Antique Sepia Prints

Antique print Utrecht titled 'Gezigt op de Witte Vrouwenpoort'. Old tinted lithograph depicting the

Antique print titled 'G. Seiche (Sepia) - Sepia Bertheloti d'Orbigny'. Sepia bertheloti, the

Title: "Louis the Bavarian: Sovereignty Enthroned" Description: This sepia-toned print from the

," created in 1897. It features a portrait of a woman in sepia. The artist signed the piece lower right, and

PELLETIER - 45/150 - Antique sepia engraving on paper featuring children at a water well - numbered

A pair of Gilt Framed Classical Engravings in Sepia Tones which were engraved by J. Spiegl; from

'Threshing' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain'. 230mm by...

'Hunting Pl II' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain'. 230m...

From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...

From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...

'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...

'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain'. 230mm b...

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Antique print of a landscape with cattle. Mezzotint with etched lines, printed in sepia. Engraved

Antique print of a landscape with cattle. Mezzotint with etched lines, printed in sepia. Engraved

with a sepia toned transfer print, detailing intricate birds and florals to the basin and splashback

You are viewing a collectable Victorian print entitled 'The Elopement' The original was by John

floral pattern, hand polychrome enamelled over a sepia print on a white glaze. This pattern is

Early original pictorialist sepia tone gelatin silver print photograph of a sultry young woman in a

1912 for Gazette des Beaux-Arts. This is a fine impression printed in sepia ink on cream wove paper

impression on cream laid paper was printed in sepia ink in 1880 by Francois Lienard and published in Paris by

grandeur. The lithograph is printed in warm sepia tones, creating a sense of calm and reverence

: - Sepia Tone: Albumen prints often have a warm, sepia tone, which matches the slight yellowing visible in

permanently on the paper. 4. Characteristics: - Sepia Tone: Albumen prints often have a warm, sepia tone

: - Sepia Tone: Albumen prints often have a warm, sepia tone, which matches the slight yellowing visible in

: - Sepia Tone: Albumen prints often have a warm, sepia tone, which matches the slight yellowing visible in

sepia-toned print evokes the early 20th-century aesthetic, blending scientific precision with artistic

Pictorialist gelatin silver print sepia tone photograph by Ned Hungerford, Rochester NY ( hand ink

Antique print of a landscape with cattle. Mezzotint with etched lines, printed in sepia. Engraved

This antique print shows a detailed view of a camp set along the Mekong River near the rapids of

Original period pictorialist sepia tone gelatin silver print photograph of a theatrically posed

Original early pictorialist sepia tone gelatin silver print photograph of a theatrically posed

Early original sepia tone gelatin silver print photograph reminiscent of a Merce Cunningham Avant

London: Boydell, 1810. Aquatint with engraving printed in sepia on cream wove paper with a partial

imbues the composition with quiet narrative energy. The print’s atmospheric sepia tone suggests it may

Medium: original etching. A rich impression in sepia on wove paper, printed in 1905 and published

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark

47 cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper; very rare.

platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in

James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in

Enos A. Mills Photograph, "End of the Trail," c1921, Sepia Toned Silver Print. The print is blind

wood frame with a cream archival mount will highlight the deep sepia print while preserving the

A stoneware sepia brown transfer printed platter, “Minerva” made by Podmore Walker & Co., Tunstall

American Victorian style print of a sepia tone pencil portrait in a Pre-Raphaelite vein depicting a

suite of twelve original copper plate prints of Sepia of Amorini "Cherubs at Play" circa 1750 Each

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia

printed cotton in sepia tones with a tropical botanical motif, also finished with nailhead trim. While the

and nature in Venezuela’s fertile valleys. The restrained sepia-toned coloration gives the print a

and white and set against a cobalt blue ground. Portrait panels are printed in brown, sepia tones one

the photographic chemicals to the paper. The photo has a sepia tone, typical of albumen prints, giving

the photographic chemicals to the paper. The photo has a sepia tone, typical of albumen prints, giving

Edition of 1.000 copies plus 40 out of commerce including 7 original etchings and aquatints printed