Ince Mayhew

A pair of George-III mahogany hall chairs in the manner of Ince & Mayhew, retaining excellent

An important George III sycamore and marquetry serpentine pier commode attributed to Mayhew and

Mayhew & Ince. Clytha was begun by Jones in 1790 to commemorate the memory of his wife, the grand

and brass feet. The 1775 original Ince & Mayhew piece fetched $853,000 at auction.

Hepplewhite style in the manner of Ince and Mayhew. This pair of chairs are one of the most pleasing designs

attributed to a number of eminent makers including Messrs. Ince & Mayhew who, so it is recorded, worked

manner of Mayhew and Ince. circa 1780.

, bellflower swags and floral marquetry. The design is derived from plate XLII in the 1762 pattern book by Ince

semi-elliptical commode conform with those identified as characteristic of Mayhew and Ince, the

An exceptional George III satinwood and marquetry cabinet on stand, attributed to Mayhew and Ince

A George III mahogany pembroke table inlaid on the butterfly shaped top with a central boxwood paterae banded with satinwood and tulipwood and surrounded by boxwood and ebony stringi...

George III decorated settee after the design by Ince and Mayhew.

A George III parcel-gilt-white painted daybed, attributed to Ince and Mayhew. Covered with a

Anne period bevelled oval that has been integrated in the later frame. Attributed to Mayhew and Ince

Attributed Mayhew & Ince, this fine marquetry corner bow-fronted washstand employs superb veneers

depth, having two drawers. Similar to shelves made by Ince and Mayhew and Thomas Chippendale.

bell-flowers. The original circa 1770, attributed to Mayhew & Ince, the largest competitor to

, cabinet-makers turned their attention to the making of suitable ornamental tables. William Ince and John

mounts, attributed to Mayhew and Ince were exhibited by Carlton Hobbs at Olympia Fine Art and Antiques

his trade in London working under the renowned firm of Mayhew and Ince, Moore set up in Dublin 1785

. William Moore trained in London specializing as a 'marqueter' with the leading firm of Mayhew and Ince. He

cabinet making firms of the late 18th and 19th centuries, on a par with Chippendale, Mayhew and Ince and

, and Mayhew and Ince. Chippendale’s Director has a design for a ‘Sideboard Table’ of very similar form

of "several laughable Subjects, droll Figures, and sundry Characters." The furniture-makers Ince and

A fine Adam period console table in the manner of Ince & Mayhew and Linnell, having satinwood

use. Circa 1780. Measures: width: 132cm, depth: 62cm, height: 223cm Ince & Mayhew were a

the manner of Ince & Mayhew. Each top centred by a honeysuckle motif within a repeated circle

A Fine George III Mahogany Breakfront Cabinet Circa 1770 Attributed to Ince & Mayhew

In The Manner of Ince and Mayhew A fine quality mahogany serpentine shaped chest of drawers inlaid

Very fine George III mahogany classical console or pier table in the manner of Mayhew and Ince, the

An interesting George III yew wood marquetry side table, firmly attributed to Ince and Mayhew, the

Important and rare George III harewood and satinwood pembroke table attributed to Mayhew & Ince

MAYHEW AND INCE, CIRCA 1772. The top with panels of burr-maple cross-banded with fustic, the frieze with

writing or work table in the manner of Ince and Mayhew. The top Inlaid with satinwood urn and foliate

Robert Adam, and Ince & Mayhew designs for similar satinwood marquetry commodes of the late 18th century

Director in 1754. Ince & Mayhew’s “Universal System of Household Furniture” provides similar designs which

 A well designed set 4 18th Century mahogany hall chairs, in the manner of ‘Ince and Mayhew’. The

made by such firms as Mayhew and Ince, John Linnell and Thomas Chippendale and dates to c.1770-80. The

shelf, on turned and inlaid tapering legs. Inspired by a Mayhew and Ince original after a design by

feet, the shaped apron with open guilloche-carved edge as seen in several examples by Mayhew & Ince and

leading furniture makers of the period, Thomas Chippendale, Mayhew and Ince and John Cobb

inventive than those of his contemporary cabinet-makers – such as Chippendale; and Mayhew and Ince. Thomas

attributed to the firm of John Mayhew & William Ince, and appears of similar craftsmanship, though

bottom drawer. The letter on the right of the drawer mentions Ince and Mayhew, best known for their 1762

firm of Mayhew and Ince, who are known to have furnished the house. The Syon chairs share the same

Society, Mayhew, John and Ince William, Page 589-598 George Hepplewhite was a cabinetmaker, regarded as

during his active years, most notably by Ince and Mayhew.   

Linell, Thomas Linnell, Thomas Chippendale, and Ince and Mayhew. So many able designers were working in

A pair of ash and elm side chairs in the manner of Mayhew & Ince. The oval back centred by a

rivals Ince and Mayhew in their 1762 Universal System of Household Furniture. Plates LXXX and LXXXII

collaborated with John Linnell, Ince and Mayhew, Vile and Cobb, Daniel Smith and Robert Sharp, John Parker and

Attributed to Ince & Mayhew, a George III marquetry padouk-wood and mahogany serpentine commode

grained veneer and block feet with original brass castors. Probably made by Ince & Mayhew. A very

scroll legs ending in stylized hoof feet. Attributed to Ince & Mayhew

19th century George III Gothic inspired mahogany dumbwaiter in the style of Mayhew & Ince.

A fine pair of mahogany George III hall chairs attributed to Mayhew & Ince, oval reeded fan backs

model relates to designs by Ince & Mayhew, a partnership founded in London by William Ince (died 1804

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

A carved mahogany, flame mahogany veneered and parcel gilt four poster King bed, the arched headboard with a carved cornice and finely carved acanthus leaf carved baluster and cluste...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...

A rare and exceptional Tuscan, ebonized 4 drawer commode inlaid with gilded bronze and mother of pearl. Decorated with a motif of flowers, birds and dogs at play. Original hand chase...

This very important 96-lights chandelier made entirely in chiseled and gilded bronze in the Renaissance style, is composed at the lower part of six large sets of ten light-arms, ador...

A fine pair of 18th century George III Hepplewhite period floral marquetry inlaid demi-lune card tables attributed to John Cobb. The semi-elliptical sabico and floral marquetry top ...

A rare and important George III five pedestal dining table c1780, with four leaves. The rounded rectangular top of superb timber with reeded edge and tilting action to each pedestal,...

Pair of Northern Italian (late 18th Century) Neo-classical walnut and marquetry inlaid gilt bronze mounted commodes with 3 drawers (in the manner of GIUSEPPE MAGGIOLINI) (PRICED AS P...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the mos...

This lavish American tester bed exhibits superior craftsmanship and detail. The design is embellished with elaborate carvings on the headboard and sides. The stunning wood grain enha...

We are delighted to offer for sale this sublime fully restored circa 1789-95 Gillows Lancaster George III dining table in American Walnut A very rare and highly collectable table,...

A joined enclosed American walnut, white oak, pine, beech, maple, krappa (crabwood), and letterwood Boston chest of drawers with lidded top Ipswich/Boston, Massachusetts, 1650-1670 ...

Aftrer Anthony VAN DYCK - maybe Studio (1599, Antwerp – 1641, London) Flemish Double Portrait of George Villiers, 2nd Duke of Buckingham (1628-1687) & Lord Francis Villiers (1629-164...

A magnificent 19th-century mahogany arm chair crafted in the George II taste. From the pierced, intertwined ribbon back and duck-form armrests to the hairy ball-and-claw feet, the qu...