Unknown Rugs

Scandinavian woven Folk Art wedding wall decoration tapestry, 1760 Dated 1760 and monogrammed OHW/HPS. The tapestry is decorated mostly in red and yellow colors, with flowers and...

Vintage Andean Peruvian Manta Cloth South American Vintage Textiles. A very fine Vintage Manta cloth from the High Andes region of Peru Woven in came-lid fibre (Llama wool )beautiful...

This is a large, Caucasian Old Kilim from the Kuba region with a red background and beautiful color composition. This Kilim is from Kuba, a city in Azerbaijan in the Caucasus regi...

Vintage Andean Peruvian Manta Cloth South American Vintage Textiles. A very fine Vintage Manta cloth from the Pisac near Cusco in the High Andes region of Peru Woven in came-lid fibr...

This is an Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word Kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting Kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian Kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice Kilim under a long wooden dining table.

A modern Persian flat-weave Kilim accent rug from the 21st century with four dark brown sections stitched together due to its nomadic nature. The blue, white, red, pink, and yellow s...

A vintage Persian flat-weave Kilim accent rug handmade during the mid-20th century. Three sections of Zebra printed black and white are conjoined by red stitching. The left column is...

This framed hooked rug or mat was done by the well known George Edouard Tremblay of Quebec Canada in approximately 1940 in his period Folk Art style. The rug or mat is done with wool...

A modern Persian 'Souf' Kilim flat-weave rug from the 21st century. The artist behind this Persian folk rug used a tribal flat-weave handmade during the mid-20th century and hand-kno...

This is a large Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which new weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak Kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this sumac, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak. It has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

This framed hooked rug or mat was done by the well known George Edouard Tremblay of Quebec Canada in approximately 1940 in his period Folk Art style. The rug or mat is done with wool...

The floral ornamentation typical of French and English carpets of the 18th-19th century has influenced specific oriental carpet families. In the Caucasus this style became extremely ...