"The Concert" An Original Oil by British Artist George Smith
By George Smith
Located in Wiscasset, ME
Royal Academy Schools. He was also a pupil of Charles West Cope R.A., a painter of historical and
Antique 1850s English Victorian Paintings
Paint
"The Concert" An Original Oil by British Artist George Smith
By George Smith
Located in Wiscasset, ME
Royal Academy Schools. He was also a pupil of Charles West Cope R.A., a painter of historical and
Paint
"Winter Song" original etching
By Charles West Cope
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 3 1/2 x 5 inche...
Etching
$11,071
H 30 in W 25.75 in D 2.5 in
19th Century genre oil painting of a mother & son, exhibited RA
Located in Nr Broadway, Worcestershire
painter Francis Stephen Cary (1808-1880). He was also a pupil of Charles West Cope RA (1811-1890) and
Oil, Panel
A Good Story, oil on canvas
By Margaret Dovaston
Located in Nr Broadway, Worcestershire
completing her training at the Royal Academy School. She studied under Charles West Cope (1811-1890), a
Canvas, Oil
The Young Mother
By Charles West Cope
Located in Saint Augustine, FL
An original hand colored steel plate engraving after English artist Charles West Cope (1811-1890
Steel
George Smith, Wonderful Victorian oil of children playing
Located in Harkstead, GB
genre painter from the Victorian period. He was a pupil at the Royal Academy Schools and of Charles West
Oil, Panel
The Odalisque
By Frederic Leighton
Located in Saint Augustine, FL
father of Charles West Cope, R.A. At the age of fifteen he came to London, and was articled to Charles
Steel
A Good Story, oil on canvas by Margaret Dovaston
By Margaret Dovaston
Located in Moreton-In-Marsh, Gloucestershire
completing her training at the Royal Academy School. She studied under Charles West Cope (1811-1890), a
Canvas
The Gentle and the Simple
By Charles West Cope
Located in Salt Lake City, UT
asleep), are testaments to Cope's study of sixteenth-century Dutch, Flemish, and Venetian Old Masters
Oil, Canvas