed on linen and

19th century silk velvet Ikat remnant pillow.

'Adras' is the name given to silk warp cotton weft skates in Uzbekistan. This particular example is rather a rare one in rather good condition with a hand block printed lining. Of co...

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

from a finely woven ikat cotton fabric. It showcases a brilliant color palette and bedazzling patterns

Antique Japanese Indigo-Dyed Double Ikat Futon Cover This early 20th century indigo-dyed futon

ikat (Tate-Yoko Kasuri; both wefts and warps were pre-dyed to create a perfect pictorial pattern on the

Gorgeous handwoven silk Ikat weaving in rich magenta, gold and purple color, circa late 19th-early

Chapans are probably the most famous Central Asian fashion garments made from mostly ıkats, either

This is a third quarter 19th C. Uzbek Velvet Ikat fragment. The pile is all there and colors are

Late 19th century silk tribal Ikat weaving panel from Uzbekistan, Central Asia. Luxurious over

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th Century. Uzbekistan Ready to go on a wall....

Pure silk ikat panel from Uzbekistan, recently lined with linen fabric.

It does not come with an insert but comes with a bag made to the size and out of cotton to accommodate the filling for each. The backing is made of linen. Please note: filling is ...

Uzbek Velvet Ikat (Bakhmal) Origin: Uzbekistan, likely Margilan or Bukhara 
Date: Late 19th

Uzbek Velvet Ikat (Bakhmal) Origin: Uzbekistan, likely Margilan or Bukhara 
Date: Late 19th

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

double ikat pattern of chain-linked diamonds. The thin fabric was a type of fine Asa fiber (hemp) that is

double ikat pattern of chain-linked diamonds. The thin fabric was a type of fine Asa fiber (linen) that

It has been hand backed on linen and stretched over a stretcher , and finished with the wooden frame. Ready to go on any Wall.

fabric with fine double ikat design. The thin fabric was a type of very fine Asa fiber (hemp) that is

Antique Ikat Textile - 19th Century Uzbek Ikat Textile This magnificent antique Uzbek ikat rug is

A Silk Ikat Chapan from Uzbekistan is a traditional robe or coat made of silk fabric, adorned with

This magnificent antique Uzbek ikat rug is a unique work of art from the 19th century. This carpet

An extremely rare desıgn on this early Ikat panel. Lined with block printed cotton fabric dating

A pure silk ( silk warp and cotton weft ), ikat panel in rather good condition. Lined with a cotton

Antique Japanese Kurume Indigo-Dyed Double Ikat Futon Cover Kurume double-ikat weaving was

This velvet fragment has a rare design and it is probably mid 19th C or earlier. First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher an...

Asia. This Uzbek chapan was made from a finely woven ikat silk fabric. It showcases a brilliant color

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th Century. UZBEKISTAN Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

a woven indigo blue fabric with fine ikat design. The thin fabric was a type of linen/hemp that is