Antique Pagan

(original from the Pagan period) With Burmese inscriptions on the backside of the base Very special !!.  

Bagan style Originating from Burma 12th century - original from the Pagan period Still in very good

Bagan style Originating from Burma 12th century - original from the Pagan period Still in very good

Bagan style Originating from Burma 12th century - original from the Pagan period Still in very good

: 1.248 kgs Bagan style Originating from Burma 12th century - original from the Pagan period Still in

This Pagan or post-Pagan Buddha, executed in a charming folk style, reflects the enduring regional

Presenting this 12th-century Pagan votive tablet, an authentic and very special artifact from

This 12th century Pagan Votive Tablet Material: Terracotta 20,8 cm high 15 cm wide and 9 cm deep

Burmese (Myanmar) Lacquerware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typica...

Burmese (Myanmar) Lacquerware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typica...

This striking 13th-century Burmese standing bronze Buddha represents a powerful late Pagan-period

devotional or architectural use. While stylistically rooted in early Pagan-period prototypes, extensive

the garments. Likely a pre-Pagan piece, it exemplifies the sophisticated artistry of early Burmese

Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th

An exceptional 9th–10th century Burmese bronze Buddha from the pre-Pagan period, exhibiting

Rare Early Burmese Bronze Monk, Late Pyu to Early Pagan Period (Circa 11th Century) A delightful

Late 19th or early 20th century lacquer and bamboo offering vessel, Hsun Ok, Pagan, Burma A large

pre-Pagan Arakan, Early Mon, Pyu traditions, and possibly even Srivijaya influence, suggesting

cut and etched pagan festival scene with a girl riding a goat surrounded by other frolicking goats all

from the Pagan period Very special !.  

the circle within the cross symbolises the pagan sun. The circle was a powerful symbol to ancient

). The statue is still in very good condition and it has some Pyu & also Pagan influences, making it

Pagan festival ended with the Roman Empire, depictions of the bacchanalia could be seen on ancient

tradition, the four were skilled stonemasons and refused to create pagan sculptures for the Emperor

the site, bridging ancient pagan heritage with later Christian presence, while the carefully drawn

the site, bridging ancient pagan heritage with later Christian presence, while the carefully drawn

refused commissions for mythological or pagan subjects, concentrating almost exclusively on Christian

question depicts the biblical scene of Solomon who, now an old man, begins to incense pagan idols to please

Metropolitan Museum of Art), The Pagan Sacrifice (Art Institute of Chicago), the Immacolata (Royal Collection

, 1680 - Turin, 1752), we find ourselves immersed in the heart of a bacchanal, a pagan festival in honour

an assembly with some of his top generals, Saint George being among them and asked them to make pagan

pagan sensuality evoke an instinctive view of human nature. The drawing combines black chalk and red

Persia—a surprisingly positive figure in the biblical tradition, despite being a pagan ruler. Probably

private home. This 19th century depiction of the mythological Pagan character is carved in relief

with a labyrinth and eyes, these were used to symbolise pagan beliefs which were still strong during

early Christian manuscript illumination – Concentric and circular designs reflecting the fusion of pagan

spoken Her father was a pagan priest in Pisidian Antioch, Asia Minor (modern Turkey). Her mother died

probably having origins in Pagan myth, they have also been found decorating churches as old as circa 400 AD

, decorating objects such as candelabra, clocks, and vases. Drawing primarily from pagan antiquity, he created

from pagan druids who made Tau crosses of oak trees stripped of their branches, with two large limbs

imagery, this composition eschews religious iconography for a more symbolist, pagan poetics — aligning

is buried), and the controversial figure of a nude woman called "The Pagan." Perhaps his most

. Drawing primarily from pagan antiquity, he created light-hearted terracotta sculptures that epitomized the

, decorating objects such as candelabra, clocks, and vases. Drawing primarily from pagan antiquity, he created

of the powerful pagan Pictish King Bridei, with ‘the sign of the Lord’s cross’ in order to gain entry

color, a traditional technique familiar to the region of Pagan. The underside of the base has a

couture Schiaparelli dress from her themed Fall 1938 collection, "Pagan", acquired by TheMet, whose neck

significance to pagan worshippers during the growing season. In this scene, a devout woman makes an offering

, decorating objects such as candelabra, clocks, and vases. Drawing primarily from pagan antiquity, he created

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan). Age

Frisian people, who were still largely pagan, to Christianity. He faced significant resistance

pagan themes were prevalent, roughly from the mid-3rd century to about the mid-4th century C.E. Many

as an evergreen goes back to Celtic & Pagan origins & has carried on continually through to the

in a pagan or Pugin style with smaller designs incised in between. The dish is thickly and heavily

and Leo XII; from pagan temples to saints’ tombs and martyrs, all illustrate daily the majesty of

being married off to a Pagan. Polychromed gesso with gilding. Some small bits of polychrome missing off

supposedly cured of the plague after renouncing pagan beliefs. But it was in the medieval period that healing