Graff Signature

The British jeweler Sir Laurence Graff (b. 1938) became utterly mesmerized by diamonds when he undertook his first apprenticeship at age 15 in London’s Hatton Garden jewelry district. It wasn't long before he established his now-celebrated eponymous brand, which produces engagement rings, necklaces, rings, earrings, stand-alone jewels, watches and more — all entirely in-house.

Graff had enrolled in classes at Central School of Arts and Crafts, and while he initially showed promise and was highly regarded, the shop owner, Mr. Schindler — who had his apprentice scrubbing floors and toilets — soon changed his tune, deeming him subpar. Undeterred, Graff learned to repair rings and designed small jewels at a humble workbench in his bedroom. He opened a 24-hour ring-repair service with a business partner and, in 1960, founded his luxury house. Two retail locations followed in London in 1962. Graff would go on to become one of the finest diamantaires in the world and was appointed an OBE in 2013 by Queen Elizabeth for his services to the jewelry industry.

Graff is known for handling some of the most famous diamonds in the world, including the Windsor Yellows, the Paragon, the Lesotho Promise and the Wittelsbach-Graff. He also purchased the 302.37-carat Graff Lesedi La Rona, which, at the time, was the largest diamond ever graded by the Gemological Institute of America. The GIA certified the diamond — then the second-largest gem-quality rough diamond on record — as being of highest color and highest clarity. Lucara Diamond Corporation workers discovered the 1,109-carat rough diamond in 2015 at the Karowe mine in Botswana, and after Graff purchased the diamond in 2017, his gemologists and craftsmen spent more than 18 months polishing its final facets.

While many jewels, such as the Graff Lesedi La Rona, remain in Graff’s collection, he does sell extremely high-quality stand-alone jewels. Gems in his showrooms can reportedly fetch hundreds of thousands of dollars on average. Although these stones are perhaps slightly out of the budget of a typical Graff jewelry client, the house does work with more reasonably priced, but no less exceptional gems for its collections.

Naturally, diamonds feature prominently in Graff jewelry, which is known for being more avant-garde than traditional, although Graff does create classic engagement rings, too. The jeweler’s ready-to-wear collections integrate naturalistic motifs like butterflies, bows and sunbursts, as well as striking silhouettes like the crisscrossed Kiss, the clustered Threads and the swirling Inspired by Twombly line, which pays homage to the work of American painter and sculptor Cy Twombly. And while diamonds are the main focus for Graff, his jewelry occasionally features other precious and semiprecious stones.

Browse Graff watches, rings, earrings and other accessories on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.