Fruitwood Natural Specimens

American cast bronze garden fountain with standing figural boy holding Koi fish on a two-tiered shell form scrolled base with turtle at his feet, Late 19th century.

Set of mounted horns. Circa 1900. H 25cm x W 129cm x D 35cm Please be in touch for and accurate shipping quote.

A varied collection of 5 natural quartz points, each presented on an exclusive small display base. This group contains five excellent clear quartz specimens of different sizes, hand...

White Rock Crystal Geode Natural Specimen Sculpture its divided into two parts.

Pair of rare Staffordshire lion figures from England. The figures are lying lions on beds of grass, with their tails curling back around their bodies. The figures are richly hand pai...

A rare and luminous pair of cased uranium glass birds perched on a stylized branch, designed by Antonio da Ros for Vetreria Gino Cenedese in the early 1960s. Crafted using the refine...

19th century carved wooden deer’s head We are proud to offer a delightful example of a 19th century hand carved German deer’s head. This ite...

Large scale partridge bird created by Aldo Londi for Bitossi of Italy. Bird has great coloration of blue and green with golden yellow and black accents...

Probably Irish given the carved shamrock, with hinged top and robust leaf like carving. A small chip to bottom of toe and two small holes on the bottom likely from former mounting.

Great Alessandro Pianon for Vistosi Murano art glass bird. Iconic design. Fine and good condition, free of any chips, cracks, or repairs "Pulcini" Bird (c.1963)

An Italian pair of silver-plate pheasant bird sculptures decorative objects, circa early to mid-20th century, Italy. The birds, male and female, are beautifully cast with fine detai...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...